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Rating:  Summary: The Best 'Musorgsky' for the General Reader Review: David Brown's 'Musorgsky' appears in the Oxford University Press's 'The Master Musicians' series and replaces the older volume in that series started by M. D. Calvocoressi before his death in 1944 and finished by Gerald Abraham, published in 1946. There has been no major life-and-works of Modest Musorgsky (1839-1881) in English since then, although Richard Taruskin's scholarly 'Musorgsky,' intended for a narrower musicologically-informed audience, was published in 1992. This volume has musical examples and some reasonably detailed discussion of musical points in Musorgsky's works, but it is certainly not beyond the reach of the general reader.Musorgsky's life is detailed throughout the book but there is little that is gossipy or speculative. Much more attention is paid to the origin and development of Musorgsky's art, with a clear exposition of musical and psychological influences by such figures are Dargomizhky, Glinka, Balakirev, Rimsky-Korsakoff, Alexander Serov, Vladimir Stasov and others. The lengthy, often obscure and confusing chronology of 'Boris Godunov' is set out logically and lucidly; Brown's exposition of its difficult gestation certainly cleared up some of my confusion in this regard. There is a good deal of explanation of how and where Musorgky cannibalized earlier works, inserting whole passages in the works by which he is now primarily known. There is a fascinating discussion of how he slowly developed his musical 'fingerprints,' with examples. Several chapters are devoted to the composition of his numerous and still undervalued songs. And we get psychologically and musically insightful chapters on 'Night on Bald Mountain' (more properly 'St. John's Night on Bare Mountain') and 'Pictures at an Exhibition.' The sad story of the inability to complete 'Khovanshchina' and 'Sorochintsy Fair' is told, along with the related heart-breaking drama of Musorgky's decline and death. In Musorgsky's too-short life he wrote at least three undisputed popular masterpieces - 'Boris,' 'Night on Bare Mountain,' and 'Pictures'- and those who love these pieces, and others, owe it to themselves to become more familiar with the life of the man behind these favorites. This book provides the kind of framework that makes those works more alive for the listener. Recommended. Review by Scott Morrison
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