Last Train to Memphis : The Rise of Elvis Presley

Rating:
Summary: This REALLY IS one of the best biographies of anybody, ever!
Review: Extremely well-written bio, it took me right back to the 50's. Shows how important Sam Phillips was in the genesis of Elvis' "new" style of music. Gives glimpses into the King's initially very conservative moral stand - no drinking or smoking. Sometimes he even read from the Bible to his dates.

The book takes us to the day he is shipped out to Germany. Towards the later chapters, darkness seems to creep into Elvis' life. He is very fearful, and the death of his mother appears to almost destroy his self-confidence. It gives great insight into just how and why Elvis' music was truly revolutionary. Shows how Elvis rose to the top thanks to three forces. First of course was his own talent, drive, ambition and energy. Then there was Sam Phillips who not only recognized that this phenomenon was totally new and different, but helped steer Elvis in the right direction musically. And finally there was the very clever Colonel Tom Parker, who was like a field general obsessed with effectively promoting Elvis' career.

All in all, this book is hard to put down - in fact one wishes it would never end because it is such an enjoyable read.

Rating:
Summary: should be assigned in history classes!!
Review: I don't own a single note Elvis Presley ever sang. I've never been particularly interested in his life or his music. The only other popular music books I've ever read are largely about punk rock, my true musical obsession.

Yet my interest was piqued by the rave reviews this book received. Perhaps because of my interest in punk, and to a lesser extent 60's protest music, I've always been fascinated by the way in which popular culture both reflects and constructs its contemporary historical context. And what Guralnick does so brilliantly in this book is distill precisely that relationship.

This book is simply a beautiful portrait of 1950s America, of a strange decade when outward moral propriety just began to hint at the possibilty of subversive rebellion. Who better to embody that contradiction than a shy, polite religious boy from Tupelo who somehow transformed his love of gospel into seminal - the MOST seminal - rock and roll?

Guralnick eloquently portrays both the humanity and poignancy of his subject, and through it, the humanity and poignancy of a historical era on the verge of massive disruption. It still seems quiet and respectful and homely - like Elvis himself - and yet somehow you just know that lurking beneath the surface is genuine social rebellion.

A great book, a page-turner. So good I might even pick up an Elvis record.

Rating:
Summary: Guralnick Gives Us Back the Music!
Review: Peter Guralnick -- with both love and meticulous scholarship -- has written a supremely ethical work of cultural archaeology.

With meticulous care and fairness -- but with no sugarcoating whatsoever -- he excavates Elvis out of the layers of rumor, innuendo, and mystery that have conspired over the years to make him a caricature and a joke rather than a human being.

Gurlanick gives us back the artist (who first thrilled me on 78s) and exorcizes so much of the snobby and dismissive trashy gossip (Goldman) that has obscured Elvis for almost 40 years.

I don't mean that a saint emerges. No way. But in Guralnick's telling, a brilliant musician and excruciatingly vulnerable human being pushes aside the fat guy in the gold Vegas suit.

The result? The music -- in all its glory and raw excitement -- returns to take its rightful and deserved place.

The best books (with Guralnick's 2nd volume) about rock and roll ever written.

Rating:
Summary: A slice of Southern history
Review: This is one of those rare biographies that transcend its subject. The rise of Elvis is fascinating and true Elvis fans will find a wealth of information in the book, but there is also much more to take from this well researched tome. The discussion of the music of Memphis, the sources that influenced Elvis and the rise of rock and roll make this book a terrific addition to anyone's library who is interested in music or the south.

The relationship between Presley and his many women is discussed here and so is the complex interaction between him and his family. Perhaps his most interesting relationship is with his manager, Colonel Parker. How that relationship shaped his career certainly makes for an interesting read. The author does as fine a job as I have ever seen of documenting his sources and treating his subject with respect, but not awe. This is one of the best bio's I have ever read. I highly recommend this book to students of Elvis, pop music, the south or to anyone looking to be exposed to a world that no longer exists.