Henry Ossawa Tanner: A Spiritual Biography (Lives and Legacies.)

Rating:
Summary: Excellent biography of a great artist
Review: One of the most stunning moments in my art-watching career came many years ago in the Philadelphia Museum of Art, when I suddenly came upon Henry Tanner's painting "The Annunciation." I remained transfixed for many minutes. It remains my favorite religious painting of the last couple of centuries. I soon learned that the artist was the first African-American to make it to the artistic top, the stratospheric heights of French Salon shows and membership in the American National Academy of Design. Tanner was almost forgotten for a long time, but there is a flock of webpages and internet resources on him now, as well as this wonderful biography.
Marcus Bruce has written a brief book that lays out Tanner's lifecourse, centering on the religious and spiritual side, which was, in fact, Tanner's true focus. (Tanner, a minister's son, remained deeply religious all his life.) This book is not only clear and authoritative; it has some of the most insightful art criticism that I have seen. Bruce is far from the "in the right corner we see a dog" school of art writing. He describes the paintings in relation to Tanner's spiritual quest, and Tanner's vision of the world and humanity. His account of my beloved "Annunciation" is a real masterpiece.
My only complaint with this book (besides sloppy editing--there are too many typos) is that it is too short and does not have color pictures! I hope, even pray, that Dr. Bruce will go on to do a full-scale, large-format art book about Henry Tanner, with the major works in full color. Tanner certainly deserves it--he still has not received the recognition he deserves--and Bruce is the man to do it.

Rating:
Summary: Excellent biography of a great artist
Review: One of the most stunning moments in my art-watching career came many years ago in the Philadelphia Museum of Art, when I suddenly came upon Henry Tanner's painting "The Annunciation." I remained transfixed for many minutes. It remains my favorite religious painting of the last couple of centuries. I soon learned that the artist was the first African-American to make it to the artistic top, the stratospheric heights of French Salon shows and membership in the American National Academy of Design. Tanner was almost forgotten for a long time, but there is a flock of webpages and internet resources on him now, as well as this wonderful biography.
Marcus Bruce has written a brief book that lays out Tanner's lifecourse, centering on the religious and spiritual side, which was, in fact, Tanner's true focus. (Tanner, a minister's son, remained deeply religious all his life.) This book is not only clear and authoritative; it has some of the most insightful art criticism that I have seen. Bruce is far from the "in the right corner we see a dog" school of art writing. He describes the paintings in relation to Tanner's spiritual quest, and Tanner's vision of the world and humanity. His account of my beloved "Annunciation" is a real masterpiece.
My only complaint with this book (besides sloppy editing--there are too many typos) is that it is too short and does not have color pictures! I hope, even pray, that Dr. Bruce will go on to do a full-scale, large-format art book about Henry Tanner, with the major works in full color. Tanner certainly deserves it--he still has not received the recognition he deserves--and Bruce is the man to do it.