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The Dread of Difference : Gender and the Horror Film |
List Price: $26.95
Your Price: $17.79 |
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Reviews |
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Rating:  Summary: Essential. Review: For students of horror and film this book is indispensible. Taking horror film seriously is, many times, a losing proposition, but not for the writers here. The essays on the "Alien" films and David Cronenberg are worth the price alone. One of the best books on horror movies out there--intellectually satisfying and illuminating, worlds away from the tepid, incomplete "encyclopediac" fare usually published. My highest recommendations.
Rating:  Summary: Essential. Review: For students of horror and film this book is indispensible. Taking horror film seriously is, many times, a losing proposition, but not for the writers here. The essays on the "Alien" films and David Cronenberg are worth the price alone. One of the best books on horror movies out there--intellectually satisfying and illuminating, worlds away from the tepid, incomplete "encyclopediac" fare usually published. My highest recommendations.
Rating:  Summary: A few factual errors cancel out critical excellence. Review: The amount and diversity of the crictical opinions expressed in this book should give it at least 4 stars. Sadly two essayists works contain errors so blatantly ignorant of the source material I had to dock the whole barrel a single star. Carol J. Clover goes into incredible, albeit wincingly inaccurate, detail when describing the stabbing deaths of two characters in a hot tob in the film Halloween 2. However neither of these characters were stabbed in the actual scene, one was strangled and the other scalded. In another example, editor Barry K. Grant, in his essay on legendary horror auteur George A. Romero, continually confuses Dawn of the Dead with Day of the Dead and vice versa. One would think that after supposedly studying these films so closely the writers would get the titles and scenes correct in the texts. Error quibbles aside THE DREAD OF DIFFERENCE is a fascinating and mostly positive study of a genre that has been critically maligned (if not out and out ignored) for far too long.
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