Lives of the Musicians: Good Times, Bad Times (And What the Neighbors Thought)

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Summary: Lives of the Musicians--Good Times, Bad Times, and What the
Review: I first read lives of the musicians when I was about 7 yearsold or so. Then, I thought it was terrific. I still do. However, I amnow 12 years old, and now that I have paid more attention to it, I see several faults, but overall it is still a very good book. First of all, their choice of musicians is not the best. I would have recommended Debussy and Schubert, like the Kirkus Reviewer. Some of the composers I have hardly ever heard of, like Igor Stravinsky or Nadia Boulanger. And while Clara Schumann was a great pianist, I think they should have focused more on her husband, Robert, a prolific composer, whose works are among the very best. Also, some of the parts of the biographies are questionable. Frederic Chopin may not have actually been romantically involved with Aurore Dudevant (George Sand), but in love with the Countess Delphine Potocka. The book states that the Waltz in D-Flat, or Minute Waltz, was written for George Sand's dog, when in fact it was probably written for Potocka. However, the book was still very well written, and I enjoyed it, despite the possible mistakes. I recommend this book to anyone who likes music, classical or not. So sit back and enjoy!

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Summary: I Loved This Book.....
Review: I loved this book because it made those musicians seem like real people instead of great-all-star-super-geniuses. It is full of strange little facts about all the famous musicians like Bach,Gershwin,Beethoven and Schmann.

---Megan W.

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Summary: A great book for teaching music history!
Review: I use this book all the time with my classes. Each month we read about a different composer and listen to some of his/her music. The kids really love the obscure facts like Gershwin banging the keys so hard on "Rhapsody in Blue" that his fingers bled. There are lots of great stories that children find interesting, not just information like birth place and major compositions. If you are a music teacher who incorporates history in your classroom or just a music lover wanting fun facts about composers, this book is a must have

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Summary: A Believe It Or Not book for the musically inclined
Review: Most eccentrics do not become famous and most talented souls remain undiscovered. In "Lives of the Musicians", however, eccentrics with talent not only were discovered, but lauded long past their own lifetimes. Author Kathleen Krull has partnered with illustrator Kathryn Hewitt to create the world's first interesting children's collection of biographical information concerning some of the best composers ever to breathe.

The book spans the field of music from Verdi to Woody Guthrie. Each entry (there are sixteen in total) contains one picture and one description of the artist's life. These descriptions, as described by the author herself, "are offered now as a way of getting closer to the musicians - and the music". Every quirk and interesting tidbit is laid before the reader in the most wonderfully entrancing ways. Did you know that Bach once got into a knife fight in the streets? Or that Sir William Gilbert owned a bee named Buzfuz? It might be interesting to collect such fun but otherwise meaningless tidbits about composers' sometimes sordid lives, but Krull goes a step further. Facts included in each life explore the necessary details of their birth and death dates, how they were introduced to music, their lives, etc. Each section is also followed by information about their best-known works. What I liked about this book, however, was that the author did not choose to linger over their individual creations. A kid reading this book is not going to want to hear a long drawn out account of exactly why Chopin chose to write his Funeral March the way he did. You can find this information in a standard biography of Chopin's works. No, this is a book gives children the chance to acknowledge that all those hoity-toity names they've been forced to digest in elementary school music classes actually had interesting and sometimes wacky lives. Plus, the author is kind enough to include a section of musical terms, an index of composers, and a list meant, "For Further Reading ... And Listening", for those kids who wish to know more about these fascinating heroes of music.

Krull's method of writing is particularly adept when conveying irony. In her section devoted to Erik Satie (a perfect choice for this book, if ever there was one) she describes the composer's reaction to his own poverty.

"He once remarked, `It's odd. You find people in every bar willing to offer you a drink. No one ever dreams of presenting you with a sandwich'".

The next line then states off-handedly, "He died of cirrhosis of the liver at age fifty-nine". Kids may not get the joke, but I for one whole-heartedly approve of the author's choice to mention that fact after such a statement.

Because the book only contains sixteen composers, you can't help but wonder what the author's method of selection was. These composers certainly define the canon of Western music, with two women, an African-American, and a man of Jewish decent serving to bring a little diversity to the list. But why include Charles Ives and not Claude Debussy? Why Stravinsky and not Wagner? The only reasons I can find for some choices would be because some composers lived far more interesting lives than others. Certainly the range of oddities Krull has collected is fascinating.

