Rating: 
Summary: Elvis was just a man
Review: I'm not particularly drawn to biographies, and certainly not music biographies, but I make exceptions for Elvis. I was also swayed because I have heard Peter Guralnick's books praised many times. Most satisfying about this book, volume one of Guralnick's two volume biography of Elvis Presley, was Guralnick's ability to humanize his subject. The persona of Elvis, years after his death, is such a caricature, even a joke, that it can be hard to remember that there was a real, living, breathing person named Elvis Presley. The book contained what were, for me, some fantastic revelations. For one, Elvis was nearly done in when he was a youngster, not by the difficulties of his quest for fame, but by the swiftness with which it arrived. In a year's time, he went from being a nobody to being one of the most recognizable faces in the country, a man whose presence literally caused riots whenever he appeared in public. For Elvis, it was a major struggle simply to adjust to this new life. Television documentaries and magazine articles often mention in passing that Elvis' music and persona caused quite a stir, moral outrage even, when he appeared on the scene in the 1950s. Such stories sound quaint and exaggerated in this day and age, but with the context provided by Guralnick, I was able to see how groundbreaking Elvis really was, both musically and socially. Finally, I was enthralled by Guralnick's portraits of Elvis' supporting cast, quirky characters like Elvis' mother Gladys, his manager Colonel Tom Parker, and the guy who gave him his first big break, Sam Phillips. The book rekindled my love, as it surely will rekindle yours, for the early days of rock and roll, and it left me with a serious hankering to read volume two of the biography, Careless Love: The Unmaking of Elvis Presley sometime real soon.
Rating:
Summary: Outstanding - as if the author and Elvis were Siamese twins
Review: One of the best biographies I have ever read. Detailed, sensitive, written with just the right mix of empathy and detachment a biographer needs. I know two people who are about Elvis' age and grew up with him. Both of them say that the chapters dealing with the King's upbringing in Tupelo and his years at the Lauderdale Courts read like they have been written by someone who grew up with him. If you have only the slightest interest in Elvis, Memphis, Southern history, or American popular culture, buy this book.
Rating:
Summary: Guralnick Gives Us Back the Music!
Review: Peter Guralnick -- with both love and meticulous scholarship -- has written a supremely ethical work of cultural archaeology.With meticulous care and fairness -- but with no sugarcoating whatsoever -- he excavates Elvis out of the layers of rumor, innuendo, and mystery that have conspired over the years to make him a caricature and a joke rather than a human being. Gurlanick gives us back the artist (who first thrilled me on 78s) and exorcizes so much of the snobby and dismissive trashy gossip (Goldman) that has obscured Elvis for almost 40 years. I don't mean that a saint emerges. No way. But in Guralnick's telling, a brilliant musician and excruciatingly vulnerable human being pushes aside the fat guy in the gold Vegas suit. The result? The music -- in all its glory and raw excitement -- returns to take its rightful and deserved place. The best books (with Guralnick's 2nd volume) about rock and roll ever written.
Rating:
Summary: great bio
Review: Peter Guralnick demonstrated in his definitive history of Soul music, Sweet Soul Music : Rhythm and Blues and the Southern Dream of Freedom, that he has a nearly unique grasp of the singular way in which popular music and the political culture intersect in American society. Along with Robert Palmer (Deep Blues) and Greil Marcus (Mystery Train), he has helped to craft a still pretty slender body of literature which takes pop music and its impact seriously, but also places it within a larger societal context. Now, in his two part biography of Elvis Presley, he has set out to strip away both the mythology (Volume One) and the demonology (Volume Two) that obscure Elvis and to restore some reasonable sense of perspective on the man and his music. In so doing, he offers us a new and useful opportunity to understand the personal and societal forces that converged to make him into The King, one of the genuine cultural icons of the 20th Century, and to trigger the Rock & Roll Era. There are several main factors that Guralnick cites, which appear to have had a particular influence on how events transpired. First is the city of Memphis itself, which served as a nearly perfect crucible for forging the blend of Gospel, Country, Blues and Rhythm & Blues that made up Elvis's sound. A southern city, but not Deep South, there was at least limited interaction between the white and black worlds. But most importantly for this story, the city was saturated with music. Second, Sam Phillips, owner of his own fledgling Sun Records operation, was on the scene looking for a white act that could bring the black sound to a mass audience: Sam Phillips possessed an almost Whitmanesque belief not just in the nobility of the American dream but in the nobility of that dream as it filtered down to its most downtrodden citizen, the Negro. 'I saw--I don't remember when, but I saw as a child--I thought to myself: suppose that I would have been born black. Suppose that I would have been born a little bit more down on the economic ladder. I think I felt from the beginning the total inequity of man's inhumanity to his brother. And it didn't take its place with me of getting up in the pulpit and preaching. It took the aspect with me that someday I would act on my feelings, I would show them on an individual, one-to-one basis.' Finally, there was the man, actually he was more of a boy at the beginning, Elvis Presley. And Elvis was himself the product of several forces. There was the impoverished kind of white trash milieu from which Elvis came and which gave him a sense of alienation and otherness. As Phillips said of him: He tried not to show it, but he felt so inferior. He reminded me of a black man in that way; his insecurity was so markedly like that of a black person. Then there was his mother, Gladys, who--in