Master of Dreams : A Memoir of Isaac Bashevis Singer

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Summary: A haunting farewell to Isaac Bashevis Singer.
Review: Isaac Bashevis Singer was a controversial figure during his lifetime. Though his place in the twentieth-century canon of literature now seems secure, it is still often pointed out that thanks to the Holocaust, Singer's fame was granted to him at the cost of obscurity for other Yiddish writers. His personality also was known to be difficult. There are many who will tell you that Singer was a bastard, including Elie Wiesel (not normally a gossip) in "All Rivers Run to the Sea." Singer probably was one at least fifty percent of the time. Too many stories of his caprice, vanity, and greed for sex and money have been told to be discounted. As to the nature behind both the faults and the gifts, what one saw of it depended on who one was; any competitors for the limelight, real or imagined, got the worst of it. Women got both the best and the worst of Singer, the charm and naivete combined with the mistrust and the manipulation. It is thus fitting that a possibly definitive memoir of Singer should have been written by a woman. Dvorah Telushkin was the writer's secretary and occasional translator. She comes across as a most lovable person, without any of Singer's guile. But they still had a lot in common: they were both fearful and susceptible to flattery. Ms. Telushkin was estranged from her father, Singer from his only child. Dvorah's innocence fit Singer's feminine ideal, exemplified by the child-woman in "Shosha." For years, theirs was a relationship in perfect order. But after winning the Nobel Prize, Singer's ego ran away with him while his health deteriorated rapidly. He became more and more paranoid, finally rejecting Dvorah as he had rejected most others. Ms. Telushkin manages the difficult feat of recording Singer's decline honestly and without sentimentality, while leaving us in no doubt as to her lasting love for him and little as to its essential justice. It is to be hoped that she continues as a writer, one with large ambitions. She has been influenced by Singer; her achievement is to make his eerie tone blend so well with her sense of her own life as a bad dream that the influence comes to seem more like an inheritance. She rescues Singer from the context of Yiddish nostalgia and places him within his own heritage of Jewish fear, uncertainty, and faith, as little G-rated as Celine. This is a deeply touching, near-perfect book. It is required reading for Singer fans, but it is also recommended to anyone struggling to understand a difficult and much-loved parent.

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Summary: Anyone who loves Singer will learn from this work
Review: This work gives an inside view of the daily life and work habits of one of the greatest masters of the short story the world has known. It is honest and painful in its realistic description of the great writer's last years. It is filled with rich Jewish knowledge and the wisdom and wit of the paradoxical difficult and yet very great writer Singer. Anyone who loves this writer will benefit from reading this very rich and vibrant work of devotion and memory.