This book is probably best for slightly older children. Krull is an honest biographer and does not skirt around the fact that Chopin and George Sand never married, or that Tchaikovsky was undoubtedly a homosexual. She does not fudge facts to make them more interesting or record hearsay and rumor (though she is prone to mentioning "legends", like that concerning Beethoven's death). All in all, you will not find a better or more entrancing way of introducing kids to the classical composers. And for those of you that wouldn't be able to tell Prokofiev from Stravinsky if you bumped into him in the street, let me recommend that you take a gander at this puppy as well. It's a heck of a lot of fun, and a hoot to boot.

Rating:
Summary: A Believe It Or Not book for the musically inclined
Review: Most eccentrics do not become famous and most talented souls remain undiscovered. In "Lives of the Musicians", however, eccentrics with talent not only were discovered, but lauded long past their own lifetimes. Author Kathleen Krull has partnered with illustrator Kathryn Hewitt to create the world's first interesting children's collection of biographical information concerning some of the best composers ever to breathe.

The book spans the field of music from Verdi to Woody Guthrie. Each entry (there are sixteen in total) contains one picture and one description of the artist's life. These descriptions, as described by the author herself, "are offered now as a way of getting closer to the musicians - and the music". Every quirk and interesting tidbit is laid before the reader in the most wonderfully entrancing ways. Did you know that Bach once got into a knife fight in the streets? Or that Sir William Gilbert owned a bee named Buzfuz? It might be interesting to collect such fun but otherwise meaningless tidbits about composers' sometimes sordid lives, but Krull goes a step further. Facts included in each life explore the necessary details of their birth and death dates, how they were introduced to music, their lives, etc. Each section is also followed by information about their best-known works. What I liked about this book, however, was that the author did not choose to linger over their individual creations. A kid reading this book is not going to want to hear a long drawn out account of exactly why Chopin chose to write his Funeral March the way he did. You can find this information in a standard biography of Chopin's works. No, this is a book gives children the chance to acknowledge that all those hoity-toity names they've been forced to digest in elementary school music classes actually had interesting and sometimes wacky lives. Plus, the author is kind enough to include a section of musical terms, an index of composers, and a list meant, "For Further Reading ... And Listening", for those kids who wish to know more about these fascinating heroes of music.

Krull's method of writing is particularly adept when conveying irony. In her section devoted to Erik Satie (a perfect choice for this book, if ever there was one) she describes the composer's reaction to his own poverty.

"He once remarked, 'It's odd. You find people in every bar willing to offer you a drink. No one ever dreams of presenting you with a sandwich'".

The next line then states off-handedly, "He died of cirrhosis of the liver at age fifty-nine". Kids may not get the joke, but I for one whole-heartedly approve of the author's choice to mention that fact after such a statement.

Because the book only contains sixteen composers, you can't help but wonder what the author's method of selection was. These composers certainly define the canon of Western music, with two women, an African-American, and a man of Jewish decent serving to bring a little diversity to the list. But why include Charles Ives and not Claude Debussy? Why Stravinsky and not Wagner? The only reasons I can find for some choices would be because some composers lived far more interesting lives than others. Certainly the range of oddities Krull has collected is fascinating.

This book is probably best for slightly older children. Krull is an honest biographer and does not skirt around the fact that Chopin and George Sand never married, or that Tchaikovsky was undoubtedly a homosexual. She does not fudge facts to make them more interesting or record hearsay and rumor (though she is prone to mentioning "legends", like that concerning Beethoven's death). All in all, you will not find a better or more entrancing way of introducing kids to the classical composers. And for those of you that wouldn't be able to tell Prokofiev from Stravinsky if you bumped into him in the street, let me recommend that you take a gander at this puppy as well. It's a heck of a lot of fun, and a hoot to boot.

Rating:
Summary: Lives of the Musicians-Good Times, Bad Times, and What the N
Review: My granddaughter, age 9, said this: "I enjoyed this book so much that I checked it out of my school library 5 times. I am in ballet, and Tchaikovsky wrote our recital music. We are doing "Sleeping Beauty". I enjoyed reading about his life. Then I got to read about the other ones, too, and found them very interesting. I thought that Kathleen Krull described their lives as if each composer was telling about himself/herself. The illustrations told me alot about what their personalities were like. I recommend this book for anyone who enjoys music."

Rating:
Summary: Lives of the Musicians
Review: This book provides interesting insight into the lives of composers. I teach music to elementary and high school students and I read this book to all of my students. They all enjoy learning the details of the composers lives. The book presents the composers in such a way that the students remember the information about the composers. The book does not provide information about what the composers' music sounds like, and that is something I also like to teach. A great book to gain kids'interest in famous composers.