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Bonnie Marson's debut novel, Sleeping with Schubert, is the unlikely story of what happens when the passionate spirit of a legendary 19th-century composer inhabits an ordinary Brooklyn lawyer. While the premise of this exploration seems preposterous (and often is too unbelievable to merit any serious thought), Marson does a commendable job of creating a genuinely likeable protagonist whom she surrounds with an equally amusing and entertaining cast of supporting characters. These portraits, combined with a sharp, witty sense of irony on the author's part, save this book from what could have been a grave misstep into the world of fantasy Chick Lit. Sleeping with Schubert follows its heroine Liza Durbin from her debut at a Nordstrom piano to a full-fledged world tour that culminates in a grand finale at Lincoln Center. Along the way, Liza's quirky family make guest appearances, as well as her on-again/off-again boyfriend Patrick, her eccentric piano teacher, and a host of admirers and jealous acquaintances posing as well-wishers. Because this is inherently Chick Lit, Marson indulges in the issues so central to the genre, including warped body images, stunning sisters, cherished best friends, bad hair days, and crazy mothers ("Your father and I have a theory. Maybe you could be just a teeny little bit like an idiot-savant."). However, Schubert's presence adds a layer of complexity that is rare to this type of book; rather than dwelling on the hardships of magazine publishing and office flirtations, Marson treats the reader to a bit of culture and sophistication. By combining an unusual circumstance with a welcome and inviting level of introspection that is rare to most heroines in the genre, Marson offers audiences the chance to imagine a reality in which baby grand pianos fit in Brooklyn apartments and frumpy lawyers can become renowned Romantic composers. --Gisele Toueg
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