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Singing in My Soul: Black Gospel Music in a Secular Age

Singing in My Soul: Black Gospel Music in a Secular Age

List Price: $49.95
Your Price: $49.95
Product Info Reviews

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Rating: 4 stars
Summary: Worthy recall of a fading memory
Review: It is well known that rock and roll derived from the Negro blues music, and that the latter always had a strong gospel influence from the churches that often formed the centres of many Negro communities.

Jackson investigates more closely these roots in gospel music. But she focuses on a relatively overlooked aspect. The female gospel singers. She digs into fading records of the pre-WW2 decades, to recover a history that was almost forgotten. The book is also generously illustrated with photos of many such singers.

We see an intersection of sacred music, the personalitites of its women, and the music industry of that time, with its invidious demarcation into "regular" music and Negro music. Jackson shows how some women, possibly as a reaction against hardship and discrimination, were able to achieve some acclaim and a niche for themselves.

Rating: 5 stars
Summary: A kind of treatise on Gospel I would like to have written...
Review: This book, whose title doesn't seem so inviting, is one of the best I've read about gospel music. One of the key points Jerma A. Jackson makes is that gospels signifficance as marker of black identity has followed its rise from religious marginality in pentecostal denominations to mainstream entertainment. Gospel has come to mean a lot of different things to different people. To this reader, people most likely to utter general statements about black gospel as "culture" and such, would not likely have been the inventors of it. Pentecostals may have been the most faithful carriers of "african retentions", but they were all about Jesus, not about "blackness".

I hope this doesn't distract from the books many attracting and interesting observations. One of them is that female christian singers, because of their focus away from worldly things, could invade "male aesthetic territory" with a lot more ease than secular artists like the blues singer Memphis Minnie. This perspective on religious music is interesting, as it shows that faith may liberate or empower people to think and act in ways that secular discourses deny them.


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