Hans Hofmann : Revised and Expanded

Rating:
Summary: Five stars aren't enough.........
Review: This book deserves 7 stars. The plates are superlative, and the coloration is excellent. Coloration is a problem that plagues most books about Hofmann (among others). His use of reds and magentas can be difficult to reproduce with proper balance. Frequently, the results are that the plates appear somewhat anemic or the reds take on an exaggerated neon character that is hard on the eyes. Here, then, is a feast for the Hofmann enthusiast with nearly 300 pictures, practically all of them in exquisite color. This is an experience second only to actually viewing a Hofmann exhibit first hand. In my opinion, the plates alone make this book a worthy acquisition. But there's more.

Other particulars making this book a great addition to any bookshelf dedicated to Modern Art are five essays by Hofmann on art: "Plastic Creation", "The Search for the Real in Visual Arts", "The Resurrection of the Plastic Arts", "The Color Problem in Pure Painting" and "Sculpture". This is not to mention an excellent Introduction by Sam Hunter and wonderful essays by Tina Dickey and Frank Stella. Of course, there are the requisite features of a monograph: a brief (perhaps a little too brief, but who can complain at this point) chronology of Hofmann's life, and a selected list of exhibitions. Add to all of the above the attractive binding, a sturdy and handsome slipcase (which is what is pictured above), and what you have is a unique and appealing presentation of Hans Hofmann, his life, his work, his thoughts and his place in Twentieth Century Art.

This book is enthusiastically recommended.

Rating:
Summary: Five stars aren't enough.........
Review: This book deserves 7 stars. The plates are superlative, and the coloration is excellent. Coloration is a problem that plagues most books about Hofmann (among others). His use of reds and magentas can be difficult to reproduce with proper balance. Frequently, the results are that the plates appear somewhat anemic or the reds take on an exaggerated neon character that is hard on the eyes. Here, then, is a feast for the Hofmann enthusiast with nearly 300 pictures, practically all of them in exquisite color. This is an experience second only to actually viewing a Hofmann exhibit first hand. In my opinion, the plates alone make this book a worthy acquisition. But there's more.

Other particulars making this book a great addition to any bookshelf dedicated to Modern Art are five essays by Hofmann on art: "Plastic Creation", "The Search for the Real in Visual Arts", "The Resurrection of the Plastic Arts", "The Color Problem in Pure Painting" and "Sculpture". This is not to mention an excellent Introduction by Sam Hunter and wonderful essays by Tina Dickey and Frank Stella. Of course, there are the requisite features of a monograph: a brief (perhaps a little too brief, but who can complain at this point) chronology of Hofmann's life, and a selected list of exhibitions. Add to all of the above the attractive binding, a sturdy and handsome slipcase (which is what is pictured above), and what you have is a unique and appealing presentation of Hans Hofmann, his life, his work, his thoughts and his place in Twentieth Century Art.

This book is enthusiastically recommended.

Rating:
Summary: True Colors
Review: This is the finest Hofmann book I have seen.

The combination of hue clarity, nuance, and sharp focus of the plates acurately recreates the space of the paintings and really lets them sing.

The brush and knifework, even the weave of the canvases are all crystal clear in the reproductions.

This solidly constructed book is a work of art in itself.