Pleasant Places: The Rustic Landscape from Breugel to Ruisdael

Rating:
Summary: A Pleasant Book
Review: Walter Gibson's "Pleasant Places" will help you enjoy the quiet and unassuming genre of 17th Century northern European landscape art. The author accepts the works at face value: pleasant images of places the Dutch in particular liked to visit. Gibson does not read religious allegory into them as some art historians do, but he instead shows you how to appreciate the quality of light, the sense of place, and the Dutch character that emerges from Dutch landscape art. He perhaps inadvertently offers some examples where religious interpretations may be more important than he allows, and you do not feel that he is forcing all of the works to fit his premise even though he is steadfast. The book is well-written, and I especially appreciate the author's parenthetical definition of Dutch terms and concepts as they are introduced. In addition, he gently reminds you of their meanings when they are reintroduced in subsequent chapters, so you won't have to hunt through the index and text to find them again. Some of the black-white reproductions of prints are too small, and not clear enough to enable detailed study, but this is a common problem with art history books, and this book will motivate you to visit the nearest art museum to study the genre in any case. Walter Gibson communicates a love and respect for 17th Century northern European landscape art that makes me want to visit Holland and experience it first-hand. Walter Gibson has persuaded me that I will find the Dutch countryside a pleasant place laden with history and wonderful light.

Rating:
Summary: A Pleasant Book
Review: Walter Gibson's "Pleasant Places" will help you enjoy the quiet and unassuming genre of 17th Century northern European landscape art. The author accepts the works at face value: pleasant images of places the Dutch in particular liked to visit. Gibson does not read religious allegory into them as some art historians do, but he instead shows you how to appreciate the quality of light, the sense of place, and the Dutch character that emerges from Dutch landscape art. He perhaps inadvertently offers some examples where religious interpretations may be more important than he allows, and you do not feel that he is forcing all of the works to fit his premise even though he is steadfast. The book is well-written, and I especially appreciate the author's parenthetical definition of Dutch terms and concepts as they are introduced. In addition, he gently reminds you of their meanings when they are reintroduced in subsequent chapters, so you won't have to hunt through the index and text to find them again. Some of the black-white reproductions of prints are too small, and not clear enough to enable detailed study, but this is a common problem with art history books, and this book will motivate you to visit the nearest art museum to study the genre in any case. Walter Gibson communicates a love and respect for 17th Century northern European landscape art that makes me want to visit Holland and experience it first-hand. Walter Gibson has persuaded me that I will find the Dutch countryside a pleasant place laden with history and wonderful light.