The Fender Amp Book

Rating:
Summary: A good, quick lookup on Fenders line of amps.
Review: Fairly comprehensive, yet nothing in detail regarding the new "reissues". For many players the reissues may be the only choice they have to get that classic fender sound. It would be nice to know how true to the originals these reissues really are.

Rating:
Summary: A good, quick lookup on Fenders line of amps.
Review: Fairly comprehensive, yet nothing in detail regarding the new "reissues". For many players the reissues may be the only choice they have to get that classic fender sound. It would be nice to know how true to the originals these reissues really are.

Rating:
Summary: The Fender Amp Book
Review: I liked this book so much so that when I misplaced my first copy I bought another. Basically, this book will give you enough detailed information to (1) accurately identify ALMOST any Fender amp when you see it; and (2) appreciate some of the history and facts about the individuals who were involved in the design and manufacture of that particular line of amplifiers at different times during the history of the company.

The first 67 pages of the book could be called "The Rise and Fall, and Rise Again of the Fender Musical Instrument Company." It begins with a well-written account of Leo Fender's life and leadership of company from its founding in the late 1940's through its sale in 1965 to CBS. To his credit, Morrish doesn't stop there but goes on describe in detail Fender's CBS years, including the specific contributions of those amp designers who came after Leo Fender, such as Ed Jahns, Paul Rivera, and humbucker-designer Seth Lover. The CBS years end when a group of Fender executives led by Bill Schultz got together in 1985 and bought the company for $12.5 million, which got them very little, not even a factory or buildings -- just the Fender name, product lines and some inventory. This section of the book concludes by describing the enormous creative efforts that led to the post-CBS rebirth of Fender, not just through its many popular re-issue amps, but also the newest Custom Shop and other offerings. These stories are told in a skillful journalistic fashion, and are accompanied by many photos of older and newer amps, as well as sales brochures.

Best of all, as he wrote this book, Morrish interviewed many people including not just the heavyweights -- such as Don Randall and Forrest White -- but also true keepers of the faith, such as Bill Carson (who inspired the design of the Stratocaster), and the late Sam Hutton, who worked on the factory floor and who later became a legend in his own right as a highly skilled and dedicated restorer of old Fender amps.

The last 20 or so pages of the book comprise a "Reference Section" that includes very detailed information on Fender amplifier identification, based on control panel configuration, numbers and types of tubes, speaker brands and sizes, cabinet covering and design, badge style, control panel layout, suggestions about how to date Fender amps based on manufacturing codes, and so on. Despite the effort to capture all Fender amp design features in this section, the Reference Section is not perfect. For one thing, the amp-by-amp descriptions are listed in alphabetical order but do not include model numbers, a serious omission since many amps with the same model name have different model numbers over the years, which reflect significant design differences. Morrish also misses a few amps -- for example, the late 1950's tweed Fender Pro Model 5E5-A is not mentioned nor described even though some connoisseurs consider this one to be a real tone monster almost on a par with the Bassman (but not as loud). Sharp-eyed readers will undoubtedly find other omissions, but these will be relatively minor and should not detract from the overall value of this book.

Rating:
Summary: I liked this book so much I bought it twice!
Review: I liked this book so much so that when I misplaced my first copy I bought another. Basically, this book will give you enough detailed information to (1) accurately identify ALMOST any Fender amp when you see it; and (2) appreciate some of the history and facts about the individuals who were involved in the design and manufacture of that particular line of amplifiers at different times during the history of the company.

The first 67 pages of the book could be called "The Rise and Fall, and Rise Again of the Fender Musical Instrument Company." It begins with a well-written account of Leo Fender's life and leadership of company from its founding in the late 1940's through its sale in 1965 to CBS. To his credit, Morrish doesn't stop there but goes on describe in detail Fender's CBS years, including the specific contributions of those amp designers who came after Leo Fender, such as Ed Jahns, Paul Rivera, and humbucker-designer Seth Lover. The CBS years end when a group of Fender executives led by Bill Schultz got together in 1985 and bought the company for $12.5 million, which got them very little, not even a factory or buildings -- just the Fender name, product lines and some inventory. This section of the book concludes by describing the enormous creative efforts that led to the post-CBS rebirth of Fender, not just through its many popular re-issue amps, but also the newest Custom Shop and other offerings. These stories are told in a skillful journalistic fashion, and are accompanied by many photos of older and newer amps, as well as sales brochures.

Best of all, as he wrote this book, Morrish interviewed many people including not just the heavyweights -- such as Don Randall and Forrest White -- but also true keepers of the faith, such as Bill Carson (who inspired the design of the Stratocaster), and the late Sam Hutton, who worked on the factory floor and who later became a legend in his own right as a highly skilled and dedicated restorer of old Fender amps.

The last 20 or so pages of the book comprise a "Reference Section" that includes very detailed information on Fender amplifier identification, based on control panel configuration, numbers and types of tubes, speaker brands and sizes, cabinet covering and design, badge style, control panel layout, suggestions about how to date Fender amps based on manufacturing codes, and so on. Despite the effort to capture all Fender amp design features in this section, the Reference Section is not perfect. For one thing, the amp-by-amp descriptions are listed in alphabetical order but do not include model numbers, a serious omission since many amps with the same model name have different model numbers over the years, which reflect significant design differences. Morrish also misses a few amps -- for example, the late 1950's tweed Fender Pro Model 5E5-A is not mentioned nor described even though some connoisseurs consider this one to be a real tone monster almost on a par with the Bassman (but not as loud). Sharp-eyed readers will undoubtedly find other omissions, but these will be relatively minor and should not detract from the overall value of this book.

Rating:
Summary: A handy guide to Fender amps and their history
Review: The whole story of the amps that made rock'n'roll is set out here, along with a descriptive catalog of every amp made by Leo Fender and the Fender company from 1945 to 1995.

Rating:
Summary: The Fender Amp Book
Review: This book was a great disappointment. It is more of a miniature coffee table with vague details meant as a party favor to impress friends when they come over as you brag about equipment. I purchased this to garner more information on the most famous vintage amp (Fender champ tweed vintage circa 1954-59, model 5F1.
Not only does he not go into this most famous amp; he does not list the major Champ models (5D1; 5E1, et cetera). Or how to trace serial numbers and "date" an amp. This was vague and useless. His references guide in rear of book concerning my "champ" and other famous amps in question is confusing and misleading, more information can be taken from internet and is more accurate. Does not tell you anthing about "super reverb" or much on bassman. Really a waste of money.
On plus side, the color photo's are very pleasing, and the history capsule of Leo Fender history is nicely done, but it is an overview, not much meat. This type of 9" x 4.6" reference guide is more suited in size for a "Scotch single malt guide"; or a city restauarnt guide...there is not space to work with, irgo, most important tube amps are barely covered, because there is limited space to cover many decades of products. Try a larger coffee table size like 14 x 14" and be more thorough. Buyers purchase a reference book like this for meat, not potatos.