3:10 to Yuma

Rating:
Summary: A Great Forgotten Western
Review: When speaking of the great Westerns such as SHANE, THE SEARCHERS and HIGH NOON, 3:10 TO YUMA should definitely be mentioned. All of these films came out in the 50's, but 3:10 has somehow been forgotten.

Van Heflin plays a farmer suffering from a drought. He is a quiet, seemingly passive man who becomes a reluctant hero. Heflin agrees to hold criminal Glenn Ford in a hotel room for $200 just long enough for the train to Yuma to leave at 3:10. Ford's gang, however, learns about the situation and plans to take action. The characters and performances by Ford and Heflin make the film work. Heflin is outwardly reluctant to take this job, but his strength lies within. The struggle within him is evident: Here's a family man who can save his farm or do what he knows is right. Ford, the criminal, is alluring, almost charming. He's a con artist and a cold-blooded killer, but you can't help liking him just a little. Sure, he's a criminal, but not your typical stereotyped Western bad guy. The suspense and tension waiting for the train rival that of HIGH NOON (just without the clock!). Even if you don't like Westerns, you'll like 3:10 TO YUMA.

Rating:
Summary: Seduction 101 courtesy of Glenn Ford
Review: Well, this is how you handle women guys. (spoiler alert) First he has Felicia Farr drooling all over herself, and then while in handcuffs takes a run at Van Heflins wife. That is machismo at its best. Oh yeah, the rest of story. Well, Ford is quite simply the most charming, ruthless, manipulative, and mercurial bad guy in the history of the Western. Required viewing for Psych majors and fledgling seduction artists.

The DVD transfer is excellent in widescreen and the sound is terrific...if you fast forward past one of Hollywood's worst theme songs "...I hear a ruma, when you take the 3:10 to Yuma, you can see the ghosts of outlaws riding by, way up high, in the skyyyyyyyyyy..." Have a pie, in your eye! Jeez, pretty funny though. Great movie, I don't want to talk about the ending...I mean I really don't want to talk about it. Didn't they have a jail in that town? Otis Campbell must have already checked in or something.

Rating:
Summary: Great pyschological western
Review: 3:10 to Yuma is an excellent pyschological western with a similar story to High Noon. The leader of a gang is captured by a posse after a robbery and must be transported to another town so he can be moved on the train. One of the local farmers, who is in desperate need of money, agrees to travel with him and watch him until he can be put on the train, the 3:10 to Yuma. All along the way, the outlaw plays mind games with the farmer trying to manipulate him into letting him go. There is plenty here for western fans. The dialogue between Glenn Ford and Van Heflin is the best part of the movie as they go back and forth between them while Ford plays his mindgames on the unwilling hero, Heflin.

Glenn Ford gives one of his best performances ever as Wade, the smooth-talking, calm, but ruthless gang leader. His character is perfect for this role, and could not have been done any better. Van Heflin is just as good as the poor farmer watching over Wade. It is easy to see the anger inside of him as Wade continues to push his buttons as they wait for the train. The rest of the cast includes many western actors, most notably Richard Jaeckel as Charlie, the right hand man of Wade who plays the slimy gunfighter throughout. It is great to see this movie on DVD, which includes the widescreen presentation. Western fans will love this great movie with an even better cast!

Rating:
Summary: Stands equal to the very finest of the genre!
Review: It may not display the the scenic effulgence of red painted buttes beneath a cereulian sky, as with the Searchers, or the impregnable fortress backdrop of the tetons,as with Shane, but its psychological intensity, deep character studies, and indefatigable suspense,makes 3:10 to Yuma just as praise-worthy as the former two. The austere black and white gives the film its dream-like ambiance (along with the strumming of morose guitar chordings in the background). The seemingly deserted town of contention brings a macabre feeling over the viewer,all the while the viewer builds an adrenaline rush(like one i have not even experienced with many modern thrillers.)At certain junctures of the film Daves directs the camera anglings so masterfully that the scenes are indelibly etched in the viewers mind(look for the scene in the hotel room where Ben Wade(ford)taunts and bribes Dan Evans (Van Heflin) the camera zooms in closer and closer to Evans anger contorted face.)This is a very unique western that stands out in the pletheora of oaters being produced in the 50s. Though it has been overlooked by serious western film critics (Who devote more time to the other classics of that decade: Shane,High Noon, The Searchers,Rio Bravo, and the Anthony Mann/Jimmy Stewart selections) 3:10 to Yuma deserves a closer look. Its sheer intensity and noir psychology exalt it,and i'am confident other viewers would concur, to a status worthy of one of the top ten in the genre. For me it is indubitably in the top four or five of the greatest westerns of all time. Pick this one up! Incredible!!!

Rating:
Summary: A Western Hidden Treasure
Review: Van Heflin stars as a struggling rancher who agrees to guard outlaw Glenn Ford for $200 as he is being escorted to jail in Yuma. Ford killed a stagecoach driver while robbing the coach, but he is backed by a loyal gang that everyone fears. Heflin is assisted by town drunk Henry Jones. There's a lot going on in this brief, tense western. The relationship between Heflin and Ford is really interesting, as Heflin finds more courage than we thought he had, and Ford makes his character almost likeable as he mentally works over his captor. There is also an interesting relationship between Heflin and his wife, quite complicated given their brief time together on screen. She seems to question his courage and strength of character. Director Delmer Daves gradually builds the tension, but never allows it to let-up, propelling the story to its exciting conclusion. The centerpiece of the film is the performances of the two stars. Ford, not a great actor as a rule, really digs into this character and makes him quite memorable, while Heflin, a favourite character actor of mine, is totally convincing as the beleaguered farmer, forced into the role of hero that he never wanted, but wants to prove he can handle. This may not be a very well known film, but it should be considered one of those hidden treasures that it's fun to unearth. Suspenseful, well written, with enough action and atmosphere to make it a classic western. Look for this one!

