Rating: 
Summary: ~Fall in love with Maugham's Writing~
Review: Beautiful writing. Somerset Maugham wrote with so much feeling it's hard not to fall in love with his stories or himself. Romantic and practical, the author narrates his personal journey with well-known painter "Charles Strickland", Maugham's stories feature their early lives in England, Paris and later Tahiti. Described as a "selfish" man (depending on how you view him), Strickland suffers isolation and no recognition during his lifetime. His advanced art vision set the base for a post impressionist movement, raised Strickland to fame posthumously. I really think Maugham has done an incredibly super job in describing the complexity of the characters in the book (Strickland, Dirk Stroeve, Tarie among others). Thorough and subtle, his characters are believable and alive. Maugham also includes stories of Tahitian natives whom Strickland has made his acquaintances. His dreamy description of Tahitian lives make me want to live there and experience the island's beauty for myself.
Rating:
Summary: Never Say Never
Review: I first read The Moon and Sixpence in my early 20s--my "British period"--and it immediately entered my personal literary hall of fame. I was carried away by its exoticism, romance, and theme of hope and renewal, balanced by plenty of Maugham's trademark cynical observation. Then I would have given it 5 stars; I recently re-read it and downgraded it to 4. Maugham has the tendency of many of his peers to overly soliloquize, which irritates modern readers, and his misogyny is amply evident. Still it is a wonderful well-written book capable of imbuing an awe for life and limitless possibility and inspiring the feeling that "it ain't over til it's over." The character of Charles Strickland as misanthropic artist is fascinating. Sick of your job and your current situation? Read this short novel on a lonely rainy day and you'll find yourself transported, maybe even uplifted.
Rating: 
Summary: say what you want....
Review: I won't even comment about the storyline. The author refers to Strickland/Gaugin as a genius several times and you wonder if he just really likes the artist's work or if he actually knows what he was talking about as a critic. If you have ever had the honor to stand in front of and gaze upon one of Gaugin's works, then you can almost understand why he did give up his life. Actually seeing his art makes you realize that his despicable character should be forgiven. He was right in knowing that he "had to paint". There's never been anyone like him that could paint such beautiful pictures or such detailed carvings, so full of life!
Rating: 
Summary: 3 & 1 /2 stars for a very good book...
Review: I'm usually the kind of person to give a book either one or five stars. Time's too short to dilly-dally in the middle, I want people to know whether a book is WORTH reading or NOT WORTH reading. This book happens to be worth reading for most people, in particular those who are interested WSM's style, but may be a bit of a waste for those already familiar with WSM's other work.
As everyone probably knows in this book WSM provides what is a fictionalized account of Gaugin's life - Gaugin replaced with Charles Strickland. There are moments of brilliance, it is very well-written and WSM's mastery of the English language is among the most notable.
I removed a star and a half ( * 1/2* ) because, frankly, the characters are over-the-top one-dimensional. Without giving anything away, for example, Strickland is painted (no pun intended) as an inhuman, remorseless cur. A character by the name of Stroeve is similarly displayed in a single light: pure, unadulterated buffoonery. There are no shades to these characters - they are either this or that, and while WSM will occasionally discuss the manifestation of contradictory attributes residing in the same person (these make some of the prettier, more thoughtful passages), his own characters are blatantly one-dimensional.
As a voracious reader (and a bit of a writer myself), I'm always keen on what the author is saying - what he's speaking to the reader - and what he's doing (i.e., the plot, the characters, etc.). While WSM's literary genius is undisputed, it's clear that he didn't mix the paints as thoroughly as he could have.
Rating:
Summary: life changing
Review: I've read the reviews of this book and can only say this; You either "get it" or "You don't".
But if you do - the world is a much more vivid, bright, achingly beautiful place... and you can consider yourself blessed.An utter masterpiece!
Rating:
Summary: Disturbing, Thought-Provoking, Enlightening
Review: In The Moon and Sixpence, Maugham introduces the artist Charles Stickland, whom we wish never to meet outside these pages. He is a thoughtless and irrational genius, wholly unconcerned about any opinion of his painting other than his own. In fact he is throughly unconcerned about any type of disapprobation. Without using the phrase, Maugham interprets Strickland as an "idiot savant," who is blissfully unaware of any other person's feelings. He abandons his wife and children, he induces a suicide in a lover, and is unaccountably remorseless for these and other trespasses against human decency. It is Strickland's ostentatious remorselessness which turns the reader against him, and his genius isn't sufficient to mitigate our, well, disapprobation. We already knew that great artists don't always have to be great people; what Maugham does, however, is take us to the extremes of both. Therein lies the creative tension, and it remains with us for a very long time after we turn the last page.
Rating:
Summary: Haunting, thoughtful novel.
