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Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present

Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present

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Rating: 1 stars
Summary: pathetic visions
Review: I purchased this book at the House of Blues in New Orleans on a whim a few years back, and have enjoyed it ever since. I keep it put away so it won't get tore up. If I meet someone I feel can appreciate the book I will let them look at it. The subject of self-taught American artist is very interesting and the book will give you an insight into the artist themselves as well as some of their creations.

However, the vast majority of the artists in the book are from the Deep South, and most are African-American. Nothing wrong with that, just thought I would let you know. You won't find Granda Moses in this book, but Finster is there.

Now I see it is out of print. Too bad.

Rating: 4 stars
Summary: Self Taught Artist - glad I got it!
Review: I purchased this book at the House of Blues in New Orleans on a whim a few years back, and have enjoyed it ever since. I keep it put away so it won't get tore up. If I meet someone I feel can appreciate the book I will let them look at it. The subject of self-taught American artist is very interesting and the book will give you an insight into the artist themselves as well as some of their creations.

However, the vast majority of the artists in the book are from the Deep South, and most are African-American. Nothing wrong with that, just thought I would let you know. You won't find Granda Moses in this book, but Finster is there.

Now I see it is out of print. Too bad.

Rating: 1 stars
Summary: pathetic visions
Review: this book is very hard to follow. i saw the show at our museum and bought the catalogue. i did not enjoy the show but i assumed the book would be better. i don't understand the concept of organizing art by categories like "patriotism","animals",etc. that seems very juvenile. it was very hard to find art by various artists because it was so spread out. it was not very cohesive at all. the index is not very helpful either. i finally cut all the pictures of the art and the relevant information of the artists out and taped them into an album and made my own book with chapters of each of the artists. this made the book much easier to read and easier to learn about the artists, their work, and self taught art. i have since bought other books about self taught art, and while most are not very well done, at least a lot of the art is exciting. this is not one of the better art books i have read. it does have a lot of pictures, but many of them look like they were taken with velvet or felt backgrounds, and some look like they were taken in someone's yard(not the artist's). the university of mississippi should have rented a photography studio.

a

Rating: 5 stars
Summary: wonderful color plates -- great text
Review: This is the catalog of an exhibition and national tour organized by the New Orleans Museum of Art, which has a well-developed acquisition program for the art of self-taught artists. There are 270 works by 80 artists from 13 southern states. The full-page color plates are accompanied with Yelen's text describing each work, often offering the artist's own words to describe a piece. These artists, for the most part, are not concerned with issues of preservation or conservation in their selection of materials. Their relationship to their materials is organic. Several of the artists paint in mud, a practice they continued even after interested patrons and gallery owners supplied them with proper paints. Most self-taught artists, says Yelen, begin their art late in life, usually after retirement. They often create as a directive from God, His angels, or from visions in dreams; they feel a spiritual connection to their work. The essays are well written and informative, but the art itself speaks most eloquently.


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