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Rating:  Summary: Destined to become the new standard on this subject! Review: Anyone who has savored the concise, witty, practical wisdom of the classic -- Acting: The First Six Lessons by Richard Boleslavski -- will love this clever, useful book on directing. Not involved in the theatre? Never mind. This is a highly entertaining and eye-opening guide to the art of managing and leading people in any field. Try it, you'll like it.
Rating:  Summary: Useful for theater directors at all levels of experience Review: Notes On Directing is a collection of wisdom gathered by Frank Hauser (Director of the Oxford Playhouse for sixteen years) and Russell Reich (Artistic Associate at the Circle Repertory Company, New York) over a lengthy directing careers. Hauser and Reich offer invaluable tips on how directors can help their actors better get into character, internalizing a script, performing their roles efficiently (without micromanaging), and a great deal more. Each individual tip is straightforwardly and usefully presented. Useful for theater directors at all levels of experience and expertise, Notes On Directing is especially recommended for the novice director in school and community productions as an easy-to-grasp supplementary instructional and reference resource.
Rating:  Summary: An indispensable handbook for the theatre practitioner... Review: NOTES ON DIRECTING is as useful a text for the theatre practitioner as any I have ever come across. I am currently putting the solid good sense and eminently practicable advice to be found on every page to productive use as I prepare for my new season.
Rating:  Summary: priceless... Review: This book is a MUST for all involved in the theatre. It's a quick read & an excellent sorcebook- VERY well organized. If you want more of a textbook on directing, go with Catron's The Director's Vision. But this book (Notes on Directing) is GREAT to have on hand during the process.
Rating:  Summary: priceless... Review: This book is a MUST for all involved in the theatre. It's a quick read & an excellent sorcebook- VERY well organized. If you want more of a textbook on directing, go with Catron's The Director's Vision. But this book (Notes on Directing) is GREAT to have on hand during the process.
Rating:  Summary: The Leadership Advisor . . . Review: We are presented with an artful, intelligent, and incisive opening of the doors to the art of Directing a dramatic production from a very real human level. Author Russell Reich received wisdom from teacher/mentor Frank Hauser(CBE)in the casual hand-off of several pages of loose notes accumulated over the years of Hauser's teaching on two continents and directing many of the true greats in British theater. With deep and careful further observation of this directing great, Reich recognized further significant attributes of Hauser's approach.Adding his own turns, gentle humor, appreciation of people, and insistence upon quality in presentation of dramatic works, Reich has created a manual for presenting drama for public view in what may well be a no-fail approach. All of this is accomplished without infringement upon the ability and need of a director to create the presentation which is clearly his or her own. More is always available to be gained with each successive reading and practice with this guiding gem. Kudos to Hauser for his clear accomplishments over many years and generations of theater; and to Reich for bringing the methods for those accomplishments to a reachable level for the lover of performance arts through incorporation of his own insights and wisdom.
Rating:  Summary: The Leadership Advisor . . . Review: We are presented with an artful, intelligent, and incisive opening of the doors to the art of Directing a dramatic production from a very real human level. Author Russell Reich received wisdom from teacher/mentor Frank Hauser(CBE)in the casual hand-off of several pages of loose notes accumulated over the years of Hauser's teaching on two continents and directing many of the true greats in British theater. With deep and careful further observation of this directing great, Reich recognized further significant attributes of Hauser's approach. Adding his own turns, gentle humor, appreciation of people, and insistence upon quality in presentation of dramatic works, Reich has created a manual for presenting drama for public view in what may well be a no-fail approach. All of this is accomplished without infringement upon the ability and need of a director to create the presentation which is clearly his or her own. More is always available to be gained with each successive reading and practice with this guiding gem. Kudos to Hauser for his clear accomplishments over many years and generations of theater; and to Reich for bringing the methods for those accomplishments to a reachable level for the lover of performance arts through incorporation of his own insights and wisdom.
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