Ladies of Soul (American Made Music Series)

Rating:
Summary: very well concieved Book
Review: a Book such as this Enlightens Many of Artists that didn't get a fair shake for Various Reasons.I got a chance to read this while also Reading David Nathen's Book on Diva's.this Book is very well Detailed&gives alot of Insight to many things.worth a checking into.

Rating:
Summary: A very different, unusual account
Review: David Freeland's Ladies Of Soul profiles the rise and fall of seven female performers of the 1960s. Maxine Brown, Ruby Johnson, Carla Thomas, Timi Yuro and others are revealed, from their struggles for success to issues involved in their music. A very different, unusual account.

Rating:
Summary: AN EXCELLENT BOOK ON UNDERRATED SOUL SISTERS
Review: David has written a compelling, honest and excellent tome on a diverse range of soul sisters some of whom have never received the mainstream recognition enjoyed by others. That he would take time out to track down Ruby Johnson and Timi Yuro and include such soulful divas as Bettye Lavette, Maxine Brown and Carla Thomas is to his eternal credit; I'm hopeful that there will be a follow-up since there are other women who deserve the kind of truth-telling treatment he offers. Bravo!

Rating:
Summary: AN EXCELLENT BOOK ON UNDERRATED SOUL SISTERS
Review: David has written a compelling, honest and excellent tome on a diverse range of soul sisters some of whom have never received the mainstream recognition enjoyed by others. That he would take time out to track down Ruby Johnson and Timi Yuro and include such soulful divas as Bettye Lavette, Maxine Brown and Carla Thomas is to his eternal credit; I'm hopeful that there will be a follow-up since there are other women who deserve the kind of truth-telling treatment he offers. Bravo!

Rating:
Summary: This Book Was Needed!
Review: How many times have I gone to a club and watched fabulous singers give astounding performances and ended up asking myself, "why isn't she/he a star?" Many of these entertainers are professionals, but for some reason, have not achieved the heights that many other, equally talented people have.

My record collection is filled with such artists: Howard Tate, Loleatta Holloway, Syl Johnson, Vanetta Fields, Otis Clay, Anna King, Shirley Brown and many others.

Author, David Freeland, obviously felt the same way, as he set out to showcase seven unheralded female soul singers from '60s, by giving them some overdue recognition in his new book, "Ladies of Soul". Among them are some of my personal favorites, starting with the incomparable, Bettye LaVette ("Let Me Down Easy"), who knocked me out when I first heard her demanding voice on the radio singing "You Killed the Love". I had no idea that this singer was only in her teens, for she emoted like an experienced woman of 40. That voice was coarse, even nasty at times, pleading and fraught with the damages of cigarettes, booze and life. Many feel she has a "churchy" sound, but LaVette swears that she is a child of the blues. Wherever it came from, that voice affected me deeply. Since, I have seen her bear witness, "live" in performance, giving 110% of herself and working harder than Tina Turner during her torrid times with Ike. Tina, by the way, covered Bettye's first hit record, "My Man (He's a Lovin' Man)".

Maxine Brown is gifted singer who has had many hits and deserves the spotlight in this book. Her immense talent has grown with experience and she is one of the best soul singers around. One of her big hits, "Oh No Not My Baby" was later recorded by Aretha Franklin.

The misunderstood, Timi Yuro, who's career and voice puzzled many (some thought she was a man, others were convinced she was African-American). She's Italian and has a soul as deep as the rivers. As a young girl, not only did she sing opera to appease her father, she sang in black churches (thanks to a religious black nanny) and toured later, as a professional, with the icons of soul like Little Richard and Etta James on the chitlin' circuit. She was asked by Frank Sinatra to tour Australia with him in the late 60s and her records were produced by such giants as Quincy Jones and Clyde Otis. Timi's first hit, "Hurt", was covered by Elvis Presley.

David Freeland has done a remarkable job with his hands on research and wasted not a second, quoting what others had written on this subject. He traveled the USA and found these women and interviewed them, in person, in depth. It seems that he quickly became the vehicle they could utilize to voice their anger, frustration, exhilaration and hope.

Also fascinating, were Freeland's conversations with Ahmet Ertegun, founder of Atlantic Records, whose candid insights into achieving success in the record business (then and now) and the unpredictable tastes of the record buying public were truly telling. Frank perceptions into the lives of many soul performers were punctuated by Juggy Murray, founder of Sue Records.

David interviewed DJ's, engineers...numerous people who make their living in the recording industry. This gives his book its distinctive authenticity.

I was not familiar with the personal life of Denise LaSalle ("Trapped, By this Thing Called Love"), before reading this book. Over the years I have purchased her albums and enjoyed her brassy brand of r & b. After reading her story, I conclude that she is substantive, opinionated and also a savvy, smart business woman. Carla Thomas ("Gee Whiz") turns out to be an interesting character. Her career sizzled just below the boiling point and she never achieved the stardom she deserved. It was also interesting to read about Barbara Mason ("Yes, I'm Ready"), whose records I've enjoyed over the years, and to get to know the one singer I wasn't familiar with, Ruby Johnson.

