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Rating: 
Summary: Absolutely fascinating
Review: The books that have been available on the history and background of reggae have (almost) always been organized around the rise of Bob Marley and the Wailers and have (again, almost) always shown an overconcentration on what went on in the UK (as opposed to Jamaica).Katz's book is blessedly different. For one thing, it's an oral history (as opposed to a researched/analytical history) and as such, he lets the artists and producers and other figures speak for themselves. This gets the reader much closer to the source than any other similar text. The story also unfolds in the same way that a bunch of guys shooting the breeze in a bar might tell it which I found extremely compelling. It is also the very first book on reggae that made me really understand the nature of the connection between London and Jamaica (besides just asserting a large expat community in London). Not only that, but it's the first time I remember reading anyone giving credit to the NY scene as well. Because of the anecdotal nature of the book, it's hard to hold the writer accountable for it's weaknesses. It's not really set up to be a research tool (it's hard to find specific facts or specific stories) and after reading it for a while, you realize that there are several voices missing from the narrative. Some have been exposed to death in other places (Marley, Peter Tosh, Lee Perry) but there are others I found conspicuous by their absence (Inner Circle, Brigadier Jerry, Yellowman). Finally, I just LOVE the focus on musicians. These guys are the real heart of reggae but have long stood in the shadows of the singers and producers.
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