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Eye of the Storm: The Album Graphics of Storm Thorgerson With Peter Curzon and Jon Crossland

Eye of the Storm: The Album Graphics of Storm Thorgerson With Peter Curzon and Jon Crossland

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Rating: 5 stars
Summary: Arrange Your *Eye* Examination Soon
Review: Storm Thorgerson is best known, of course, as the premiere album art designer with a 30-year association with Pink Floyd. If you became fond of his work because you're a PF fan, you don't want to miss this book just because Floyd art isn't the primary focus this time around. Storm's writing in Mind Over Matter was very entertaining, but in Eye of the Storm he's assumed an even more relaxed, personally revealing style. His character comes through more clearly, and he's a very engaging character indeed!

Among the book's features is an art concept that was originally intended for a Hey You 1994 concert video. He confesses that the Tree of Half Life concept didn't begin as Pink Floyd art. It tells more than his previous books about his talented associates, for example Keith Breeden (who is unfortunately now retired from the business).

The book is compelling entertainment, and it fills a gap for some of us who missed seeing his intriguing work for less famous bands than Led Zeppelin and Pink Floyd. My favorite at the moment is the Catherine Wheel art he selected for this book's cover.

Rating: 5 stars
Summary: Arrange Your *Eye* Examination Soon
Review: Storm Thorgerson is best known, of course, as the premiere album art designer with a 30-year association with Pink Floyd. If you became fond of his work because you're a PF fan, you don't want to miss this book just because Floyd art isn't the primary focus this time around. Storm's writing in Mind Over Matter was very entertaining, but in Eye of the Storm he's assumed an even more relaxed, personally revealing style. His character comes through more clearly, and he's a very engaging character indeed!

Among the book's features is an art concept that was originally intended for a Hey You 1994 concert video. He confesses that the Tree of Half Life concept didn't begin as Pink Floyd art. It tells more than his previous books about his talented associates, for example Keith Breeden (who is unfortunately now retired from the business).

The book is compelling entertainment, and it fills a gap for some of us who missed seeing his intriguing work for less famous bands than Led Zeppelin and Pink Floyd. My favorite at the moment is the Catherine Wheel art he selected for this book's cover.


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