The book is not just "I made this record and sang with this person", it covers the morose as well, not only in the music industry, but societal injustice, as well. Travels through the south, having to deal with the America's ugliest demon, racism, brushes with the Ku Klux Klan, all are undeniably apart of these scenarios.

Very revealing are the observations by Bettye LaVette regarding the city of Detroit, during the heyday of Motown. Hers is a much darker portrayal of the same occurrences that were described in other books like Mary Wilson's, the Temptations' or Martha Reeves' biographies.

The important accomplishment here, is that this book stimulates one's appetite to hear these grand ladies sing! Enter their names on any Internet search engine and you'll find more information on each of them. Thankfully, they have CDs in the large record stores or can be ordered online.

Rating:
Summary: This Book Was Needed!
Review: How many times have I gone to a club and watched fabulous singers give astounding performances and ended up asking myself, "why isn't she/he a star?" Many of these entertainers are professionals, but for some reason, have not achieved the heights that many other, equally talented people have.

My record collection is filled with such artists: Howard Tate, Loleatta Holloway, Syl Johnson, Vanetta Fields, Otis Clay, Anna King, Shirley Brown and many others.

Author, David Freeland, obviously felt the same way, as he set out to showcase seven unheralded female soul singers from '60s, by giving them some overdue recognition in his new book, "Ladies of Soul". Among them are some of my personal favorites, starting with the incomparable, Bettye LaVette ("Let Me Down Easy"), who knocked me out when I first heard her demanding voice on the radio singing "You Killed the Love". I had no idea that this singer was only in her teens, for she emoted like an experienced woman of 40. That voice was coarse, even nasty at times, pleading and fraught with the damages of cigarettes, booze and life. Many feel she has a "churchy" sound, but LaVette swears that she is a child of the blues. Wherever it came from, that voice affected me deeply. Since, I have seen her bear witness, "live" in performance, giving 110% of herself and working harder than Tina Turner during her torrid times with Ike. Tina, by the way, covered Bettye's first hit record, "My Man (He's a Lovin' Man)".

Maxine Brown is gifted singer who has had many hits and deserves the spotlight in this book. Her immense talent has grown with experience and she is one of the best soul singers around. One of her big hits, "Oh No Not My Baby" was later recorded by Aretha Franklin.

The misunderstood, Timi Yuro, who's career and voice puzzled many (some thought she was a man, others were convinced she was African-American). She's Italian and has a soul as deep as the rivers. As a young girl, not only did she sing opera to appease her father, she sang in black churches (thanks to a religious black nanny) and toured later, as a professional, with the icons of soul like Little Richard and Etta James on the chitlin' circuit. She was asked by Frank Sinatra to tour Australia with him in the late 60s and her records were produced by such giants as Quincy Jones and Clyde Otis. Timi's first hit, "Hurt", was covered by Elvis Presley.

David Freeland has done a remarkable job with his hands on research and wasted not a second, quoting what others had written on this subject. He traveled the USA and found these women and interviewed them, in person, in depth. It seems that he quickly became the vehicle they could utilize to voice their anger, frustration, exhilaration and hope.

Also fascinating, were Freeland's conversations with Ahmet Ertegun, founder of Atlantic Records, whose candid insights into achieving success in the record business (then and now) and the unpredictable tastes of the record buying public were truly telling. Frank perceptions into the lives of many soul performers were punctuated by Juggy Murray, founder of Sue Records.

David interviewed DJ's, engineers...numerous people who make their living in the recording industry. This gives his book its distinctive authenticity.

I was not familiar with the personal life of Denise LaSalle ("Trapped, By this Thing Called Love"), before reading this book. Over the years I have purchased her albums and enjoyed her brassy brand of r & b. After reading her story, I conclude that she is substantive, opinionated and also a savvy, smart business woman. Carla Thomas ("Gee Whiz") turns out to be an interesting character. Her career sizzled just below the boiling point and she never achieved the stardom she deserved. It was also interesting to read about Barbara Mason ("Yes, I'm Ready"), whose records I've enjoyed over the years, and to get to know the one singer I wasn't familiar with, Ruby Johnson.

The book is not just "I made this record and sang with this person", it covers the morose as well, not only in the music industry, but societal injustice, as well. Travels through the south, having to deal with the America's ugliest demon, racism, brushes with the Ku Klux Klan, all are undeniably apart of these scenarios.

Very revealing are the observations by Bettye LaVette regarding the city of Detroit, during the heyday of Motown. Hers is a much darker portrayal of the same occurrences that were described in other books like Mary Wilson's, the Temptations' or Martha Reeves' biographies.

The important accomplishment here, is that this book stimulates one's appetite to hear these grand ladies sing! Enter their names on any Internet search engine and you'll find more information on each of them. Thankfully, they have CDs in the large record stores or can be ordered online.