Rating:   Summary: I'm Really Not a Fan of Westerns, But............ Review: John Ford's "The Man Who Shot Liberty Valance" is a marvelous movie, regardless of how you feel about Westerns. This isn't a movie about outlaws, or something violent, but a study of the fight between old and new in our society. John Wayne's rugged cowboy represents the old, untamed west. Jimmy Stewart's refined and educated lawyer represents the order and civilized nature of a new west. Both clearly love the land they live on in different ways, and when the time comes to protect the people of the west from the evil Liberty Valance (played to perfection by Lee Marvin), they team up to save the day. In the end, Stewart's way of life, the way of progress, wins out. However, as can be seen by the memories the major characters have at the start of the film, the old west never really dies. The movie is just brilliant, with all the leads in top form, especially the forgotten Vera Miles as the woman both Wayne and Stewart love.
  Rating:   Summary: john wayne is the true hero of this movie Review: I loved this movie. John Wayne sacrifices his heart and his pride and turns a territory into a state. Great acting all around, especially Lee Marvin as a despicable gunslinger. Still, John Wayne emerges as the true hero of this movie.
  Rating:   Summary: A Ford Masterpiece Review: This film really showcases Ford's brilliance as a director.The way the film draws you in and commands your attention without the use of grand vistas or gratuitous violence. You follow along and watch the story unfold, while spotting bits of humor along the way. The characters are full and it is interesting to see the way they react and inter-react. Wayne and Stewart are excellent. And you'll fall in love with Vera Miles. You'll love this film even if you don't care for westerns.
  Rating:   Summary: On a scale of four, three and a half Review: This western is an enjoyable film, with good acting, and there is really nothing bad to say about it. I believe this film is equal to if not better than "Stagecoach", which is Ford's most famous film. For some reason this film has been hidden away, and I hadn't seen it or heard much about it until only recently when I checked it out from my local public library and watched it. One reason that it is obscure might be because it came out in 1962, right along with some other great (I wouldn't go so far as to say this movie is great though) movies. Movies like "Lawrence of Arabia", "The Manchurian Candidate" (One of my personal favorites), the first James Bond film, etc. If you like westerns, or old movies, or John Wayne, or James Stewart you can check this one out and you should be pleased with your choice. I wouldn't buy it though.
  Rating:   Summary: John Ford,s Memory Western Review: When this film was released many critrics panned it because they had no vision at all. Its a good thing that the great John Ford had vision....indeed. This film, shot in black and white, is not meant to be panoramic, it is however a final salute to what used to be and can be no more. A truly great cast brings to life the story of a town called Shinbone with Wayne superb in a non sympathetic role. The final scene on the train with Stewart, Vera Miles and Willis Bouchey is now folklore. CP
  Rating:   Summary: A captivating western classic that I can see over, and over. Review: John Ford has put together another must see with the likes of John Wayne, and James Stewart. The performance of Lee Marvin as Liberty Valance is superb, and the supporting cast which includes Strother Martin ("I'll get it Liberty!"), Lee VanCleef, and other notables makes this the one western you better not miss. Pay close attention to the Territory vs. state debate scene ... many fine performances by the lesser known stars! Ford took great pains to get all the little things right, and the end result is film that is entertaining from the main stars right on down the line.
  Rating:   Summary: Second Greatest Western Review: Right behind True Grit... the GREATEST western ever made. Wayne and Steward are great in this one. Gotta see it.
  Rating:   Summary: Not a fan of Westerns? You will be... Review: From amidst the plethora of available Hollywood Western titles emerge a relatively few notables: this is one, and Number One on my personal list. Each character is cast and enacted with serene perfection. The screenplay is without flaw. The cinematography, direction, etc... It will create in you a true love for The Western, single-handedly. If that love is already there, and you haven't seen this movie...where have you been?
