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Rating: 
Summary: "This was a man."
Review: This book, except for the Epilogue, was written in 1983, ten years after Edward G. Robinson's death. The author, Alan Gansberg, therefore had the opportunity to interview a number of key friends and relatives to gain insight into the man, and we are richer for it. Emanuel Goldenberg, aka Edward G. Robinson, was defined by his strong Jewish upbringing and the words of his father, who taught his children to improve themselves and to "Always live beyond your means. It will make you work harder." Robinson took both pieces of advice to heart. He was a life-long learner, a tremendous workhorse, and made the best of every talent he had. In his early efforts to get into acting, he sold himself with the line that he was "not good on face value, but good on stage value." And he delivered, got noticed, and found himself, in 1915, in the play "Under Fire," a war melodrama where Robinson played three different parts. The play opened first in Boston, and Robinson received a glowing review in the "Boston Globe." Shortly thereafter, the play went to New York, and Robinson again got good notices in "Vanity Fair" and "The Theatre Magazine." This was the turning point for Robinson. At 22, he dropped out of CCNY, bought a new wardrobe, and turned his full attention to his new career. And this book takes you through every aspect of that brilliant career, including the awful times of the early 1950s, where Robinson was forced to appear (twice) before HUAC to clear his name against anonymous charges that he was a communist sympathizer and even a Russian spy. Heading up the right wing and enforcing graylisting and blacklisting was the head of the Screen Actors Guild at that time, none other than Ronald Reagan, who knew which way the wind was blowing and made certain his career was never in danger. This book puts Reagan in a bad light as a manipulative, self-serving, self-righteous fellow with little compassion. The consequences of Reagan's indifference to the suffering of his fellow actors are apparent in Robinson's and others' suffering, including that of John Garfield. Robinson, like millions of others, was nothing more than an FDR liberal all his life, and wasn't shy about it. For this he was punished, and, in the Epilogue, Gansberg draws parallels to today's repressive national climate.
I have always enjoyed Edward G. Robinson and am grateful to Turner Classic Movies for broadcasting Robinson movies from his Warner Brother years. Robert Osborne, the host of TCM, mentioned this book at the recent screening of "Larceny, Inc.," a 1942 "flop" that actually is pretty entertaining today, if a bit tiresome.
The book has an excellent Appendix listing all the stage, screen, television, and radio appearances of Robinson. I highly recommend this book to anyone wanting to read about the life and times of a great actor and a warm, engaged person. Robinson's biggest fault, which he himself admitted, was that he wasn't a great fathter to his troubled son, Manny. That comes across in the book too. "This was a man" is a line from the Antony soliloquy in "Julius Caesar," which Robinson used in his first audition, in 1912, for the Sargent School, later the Academy of Dramatic Arts. The soliloquy describes Robinson himself.
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