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Rating: 
Summary: good evening viewers!
Review: An excellent biography of the funniest man who ever stole a gag from another comedian. Yes it's Benny Hill, a man who took a name because is sounded Jewish and wrote some of the funniest songs ever using the most recycled of jokes.
His humour was what the people wanted in the seventies, coarse slightly obscene and saucy. He deserved the title of the the worlds most popular comedian. It was a shame that Benny ended up as a target for feminists and other politically correct groups and was eventually sacked for his humour. The people that hounded him must have been very humourless, cold hearted people indeed.
The book is great though there are few mistakes here and there with respect to show titles and content. I recommend anyone who is interested in British actors and theatre read this book.
Tim Brimelow
Melbourne Australia
Rating:
Summary: Absorbing, Recommended
Review: This is a fascinating, first-rate biography of one of the twentieth century's most beloved comedy figures; a man who is now largely overlooked in his home country despite having been its most successful comic export outside of Charlie Chaplin. Benny Hill was a complex man who led a simple (if somewhat peculiar) life, and this book provides tremendous insight into not only his personal foibles and professional endeavors, but also the motivations and reasons for his intriguing private behavior and public rise and fall. Drawing on extensive research and fresh interviews with many of the key figures in Benny's life, Mark Lewisohn's writing combines warmth, empathy and humor with analysis, objectivity and attention to detail -- the comic inventiveness and outright stealing of other artists' ideas; the abnormally excessive frugality; the sexual indulgences and hopelessly failed relationships... whether you want to know about the man's career, his love life or the fact that he just loved a quick game of Kalooki, it's all here. Buy this book!
Rating:
Summary: An exemplary biography of a misunderstood man
Review: This is one of the finest biographies I have read in years -- it penetrates deeply into the formative experiences and motivations of this strange and reclusive figure, and brings him vividly to life. Many interviewees discouraged the author from this task, but he persevered, and we have much to thank him for. All Benny Hill fans will now watch and enjoy his familiar sketches -- shamelessly recycled over the years -- with an added appreciation for their origins and rationale. Lewisohn helps us to delve into the psyche of this mysterious man, at once the embodiment of little Englishness, yet also a sensitive soul and a student of foreign cultures and languages.The book is not unblemished. Benny's 50s farce, "Who Done It", is not nearly as abysmal as the author suggests (it's adequate slapstick with a few laughs -- how many 50s British movies has Lewisohn seen, there are many worse!). Benny's frugality is surely comprehensible in a man who had withstood wartime privations; and that character trait, combined with the much-hyped locker-room chit-chat with Bob Monkhouse, was regrettable but entirely standard male behavior for the 1950s. Despite all the conventional wisdom to the contrary, Benny did evolve. And--again with respect to Lewisohn--Benny scaled some of his finest heights of inspiration during his latest years with Thames. I am thinking of the Chubby Dodds documentary, and Murder on the Orient Express, and the "Family" skit, which bring smiles and laughter without fail, though I know them back to front. Of course, he was a comedian who operated rather too comfortably within his decent but clearly defined artistic parameters. Yet what was comforting for Benny was also reassuring for us... Lewisohn is right that Benny Hill's work will return to favor some day. It deserves to.
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