  Rating:   Summary: So what's all the fuss about? Review: I've been searching for the "best" western, and a couple of people recommended this one. It does bring up some interesting issues, but I'm still searching.The movie, besides being stuffed with the usual cliches of the genre and the usual shoddy production values (obviously the whole thing was shot in a studio except for the train scenes at beginning and end), is a muddle. What exactly is the message? It seems to be that we need to murder bad guys in order to control them, and that what passes for civilization is just a lie. This would seem to support the silly interpretation of the film as an allegory for our war on terror, but that doesn't quite work either. Liberty was out in the street and easily identifiable, whereas most terrorists are in hiding or are unknown. "Taking the law into our own hands" is what Valance's thugs try to do after he's killed, and look where it gets them. Finally, neither way of life--the old Wild West nor the new more civilized West--looks like a very desirable condition. If we can believe this film (that is, take it as a metaphor), then in the old West everyone was too cowardly to stand up and face the bad guys except for the ineffectual representative of the new civilization, but Valance finally had to be shot from the shadows in a side street by the supposed "manly" John Wayne character--not a very nice allegory to base our country's behavior or character on. However that may be, it's another second-rate Western. I'm beginning to believe that the whole genre is second-rate.
  Rating:   Summary: The law, or the gun Review:   Director: John Ford Format: Black and white Studio: Paramount  Video Release Date: April 7, 1998 
 Cast: John Wayne ... Tom Doniphon  James Stewart ... Ransom Stoddard (attorney)  Vera Miles ... Hallie Stoddard  Lee Marvin ... Liberty Valance  Edmond O'Brien ... Dutton Peabody (Editor of the Shinbone Star)  Andy Devine ... Marshal Link Appleyard  Ken Murray ... Doc Willoughby  John Carradine ... Maj. Cassius Starbuckle  Jeanette Nolan ... Nora Ericson  John Qualen ... Peter Ericson  Willis Bouchey ... Jason Tully (conductor)  Carleton Young ... Maxwell Scott  Woody Strode ... Pompey  Denver Pyle ... Amos Carruthers  Strother Martin ... Floyd  Lee Van Cleef ... Reese  Robert F. Simon ... Handy Strong  O.Z. Whitehead ... Herbert Carruthers  Paul Birch ... Mayor Winder  Joseph Hoover ... Charlie Hasbrouck (reporter for 'The Star')  Robert Donner  Larry Finley ... Bar X man  Shug Fisher ... Kaintuck (drunk)  Mario Arteaga ... Henchman  Sam Harris  Chuck Hayward ... Henchman  William Henry  Bryan 'Slim' Hightower ... Shotgun  Earle Hodgins ... Clute Dumphries  Stuart Holmes  Mike Edward Jauregui ... Drummer  Jack Kenny  Leonard Baker ... Man  Ted Mapes ... Highpockets  Montie Montana ... Politician on horseback  Bob Morgan ... Roughrider  Charles Morton ... Drummer  Jack Pennick ... Jack, Barman  Chuck Roberson ... Henchman  Buddy Roosevelt  Charles Seel ... President, election council  Slim Talbot  Charles Akins  Ralph Volkie ... Townsman  Max Wagner ... Poker game dealer  Blackie Whiteford  Jack Williams ... Henchman  Danny Borzage ... Townsman  Helen Gibson  Gertrude Astor  Anna Lee ... Mrs. Prescott (widow in stage holdup)  Jacqueline Malouf ... Lietta Appleyard  Eva Novak  Dorothy Phillips  Stephanie Pond-Smith  This movie is top heavy with some of the best stars in the business: John Wayne, James Stewart, Lee Marvin, Edmond O'Brien, Andy Devine, John Carradine, Denver Pyle and a host of lesser names. A classic tale of the old West, although it is in black and white--not a flaw for some of us. The story is about a young lawyer, Ransom Stoddard (James Stewart) who comes West to practice law staright out of law school. He soon learns that in the West, the gun is more powerful than the law--although he is not willing to admit it, yet. He is robbed of all his money on the stagecoach, and discovers that almost everyone knows his robber, Liberty Valance, but no one, including the town Marshal, Link Appleyard (Andy Devine) is afraid to take on Liberty Valance. Everyone, that is, except Tom Doniphon (John Wayne), and he appears to be unwilling to get involved. This sets up the conflict, and the story proceeds from there. This is a fine Western, entertaining, well acted (as one might expect) and well directed by John Ford, also as might be expected. Joseph (Joe) Pierre
  author of Handguns and Freedom...their care and maintenance and other books 
 
 
 
  
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