Rating: 
Summary: Enjoyable but not spectacular
Review: Though there were definitely times when this book was slow or difficult to understand, Hawthorne's writing, through the use of metaphors, allusions and other rhetorical devices is a wonderful accomplishment. It was hard for me to get into the book at the beginning and especially through the long discussion of the Pyncheon family but it payed off to know this information when the climax arose. Overall, I enjoyed reading this book, but was not totally impressed by the story, reguardless of the universal themes that apply to us today.
Rating: 
Summary: A mixed review from this Hawthorne fan
Review: What can you say about Nathaniel Hawthorne's "House of the Seven Gables" that hasn't been said before? It's dark; it's Gothic; much of it is depressing; and the language is dense 19th century prose. Those who read primarily for plot will find it slow going, and those who look for likeable characters may be largely disappointed. In other words, for modern readers, this book may be a tough sell. Personally, I found it a little dull and a letdown after having recently reread (and enjoyed) "The Scarlet Letter." Nonetheless, "The House of the Seven Gables" has its pleasures. Hawthorne, the scion of an old Massachusetts Puritan family, injects an unusual sense of historical depth into his writings. This is certainly true of "The House of the Seven Gables," which explores the idea of character flaws, evil and retribution passed down from generation to generation in a single family. Of course not everyone in the family is guilty, but the sins of a few taint the lives of all. As in much of Hawthorne's work, the supernatural, sometimes implied and sometimes explicit, plays a role in the workings of the plot. Even the daguerrotypist--nothing but an early photographer to us--must have given the 19th century reader a frisson because of his combination of mesmeric powers and miraculous ability to produce telling images out of pure light. Hawthorne is a master of description, an expert at using his words to create images that convey far more than simple visuals. Even when the plot seemed stale and the characters wooden, the author's use of the language made it worth continuing. Hawthorne's descriptions of a little boy's love of animal-shaped cookies, of the garden with Maule's bitter well, and of the dead Jaffrey unmoving in his chair, to mention just a few, made the book well worth reading. "The House of the Seven Gables" may or may not be Hawthorne's best work (that's always a matter of opinion--try some of his short stories too), but it is an interesting book nonetheless
Rating:
Summary: A mixed review from this Hawthorne fan
Review: What can you say about Nathaniel Hawthorne's "House of the Seven Gables" that hasn't been said before? It's dark; it's Gothic; much of it is depressing; and the language is dense 19th century prose. Those who read primarily for plot will find it slow going, and those who look for likeable characters may be largely disappointed. In other words, for modern readers, this book may be a tough sell. Personally, I found it a little dull and a letdown after having recently reread (and enjoyed) "The Scarlet Letter." Nonetheless, "The House of the Seven Gables" has its pleasures. Hawthorne, the scion of an old Massachusetts Puritan family, injects an unusual sense of historical depth into his writings. This is certainly true of "The House of the Seven Gables," which explores the idea of character flaws, evil and retribution passed down from generation to generation in a single family. Of course not everyone in the family is guilty, but the sins of a few taint the lives of all. As in much of Hawthorne's work, the supernatural, sometimes implied and sometimes explicit, plays a role in the workings of the plot. Even the daguerrotypist--nothing but an early photographer to us--must have given the 19th century reader a frisson because of his combination of mesmeric powers and miraculous ability to produce telling images out of pure light. Hawthorne is a master of description, an expert at using his words to create images that convey far more than simple visuals. Even when the plot seemed stale and the characters wooden, the author's use of the language made it worth continuing. Hawthorne's descriptions of a little boy's love of animal-shaped cookies, of the garden with Maule's bitter well, and of the dead Jaffrey unmoving in his chair, to mention just a few, made the book well worth reading. "The House of the Seven Gables" may or may not be Hawthorne's best work (that's always a matter of opinion--try some of his short stories too), but it is an interesting book nonetheless
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