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 Like the hit album that  inspires its name, Supernatural Live brings journeyman guitarist Carlos  Santana back into the mainstream by surrounding him with younger superstars  eager to bask in his formidable musical presence. Resuscitating stardom through  sheer proximity can translate to forced pairings or superfluous music making,  but credit Santana himself with minimizing such missteps. A fusion artist before  the term was coined, the erstwhile Mexican street musician long ago extended his  technical reach and broadened his stylistic palette by hungrily assimilating  different styles of music. Accordingly, he shifts gears easily, whether soloing  behind Dave Matthews, trading lines with legendary saxophonist Wayne Shorter, or  spicing up a hip-hop excursion with Lauryn Hill.
   Santana justifiably taps into the late '90s' breakout for Latin pop, hardly  surprising in light of his early identification with Latin-rock via his 1968 recording debut. His early  reworking of Tito Puente's classic "Oye Como Va" thus pops up as the set closer,  while the concert kicks off with a frenetic, horn-powered "(Da Le) Yaleo," given  added spectacle by a swaying corps of lissome female dancers in feathered  headgear. Elsewhere, the guitarist hosts a procession of the stars that added  their marquee value to the Supernatural album, including Rob Thomas (the  massive hit, "Smooth," here performed as a medley with "Dame Tu Amor") and  Everlast. But a duet with label colleague Sarah McLachlan on "Angel" yields the  concert's only anticlimax--on a ballad built from spare piano and a poignant  lyric, Santana's innate taste leaves him little to contribute beyond a delicate  tracery of classical guitar.   Production values are excellent, with crisp camera work and sound mixing. A  special remote camera, mounted on the neck of Santana's guitar, presents his  intricate fretwork in nifty close-ups that are wisely held to just a few songs.  --Sam Sutherland
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