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Rating:  Summary: Wanted to give a five, but... Review: Among the things I look for in a score is the readability of the music itself. The larger the better, though smaller print is acceptable in most classical and earlier pieces and a few Romantic pieces. Not so in Mahler's gigantic symphonies. I feel that the score should be the full size of some of scores of his later symphonies (Dover). There were times where I had to squint or look twice to see the score properly.That is my only problem with the score. These are two wonderful works and, unlike other composers, Mahler isn't beginning but nearing the peak of his symphonic powers with these "early" works. This is score is wonderful for music lovers and students alike for it's accessibility and low price.
Rating:  Summary: Wanted to give a five, but... Review: Among the things I look for in a score is the readability of the music itself. The larger the better, though smaller print is acceptable in most classical and earlier pieces and a few Romantic pieces. Not so in Mahler's gigantic symphonies. I feel that the score should be the full size of some of scores of his later symphonies (Dover). There were times where I had to squint or look twice to see the score properly. That is my only problem with the score. These are two wonderful works and, unlike other composers, Mahler isn't beginning but nearing the peak of his symphonic powers with these "early" works. This is score is wonderful for music lovers and students alike for it's accessibility and low price.
Rating:  Summary: Mahler at his best! Review: The early symphonies of Gustav Mahler show the heavy influence of the works of Richard Wagner. The pastorale first movement of the Symphony No.1 in D Major, the Titan, is particularly noteworthy in the way Mahler paints with music. The movement slowly builds to a thunderous climax when the brass enter with resplendent glory. This is followed by two movements that are reminiscient of folk melodies--including the inverted, minor-mode theme from Fr?re Jacques. It is concluded with a thunderous finale. The second symphony in c minor continues a powerful motif that now adds the power of the human voice. The thunderous finale of this symphony brings together a massive orchestra with chorus. Imagine 10 French horns, 8 trumpets, 4 trombones and a tuba proclaiming a glorius finish. Definitely a wonderful buy!
Rating:  Summary: Mahler at his best! Review: The early symphonies of Gustav Mahler show the heavy influence of the works of Richard Wagner. The pastorale first movement of the Symphony No.1 in D Major, the Titan, is particularly noteworthy in the way Mahler paints with music. The movement slowly builds to a thunderous climax when the brass enter with resplendent glory. This is followed by two movements that are reminiscient of folk melodies--including the inverted, minor-mode theme from Frère Jacques. It is concluded with a thunderous finale. The second symphony in c minor continues a powerful motif that now adds the power of the human voice. The thunderous finale of this symphony brings together a massive orchestra with chorus. Imagine 10 French horns, 8 trumpets, 4 trombones and a tuba proclaiming a glorius finish. Definitely a wonderful buy!
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