Katharine Hepburn : Star as Feminist

Rating:
Summary: A sharp and thought-provoking marvel!
Review: This is a superb critical evaluation of all of Hepburn's film roles until 1984. It is the only book about Hepburn that did not disappoint me. Hepburn biographies and studies have often tended to "normalize" Hepburn (eg. Kate - Charles Higham) or rationalize some contradictory aspects of her personality (eg. A Remarkable Woman - Anne Edwards) based on *conclusions drawn from* material that is in media circulation. Andrew Britton, in refreshing contrast, meticulously examines the implied beliefs and thought processes *behind* such material. Hepburn, through Britton's book, emerges in an arena all her own, resisting all attempts at conventional compartmentalization.

I absolutely agree with his views on many movies, say, "Woman of the Year", where Hepburn's presence in the title role suggests an independence and authority which the film's contrived, though expertly acted, ending, tries (unsuccessfully) to suppress. His views on the "violence of the performance" in "Summertime", which makes "the film's project untenable", are also very apt.

Apart from a thorough examination of Hepburn's roles with Tracy, Grant and others, this book makes pointed comparisons between the spinster roles of Bette Davis and Hepburn. It also has a very original discussion on The Philadelphia Story (Hepburn), Ninotchka (Greta Garbo), and Destry Rides Again (Marlene Dietrich), which according to Britton, were attempts to humanize (and hence compromise) its three female stars, who had previously been labelled "box-office poison".

For fans of Hepburn, for serious followers of films, and for all those who are concerned about the hidden ideas that films (sometimes inadvertently) propagate into the filmgoer's mind, this is an objective, insightful book which should not be missed.

Rating:
Summary: A sharp and thought-provoking marvel!
Review: This is a superb critical evaluation of all of Hepburn's film roles until 1984. It is the only book about Hepburn that did not disappoint me. Hepburn biographies and studies have often tended to "normalize" Hepburn (eg. Kate - Charles Higham) or rationalize some contradictory aspects of her personality (eg. A Remarkable Woman - Anne Edwards) based on *conclusions drawn from* material that is in media circulation. Andrew Britton, in refreshing contrast, meticulously examines the implied beliefs and thought processes *behind* such material. Hepburn, through Britton's book, emerges in an arena all her own, resisting all attempts at conventional compartmentalization.

I absolutely agree with his views on many movies, say, "Woman of the Year", where Hepburn's presence in the title role suggests an independence and authority which the film's contrived, though expertly acted, ending, tries (unsuccessfully) to suppress. His views on the "violence of the performance" in "Summertime", which makes "the film's project untenable", are also very apt.

Apart from a thorough examination of Hepburn's roles with Tracy, Grant and others, this book makes pointed comparisons between the spinster roles of Bette Davis and Hepburn. It also has a very original discussion on The Philadelphia Story (Hepburn), Ninotchka (Greta Garbo), and Destry Rides Again (Marlene Dietrich), which according to Britton, were attempts to humanize (and hence compromise) its three female stars, who had previously been labelled "box-office poison".

For fans of Hepburn, for serious followers of films, and for all those who are concerned about the hidden ideas that films (sometimes inadvertently) propagate into the filmgoer's mind, this is an objective, insightful book which should not be missed.