Screen Teen Writers: How Young Screenwriters Can Find Success

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Summary: A screenwriting course w/o costing the big bucks!
Review: As a film student, I learned more from this book than I did taking screenwriting in college! A must have for anyone interested in screenwriting whether they be a teen or teen at heart!

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Summary: WHAT CAN I SAY!
Review: I fully endorse all the previous reviews of this book. ScreenteenWriters is excellently structured, full of everything a budding playwright would need to know (and not only a budding writer!) This book is extremely user friendly, and simple in its explanations of complex concepts. Definitely, A MUST BUY. Thank you, Christina Hamlett!

Rating:
Summary: WHAT CAN I SAY!
Review: I fully endorse all the previous reviews of this book. ScreenteenWriters is excellently structured, full of everything a budding playwright would need to know (and not only a budding writer!) This book is extremely user friendly, and simple in its explanations of complex concepts. Definitely, A MUST BUY. Thank you, Christina Hamlett!

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Summary: Budding William Goldmans Start Here!
Review: Now, here's a book I wish I'd had when starting out as a screenwriter! It covers everything from plot points to page counts in an incredibly imformative and entertaining style, geared directly at younger writers.

The book also includes tips from writers around the world - essential if you want to break free to the Hollywood mold and forge a style of your own.

So, next time you watch a movie and think to yourself, "I could do better than that!" - turn to this book, and you'll do much better!

A must buy!!

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Summary: Not Just For Teens!
Review: SCREEN TEEN WRITERS may be marketed for the aspiring teen writer, but there is valuable information in this book that certainly can be used by anyone interested in writing a film/TV script. Hamlett asks questions that all writers should answer, which helps to focus and sharpen one's creative efforts. More importantly, she doesn't "talk down" and most emerging writers should find her words and the interviews engaging and inspiring!!! Well-written, concise, and very informative!

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Summary: Must read for all aspiring screenwriters!
Review: This book fills an important niche for the ever increasing teen film market. It does so, however, with instructions and lessions that are valuable for all in the industry and for anyone who thinks an Academy Award winning screenplay is just a blank sheet of paper away. The author not only provides a very comprehensive guide to screenwriting, but also tests the motivation of the young writers and their fidelity to their craft.

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Summary: Like a Fairytale Mentor!
Review: This book is like the mentor every screenwriter longs to have, but rarely has the good luck to find. The idea of writing a screenplay is glamorous, yes, but none to easy to accomplish. I've been working as a screenwriter since my 20s, but I sure wish this book had been around when I first dreamed of writing movies. Christian Hamlett's book can tell you how to get started and how to successfully reach that longed-for goal, the final fade out. What a boon to young screenwriters just getting started! Christina Hamlett's book offers heaps of practical advice, and the interviews she includes provide the reader with additional voices of wisdom. I intend to recommend it to any teenager interested in creating a screenplay.

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Summary: The advice is good, with an interesting take on structure.
Review: With ageism sweeping Hollywood recently, and executives apparently desperately looking for the "next genius 18-year-old screenwriter," it was only a matter of time before someone wrote a screenwriting manual "just for kids."

Still, Christina Hamlett does not fall into the trap of dumbing down the material. Though aimed at high school students, she treats every aspect of the screenwriting process with the same sérieux one would use for a book aimed at the adult market. Indeed, it covers all the same topics (finding ideas, writing dialogue, structure, character, formatting etc.).

Differences are noticeable in the tone of the examples used, which are a bit more fanciful than usual, and in the exercises in each chapter, which are really designed for the classroom. As such, the book is probably even more valuable to teachers of a beginning screenwriting class for young adults than for the teen screenwriter himself.

The advice is good, with an interesting take on structure. There is a lot of information on getting an agent (perhaps a tad too optimistic here), as well as interviews with industry professionals to conclude each chapter (and the ageism issue gets referred to a lot, strangely enough). For those who remain cynical about the whole thing: the one 14-year-old writer interviewed here prefers Rashomon and Citizen Kane. So there may be hope yet.