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  Pretty ornithologist Rachel (Natasha Henstridge) agrees to let a team of  FBI agents take over her apartment for a strategic observation post when Nelson  Mandela comes to town. Rachel's lonely, though, and when one of the agents sees  that, he seduces her. Surprise! He turns out not to be an FBI agent at all, and  is actually a ruthless assassin. She foils his first attempt on Mandela's life  and soon finds herself on his list of witnesses to be eliminated. Her estranged  mom (Lauren Hutton) is also in jeopardy as he ties up loose ends. This is a film  that could almost be good, but it has a few factors working against it: The  assassin (Jonathon Schaech) occasionally slips in and out of his South African  accent, Rachel's adenoidal best friend is just plain irritating, and Hutton  still looks a bit too good to be a down-and-out alcoholic nympho ex-hippie bag  lady. Also, the story telegraphs its plot twists well in advance--Rachel's  friend may as well have a tattoo that says "dead girl" across her forehead from  the very start.Still, the movie tries hard and occasionally succeeds, despite  its slack direction and murky plot, achieving a bloody slam-bang thrill or two  along the way. Those who enjoy guilty-pleasure filmmaking should like  Caracara, if they don't look too closely at the threadbare spots.  Caracara, by the way, is a rare bird of prey that Rachel keeps for a pet  in her apartment; the multifaceted bird doubles up on metaphorical duty as well.  --Jerry Renshaw
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