Review: It has been noted many times that artists are usually not the most pleasant human beings to be around; Maugham's novel is, among other things, a compelling examination of why this is so. The obsessed artist who dominates this book, Charles Strickland (based on the notorious Paul Gauguin), walks away from his cushy middle-class existence in England to pursue his dream to paint, amid frightful poverty, in France. Strickland is an unforgettable character, an inarticulate, brutishly sensual creature, callously indifferent to his fellow man and even his own health, who lives only to record his private visions on canvas. It would be a mistake to read this novel as an inspiring tale of the triumph of the spirit. Strickland is an appalling human being--but the world itself, Maugham seems to say, is a cruel, forbidding place. The author toys with the (strongly Nietzschean) idea that men like Charles Strickland may somehow be closer to the mad pulse of life, and cannot therefore be dismissed as mere egotists. The moralists among us, the book suggests, are simply shrinking violets if not outright hypocrites. It is not a very cheery conception of humanity (and arguably not an accurate one), but the questions Maugham raises are fascinating. Aside from that, he's a wonderful storyteller. This book is a real page turner.
Rating:
Summary: Absolutely worth reading
Review: Maugham wrote quite an interesting story with manifold aspects about art, finding your way in life, passion and devotion. Even though the book contains some interesting and difficult questions and opinions about life & art the book is easy to read because of the fluidity of Maugham's writing style. It doesn't take you long to get into it and to be fascinated by the main characters of the book, mainly by Charles Strickland, whose indifference to the world is really extreme and unique. You feel your own life being questioned by Strickland's attitude, which makes the book even more interesting because you want to find out if he succeeds with his way of living.
Rating:
Summary: Maugham's subtle narrative, and Gauguin's life-story!
Review: Maugham, as always, writes in a very easy to read style, the characters are crafted imaginatively and sensitively, and the story is interesting and progresses like a biography. In fact, I was to find out later that the story of Charles Strickland, who leaves his wife and family to pursue his own artistic ambitions is inspired by the story of a French impressionist painter Paul Gauguin (famous for painting Tahiti women).
The novel is in a beautiful narrative, checkered by delightful moorings of the author, well-written dialogues and descriptions which are picturesque enough to be adapted by the reader into a sort of beautiful movie and documentary, which all human emotions coming into play. The novel is about passion, the intense passion that drives artists, helps them to achieve greatness at the cost of their own idiosyncracies, passion which drives as well as cuts, passion that propels a being beyond the commonplace. For admirers of Paul Gauguin, this novel represents a kind of biography, that presents a life-story in a very unobstrusive fashion, and sheds light into the elements in painter's mind and heart that must have influenced his art.
Beyond Charles Strickland and the narrator, there are several characters worth mention. Strickland's wife is a woman who admires artists and writers (and fails to see the artist in his own husband), Dirk Stroeve is a painter who knows his limitations as well as he has the talent of seeing the genious in others and he is a human being who is wronged by his own zeal to be helpful and caring, Mrs Stroeve is (without revealing anything) a very interesting character, and there are many others. The novel benefits from Maugham's skill as writer of short stories and plays, for the novel consists of many chapters, each chapter tells of an incident or dialogue, and the story moves through smoothly and nicely.
Another brilliant novel to read and like. If you liked Maugham's Razor's edge, this will endear Maugham further!
Rating:
Summary: Proficient, swift reading
Review: MOON AND SIXPENCE by W. Somerset Maugham is worthy on two levels, the insights into the cultural sea-change from the Victorian era to the war years and the craft the novel displays, particularly voice, character and perspective. Inspired by the life of painter Paul Gauguin, Maugham investigates what it takes at age 40 for a successful and respectable banker in Victorian London to walk away from the responsibilities of job, high social status and a family, and into poverty a world away for the sake of art. Briskly told from the vantage point of an acquaintance looking back, Charles Strickland is first encountered as a somewhat Philistine but prosperous, upright gentleman. Sent to retrieve Strickland after he precipitously deserts his family, the narrator, a young writer, finds an unrepentant man. Five years later, the narrator encounters him again in Paris where the artist has grown more monstrous though his art reveals a beguiling genius. Even the tragic recipient of the worst behavior unleashed by Strickland remains his champion in the art world. The narrator does not meet up with Strickland again, but to set the record straight he interviews those who knew him up to his death at age 53 in the remote South Pacific. The novel takes its power in well developed characters, even the most minor are fully realized. The very last chapter is brilliant in its sly revelations of the themes and cultural benchmarks articulated by Strickland's life, death and art. Maugam, once a prominent early 20th century writer, did not make many, if any, end of the century, end of the millennium "best of" lists. Now this relatively prolific British writer is beginning to show up on the radar of literary discourse again. Mostly the talk is of CAKES AND ALE and THE RAZOR'S EDGE, the latter last popular with adolescent baby boomers, but MOON AND SIXPENCE, only a little dated, is due consideration.
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