addition to raising him to be polite, respectful, humble, even deferential--also gave him unconditional love, bordering on worship, which he returned in kind. These forces combined, as so often seems to be the case, to make him insecure on the one hand, particularly in the manner in which he approached and dealt with people, but, on the other, left him burning with an inner certainty that he was special and was meant to accomplish great things. All of these forces combined into a volatile mix in the Sun recording studios on July 5, 1954. Phillips had brought Elvis in to work with a couple of local musicians, Scotty Moore and Bill Black, because he wanted them to do some ballads and Elvis had done some demos there, which Philips was not overwhelmed by but he thought Elvis had some potential as a ballad singer. The session was pretty desultory, if not downright unsuccessful, until that inevitable, now mythical, moment when during a break Elvis started fooling around doing Arthur "Big Boy" Crudup's old blues tune "That's All Right [Mama]". Phillips, initially shocked that this quiet white mama's boy even new the song, immediately recognized that this was just the type of thing that he had been looking for and got them to record it. All of the tumblers had clicked into place. It was the nature of Memphis that Elvis and Sam had been exposed to, more like drenched in, the music of the black community. Sam happened to be looking for someone who could transport that music and, most importantly, the style and atmospherics of the music, into the white community. And in walks Elvis, that quintessential hybrid of insecurity and manifest destiny. If success did not come overnight it did come quickly and Guralnick masterfully charts the meteoric rise that took them up the charts and took Elvis to television and then to Hollywood. This first volume also sees Colonel Parker take over from Sam, the purchase of Graceland, the eventual breakup of the original band, the death of Elvis's mother and his induction into the Army. Guralnick makes it all seem fresh and exciting, carrying the reader along on the tide of events. An incredible number of famous names stud the narrative and prove to have significant roles to play, including: Johnny Cash, Jerry Lee Lewis, Hank Snow, B.B. King, Sammy Davis, Jr., Eddy Arnold, Bill Monroe, Steve Allen, Milton Berle and, of course, Ed Sullivan. This is a great biography, one that should especially appeal to folks whose only image of Elvis is the fat, sweaty, drug-addled lounge lizard of popular caricature. GRADE: A
Rating:
Summary: Who was Elvis before he was known by anyone outside Memphis?
Review: Peter Guralnick makes the reader feel as if he is actually in the company of a young and shy Elvis Presley--BEFORE he is "ELVIS." A fascinating read about a true American success story (the sequel outlines the unfortunate demise of Elvis). Without a doubt, this is the definitive book about Elvis Presley.
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Summary: The true tale of the early, sweet and innocent Elvis...
Review: Such an antidote to Goldman's sleazy Elvis book -- this book literally oozes truth and reality as opposed to Goldman's hillbilly fantasies. Guralnick is the best there is when he's writing about indigenous music of the South. Loved this book, loved Sweet Soul Music, and can't wait for the sequel
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Summary: Even the fan who knows "everything" will love this book
Review: The greatest book about the greatest entertainer of all-time. This book is excellent and, of course, the best Elvis biography ever. The extent of Guralnick's research makes this a must read for everyone, even the Elvis fan who knows "everything." This book is told more from the Elvis' point of view than its sequel, and is, consequently, a much better book. This book goes a long way in convincing those ignorant in the history of music that true Elvis rock-n-roll is simply a melding of Country and R&B.
Rating:
Summary: Entrancing read
Review: This book is one of the best, if not the best, I've ever read about Elvis Presley. It is very well written in an original way. I'm almost through reading it for the second time. To be able to get all of the information in this book, it is a must read more than once! You won't be able to put it down. Not only is it a great book for Elvis fans, but also for the avid reader. It describes Elvis' influences and surroundings and people in his early life and career in an accurate, yet exciting, way. This insightful biography of Elvis will open your eyes to more than just his image. It will help you understand the "real" Elvis. Emotions run high as you read about his first gigs, girlfriends, frenzied fans, Hollywood life, army concerns and his Mother. To own "Last Train to Memphis" is an inspiration.
Rating:
Summary: Entrancing read
Review: This book is one of the best, if not the best, I've ever read about Elvis Presley. It is very well written in an original way. I'm almost through reading it for the second time. To be able to get all of the information in this book, it is a must read more than once! You won't be able to put it down. Not only is it a great book for Elvis fans, but also for the avid reader. It describes Elvis' influences and surroundings and people in his early life and career in an accurate, yet exciting, way. This insightful biography of Elvis will open your eyes to more than just his image. It will help you understand the "real" Elvis. Emotions run high as you read about his first gigs, girlfriends, frenzied fans, Hollywood life, army concerns and his Mother. To own "Last Train to Memphis" is an inspiration.
Rating: 
Summary: Well done
Review: This books is thoroughly researched, and perhaps the best biography of Elvis you'll ever read. I must say it seems ponderous and slow-moving in the beginning, and it never really does explain why Elvis had to go into the army in the first place. For someone like myself who wasn't around then it's puzzling - were people usually drafted during peacetime in the fifties? Certainly they didn't send him to Germany for an Asian war? I wish it were explained better for the novice reader. But all in all, it's great.
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