Rating:
Summary: The Best Glenn Ford Film
Review: I have been a fan of "3:10" since I was a kid. Every time it is on I have to watch it. It is compelling, beautiful and fascinating. This is a very powerful film for its time and stands up to today's standards. Glenn Ford is wonderful against type, a truly bad man, but able to charm the pants off the girls (literally) and becomes likable yet despicable. Van Heflin is excellent as well, both men play well off each other and we see without corniness the contrast between the two characters. The supporting cast includes some excellent talent, too, including Richard Jaeckle, Ford Rainey and others. This is a must see and a must own film, especially now that its on DVD, my VHS copy is all worn out...gee, I wonder why.

Rating:
Summary: The Best Glenn Ford Film
Review: I have been a fan of "3:10" since I was a kid. Every time it is on I have to watch it. It is compelling, beautiful and fascinating. This is a very powerful film for its time and stands up to today's standards. Glenn Ford is wonderful against type, a truly bad man, but able to charm the pants off the girls (literally) and becomes likable yet despicable. Van Heflin is excellent as well, both men play well off each other and we see without corniness the contrast between the two characters. The supporting cast includes some excellent talent, too, including Richard Jaeckle, Ford Rainey and others. This is a must see and a must own film, especially now that its on DVD, my VHS copy is all worn out...gee, I wonder why.

Rating:
Summary: From a time when men had to prove they were men.
Review: '3:10 To Yuma' is a stark monochrome Western that has been praised for its suspense and high moral tone. Van Heflin, in a darker variant on his role in 'Shane', plays a character who picks up where most Westerns leave off. The genre is usually concerned with taming wild loners or men with pasts. rewarding them with the joys of civilisation. Heflin has seen what civilisation really means. He lives on a drought-dry farm with a wife and two children he often fails to feed. The grind of fruitless labour has worn them all down, and Heflin's identity as a man, having been once the greatest shot in these parts, is now undermined by humiliation in front of his family by outlaws stealing his cattle and horses, or forced to beg money from indifferent acquaintances. His wife can't understand that his inability to 'be' a 'man' is the result of the civilisation she represents.

What's a poor honest farmer to do when he sees murderers and thieves throwing money around, drinking their fill, bedding beautiful strangers, and generally living the whooping-it-up life? Glenn Ford is the not-completely-irredeemable leader of a gang of devoted sadists so feared throughout the region that no lawman dares touch him. Such men are usually let down by their sexual desire, and when he leaves his gang to schmooze a barmaid, he is captured by the locals. Knowing that they will be no match for the manpower or ruthlessness of the gang when they return to rescue Ford, the sheriff plans a decoy, which will need two foolishly brave men to take the bandit to the train station at Contention City. The initally reluctant Heflin accepts the job when a farm-saving reward of $200 is offered.

In many ways, 'Yuma' works against the conventions of the Western as it seeks, like the hero to avoid action and the inevitable climactic shoot-out for as long as possible. The film's centre-piece is a lengthy, stagy sequence in a hotel room in which Heflin holds Ford prisoner - potential ponderousness is offset by the terrific acting of the two aging actors, one goading and testing the other, tempting with crooked offers that are all too tempting; the other struggling manfully to resist. At first, Heflin's taking the job is strictly economical - he needs the money. Then it becomes ethical, a stand against socially disruptive forces threatening the community. It is also a test of the masculinity that has long been buried by family duties. Finally, it is an existential struggle, with Ford as the man Heflin could easily become (and perhaps once was?), and his men as the instruments of inexorable Fate the farmer must face and outwit on his own, stripped of support, just as Man must eventually face Death.

The film's mise-en-scene is suitably austere, the black-and-white cinematography emphasising sharp contrasts, the alienating outlines of buildings and landscapes, and the vulnerable men and women who walk through them - sometimes watching 'Yuma' is like leafing slowly through an album of stark 19th century photographs taken of the West. The 'city' in which the film is mostly played out initially seems like a ghost town, and a surreal funeral sequence interrupting, or accentuating, the tension, gives a quality of dream. Delmer Daves' direction is not self-effacing - every shot is meticulously, often heavily composed, character patterns structured in frames creating a sense of constriction and claustrophobia that serves to turn the plot's screws. What saves the film from being just another superfical 'High Noon' 'allegory' is the sudden bursts of violence rupturing the tense silence, and the ultimate refusal to wholeheartedly embrace doom-and-gloom existentialism.

Rating:
Summary: 3:10 to Hombre
Review: The film "3:10 to Yuma" is not considered to be one of the "great" westerns because its ending is wrong. Van Heflin's character must die, like the Paul Newman character in Elmore Leonard's other western film, "Hombre". Otherwise it is neat seeing Glenn Ford play against his screen good guy persona. Another reasonably good western is "Jubal" with Ford and Borgnine.

Rating:
Summary: The Great Build-Up
Review: This 50's Western. which received great reviews on it's debut, is well worth the praise. The psychological build-up is gradual, with smaller peaks along the way (the man hanging by the stairs is a particularly memorable one) until the viewer is as tense as the characters. The characterization is excellent and it stars several well-known names, including Glenn Ford and Van Heflin. If you're a western movie buff, it's well worth a look.