Howards End

Rating:
Summary: A Question of Class
Review: Howards End is a realistic picture of Edwardian England, blemishes and all. Forster successfully depicted the environment of his society few authors could. Forster raises moral questions about what the upper class' social and economic responsibilities are to the lower classes. The method of showing opposing viewpoints (help the less fortunate vs. leave them be) between the Schlegel and the Wilcox families works well. He also questions the double standard at that time in England for infidelity. The upper class males were faultless in affairs, while the lower class females were scarred negatively for life. For the males, the affair was the satisfaction of desires and meant parting of some money. For females, the affairs were a way of life, nothing more, and they couldn't even improve their station in society. They were marked as prostitutes, while Mr. Wilcox actually suffered no real personal damage, other than a deservedly begrudging wife for the short term.

I can't help but ask how much has society really changed? The book is still relevant today, not only that, it's a good read. The dialogue is even realistic and touching. Forster's prose flows smoothly, and the reader immediately starts to appreciate it after a few pages. Human nature, snobbery, the struggle of the classes, and family affairs really haven't changed that much since 1910. Forster clearly didn't know what to do about these problems anymore than we do today. Asking his country to face their problems, rather than ignore them, which was what was being done, was a start.

Rating:
Summary: A Classic Book
Review: Howards End is a wonderfully written book. I enjoyed it thoroughly. It is a very compelling novel that deals with the conflicts between the wealthy upper class and the less affluent working class of England. The novel is set in the close of the Edwardian Era of England, a time in which these conflicts were flourishing. The Schlegel sisters represent the cultured and sophisticated side of the upper class of England, while the Wilcox family represents the more materialistic and stuffy side of England's upper class. The conflict between these families, which governs most of the book, arises from the dilemma of which family will obtain ownership of Howards End, the estate, after Mrs. Wilcox passes away. The two families are joined by the marriage of Margaret Schlegel and Henry Wilcox. The ownership of Howards End is awarded to the same person for whom it was destined in the beginning of the novel. E.M. Forster crafted a masterpiece in Howards End, and it is a classic that will last throughout time.

Rating:
Summary: One of the Best!
Review: I have read Howard's End two or three times and listened to it once on tape and it remains one of my favorite novels. Many people were introduced to it by the film, which, good though it was, does not begin to capture the subtle wisdom Forster put into this book. Howard's End can be seen as a quaint period piece about British culture in the early Twentieth Century. On another level, however, it's a brilliant exploration of the human soul. In the Schlegels and the Wilcoxes, Forster has created the perfect embodiment of the eternal conflict between reason and passion. These two families, destined to be united by the marriage of Margaret Schlegel to Henry Wilcox, represent two seemingly irreconcilable aspects of humanity. The Schlegels are artistic, intellectual and impractical; the Wilcoxes materialistic and unapologetically bourgeois. Margaret and Henry have their differences, but it is their relatives who display the more extreme family traits. Margaret's sister Helen is a classic bohemian; Henry's son Charles is a humorless and intolerant banker. As the novel unfolds, the two families are forced to confront each other and decide whether to ultimately part company or compromise. What is most impressive to me about the novel is the naturalness and grace with which the story unfolds. When an author uses characters to embody universal qualities, it is quite a challenge to make the people and story real and not merely symbols. Howard's End succeeds brilliantly as both a thoroughly engaging novel and a rather profound metaphysical inquiry.

Rating:
Summary: A clash between idealism and practicality.
Review: The Schlegel sisters are interested in the arts and in the more idealistic liberal social movements of their early 20th century world. The Wilcoxes are practical and materialistic. There seems to be little in common between the two families, but not even a highly embarrassing early amorous encounter can keep them apart. Poor Leonard Bast is as idealistic as the Schlegels, but encumbered by an unloved wife with a shady past, he has not their financial means to avoid dealing with the practicalities of life. Caught between the two factions, he eventually is crushed. Only Margaret Schlegel is finally strong enough to bridge the gap between the practical and the ideal by exerting her benevolent humanity, her passionate and yet controlled determination that people must "connect."HOWARDS END is a minor masterpiece, capturing perfectly the conflict between rigid Victorian values and the more free and open changes in the turbulent years before World War I. Forster handles his characters with great sensitivity and sympathy, yet with a subtle and skillful irony. The novel is not intended for rapid reading, but there is a felicity of expression that is an ample reward for careful perusal. Less fastidious than Henry James, not quite the equal of Trollope in characterization, a more subtle stylist than William Dean Howells, Forster combines some of the best elements of all three of these social chroniclers in an important work that is both highly personal and universal in scope.