Kraftwerk: Man, Machine and Music

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Summary: Excellent look at the inspiration of all pop-electronica
Review: Can't say much that hasn't already been said by the reviewers. It is very fascinating to see the educational background of the Hutter/Schneider core and the thought that went behind their music. They remain unrivaled in their scope of impact and it's great to know they are still brewing things in the present that may one day see the light of day.

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Summary: Kraftwerk book purchaser
Review: I learned much from reading this book.
While Kraftwerk kept an extreme, if not paranoid low profile, Pascal gives you a peek at the philosophy, motives of the group while providing plenty of sources.I really felt he presented an objective report without bias for or against the group.
This is about as close to Kraftwerk as reasonably can be
deduced. Musik nonstop!

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Summary: Seclusion is not so secluded, anymore
Review: Kraftwerk may be one of the few popular bands in the world who have retained a mysterious aura around them. Although it is becoming evident now, thanks partly to Pascal Bussy's work under review here, that this image was engineered by them as a kind of Kraftwerk ethos and band creed, it is also one of their hallmarks-that they did not sell out to the media and popularity contests, retaining their uniqueness while still influencing hordes of bands since the mid-1970s, when they first sprang into prominence in Germany and beyond. The founding members of the band, Messrs Ralf Huetter and Florian Schneider, rarely give interviews to this day, are very isolated and private individuals; in recent years, Kraftwerk as a band has churned out close to nothing in terms of releases, leaving widening gaps between their releases. Before their amazing 1974 LP and single "Autobahn," they played a unique brand of "krautrock" music that they have since disowned-their three LPs from this period are still not officially available on CD, and they don't play songs from this era in their concerts.

In August 2003, this status-quo changed momentarily, when Kraftwerk released an all-new LP entitled Tour de France Soundtracks, though anyone remotely familiar with their releases would have found that this LP basically echoed what they had released back in 1983 as a single, of the same title and cover artwork! Indeed, the song "Tour de France," tucked into the back of the LP, was a re-recording and remixing of the same "Tour de France" song released in 1983. They toured; one begs to ask the question of whether or not there will be more from Kraftwerk after this or not; their last LP before this came out in 1991, with no light shed on what went on for twelve long years.

Bussy's biography of the band was first published in 1993; it was subsequently revised in 2001, and another 2004 edition is in the offing. It is a revealing and fascinating portrait of what Bussy terms "one of the most fascinatingly beguiling and influential music groups of all time" (p. 12). It traces the origins of Kraftwerk, not only with its founding members, but also in the musical scene of Germany in the late 1960s and early `70s; hence, it is also an interesting piece of cultural history. The history of Kraftwerk itself is also traced, mostly in the context of their LP releases (of which there are eleven, not including singles). Bussy has succeeded in essentially restoring (or disclosing, depending on your viewpoint) the humanity behind the "Man Machines" or "Robots" from Düsseldorf.

His biography, understandably, remains limited by Kraftwerk's own self-secrecy, so the reader seeking to find juicy details of their working methods in the Kling Klang studio, or what really happened to the planned 1983 Technopop LP and its relationship to the 1986 Electric Café LP, for example, will not glean much because Huetter and Schneider have not exactly been forthright about such things. Details about their personalities had to be pieced together through second-hand testimony, which is always a little shaky for accuracy. It was up to Bussy to investigate such things on his own; indeed, in the Preface to the 2001 edition, he compared his efforts to a police investigation, where one clue would somehow turn up more clues to piece the Kraftwerk enigma together. It appears that the most social and open band member was Karl Bartos, who left in 1990, give or take, frustrated by the slow pace of music-making stemming from his day job. An aside: one should check out Bartos' solo work under his band name Electric Music, and also his self-named 2003 solo release.

Bussy, despite these shortcomings, has succeeded in spotlighting Kraftwerk. His writing is also excellent, so there is no fear of reading a dry, turgid account. Like Kraftwerk's music, Bussy's biography shall definitely shine on. Every fan should take the time to read this book.

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Summary: ANOTHER KEEPER
Review: Shortly after reading Tim Barr's excellent book on the band, Pascal Bussy's tome came back in print (2nd edition). Needless to say, it couldn't arrive fast enough. It (like Barr's) helped shed some light on this enigmatic group (specifically Hutter and Schneider). While neither is the definitive work, they both are great additions to my Kraftwerk collection. With 8 pages of b&w photos, this is a must have for all true fans. By the way, ignore the Library Journal review above as it is for Barr's, not Bussy's, book.

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Summary: Kraftwerk:"a pioneer group written the story of music"
Review: This book really documents well the story of this seminal group from Dusseldörf.Well written as well by french author Pascal Bussy it is now an essential milestone in the history of electronic music but music in general also...While the story line don't appear to show us more about the personnal life of Ralf &Florian it does contain some interesting facts(Get to know that those cats are in love with classical music & "The kinks"!) Perhaps the book shows us a more spiritual view of Kraftwerk,the message of Ralf &Florian clearly states that to change the world you gotta change yourself first.Also,the story shows that despite making some amazing music, Kraftwerk are probably just some ordinary people...And to me this the most revelant detail about them,they don't take anything for granted and are just glad and thankful if not flattered that people listens to their music at all.I guess that some rock star should imitate their attitude then there would be less of this silly attitude in R&R which consist on placing the artist before the music;foolish in itself!That's why Kraftwerk are not giving interviews and refuse to talk about themselves:they are just ordinary people who are doing something different!The myth that they have created is now huge:they have created the perfect synthesis between Man & Machine as exposed in this book.Kraftwerk will undoubtely go down in the history of music as genius:genius of ideas,strutures,mathematics,concepts,and of course melody.They will go down as well as people such as John Cage,Karlheinz Stockhausen,Holger Czukay & Manüel Göttsching as genius of electronic music. And also as well as more mainstream artist like James Brown,Serge Gainsbourg or MilesDavis.No doubt,this book is the moment to rediscover where "the Autobahn,the Trans-Europe Express,the Radioactivity,the Man Machine & Computer World were really leading".And the moment to share their dystopian view of the world.