The Birth of Bebop: A Social and Musical History

Rating:
Summary: Professor of Bop
Review: I am a music major at the University of Virginia, particularly interested in jazz studies, and have had the pleasure of taking several classes under DeVeaux, in particular, one based on this book. DeVeaux's humor, in combination with his musical genius when it comes to the topic of jazz, is expemplified by this book. He explains the hayday of jazz as well as the transition from the swing era into the bop era with incredible detail. Special features in the book are vignettes into the lives of the great artists such as Hawkins and Parker. He compares the styles of several of the pioneers which causes further investigation on the part of the reader to trail the modern jazz progression from the 1940's and 50's on into today. If you've ever wanted to know why the cats play the way the do and how jazz moved from big band swing clubs into bebop jam sessions, this is the author you're looking for.

Rating:
Summary: Bebop Matters
Review: The nomenclature "Bebop" referring to an extension of American jazz development is, in itself somewhat unfortunate. It is not surprising that many of the musicians at the core of the movement hated the phrase "Bebop" themselves. The jokey sound of the word tends to trivialize the significance and the integrity of the music to which is referring. We tend to think of Bebop as an amusing, but irrelevant, phase of the urban jazz scene. The contribution of Bebop to musical development is both pervasive and irreversible.

Scott DeVeaux's book, "The Birth of Bebop" takes on squarely the issue of the Bebop's place in American music and in America's cultural development of the middle of the 20th-century. He has made excellent use of first-hand accounts, anecdotes, and obscure or original recordings to bring this story to life. He has applied an academic's discipline to documentation of his source material with a high degree of integrity. He achieves a remarkable balance between understanding and dealing with the details of the musical construction in the context of the "race" environments of the 1930s and '40s

This was an important era of American history. In a sense, we would like to forget the gross cultural inequities of the time. There are not many tangible reminders around, although the cultural imprint is still here and not likely disappear in the near future. Fortunately, the music of the era, Bebop, is still accessible through CD re-issues and is continuing to influence modern musical performance right through to a saxophone-toting Lisa Simpson. A key value of "The Birth of Bebop" is to remind us of this continuing connection. This book helps us appreciate the courage and commitment of the proponent musicians exploring this new medium, particularly in the context of nearly-overwhelming daily obstacles in the form of American cultural "Jim Crow" mores and laws.

In a perfect World, this book would come with a companion CD filled with aural samples of the music Mr. DeVeaux discusses organized to illustrate his musical points. This short-coming means that the fullest appreciation of the author's points is only available to those with access to fabulous recording collections of the era or, even more remotely, those with sufficient age and musical memory to bring the musical notation to life.