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Rating: 
Summary: Great group, great songs, good lessons
Review: I was very pleased with this book of guitar instruction. The book covers 21 Beatle songs. and provides the songs in note and Tab format. There is an enclosed CD where the author plays the portions of the songs covered in regular speed and in a slower tempo. Not every note of every song is covered but enough to give one the general idea. I recommend it highly to guitarist and lovers of the Beatles.
Rating: 
Summary: Best Pair of Beatles Books for Guitar Accuracy
Review: I would elaborate on the previous reviewer's remarks by clarifying that the purpose of this book - and its wonderful companion volume 'The Beatles' Hits'- is not to cover every note of the songs that it contains. Rather, the purpose of the books is to help guitarists to learn the 'fiddly bits' in The Beatles' songs - lead breaks, tricky guitar figures, riffs, and interplay between several guitars. Being both a Beatles' obsessive, and a guitar player interested in pinpoint accuracy, I have sought out tabs from many sources, online and in bookstores. I have never found anything as accurate as Wolf Marshall's transcriptions. And some of the other books are plain wrong. However, I find it somewhat curious that - having gone to the lengths that he did, of acquiring the same intruments used by the Fab Four in order to make the sound of the accompanying CD Rom's more accurate - Marshall doesn't actually seem capable of copying the style of playing 100% accurately, although he seems to be trying to do so. I find it reassuring that a session musician couldn't cop the feel that The Beatles put into their playing. The idea of providing music, tablature, and CD versions of the songs is a great one, because it covers all modes of learning. And the way that the CD's are recorded is inspired: Marshall provides versions of portions of the tracks at regular and slow speeds, and within each of these contexts records the instruments on different tracks which can be isolated or combined using the balance control. In practice, this means that one can turn the balance in order to provide backing (drums and bass), eliminating the guitar part(s), thereby allowing one to play along with the backing tracks; conversely, one could eliminate the backing, and just play along with the guitar parts - a brilliant idea. Marshall also provides fine written and verbal commentaries about each track, and about The Beatles' musical and cultural importance - a very welcome bonus. I can't wait to get Marshall's 'The Best of the Beatles for Acoustic Guitar'. Congratulations, Wolf. It's nice to find someone who cares enough to do such a thorough job. Geert
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