The Complete Lyrics of Lorenz Hart

Rating:
Summary: An important collection
Review: Lorenz Hart is one of the finest lyricists in the history of American musical theater. He is largely responsible for elevating the process of writing lyrics into an art form. Before Hart, lyrics were usually trite and predictable with simplistic rhymes such as "I am blue, and so are you."

Hart wrote lyrics that are cerebral and sophisticated. His compositions are infused with wit and wisdom. He used complex rhymes. An example from "My Funny Valentine": "Your looks are laughable, unphotographable. Yet you're my favorite work of art. Is your figure less than Greek? Is your mouth a little weak? When you open it to speak, are you smart?"

Another example from "Bewitched": "I'm wild again, beguiled again, a whimpering simpering child again...." And yet another example from "Lady is a Tramp": "She gets too hungry for dinner at eight. She likes the theater but never comes late. She never bothers with people she hates. That's why the lady is a tramp."

Hart could be wistful and romantic as in "My Romance": "My romance doesn't need to have a moon in the sky. My romance doesn't need a blue lagoon standing by. No month of May. No twinkling star. No hideaway. No soft guitar."

Hart's lyrics are consistently observant and very often ingenious. They are the perfect match for the variety and intricacy of Richard Rodgers' superb music.

When you read through this collection of Hart's compositions, you will realize why this diminutive, gifted and endearing artist is a true giant of the musical theater.

Rating:
Summary: An important collection
Review: Lorenz Hart is one of the finest lyricists in the history of American musical theater. He is largely responsible for elevating the process of writing lyrics into an art form. Before Hart, lyrics were usually trite and predictable with simplistic rhymes such as "I am blue, and so are you."

Hart wrote lyrics that are cerebral and sophisticated. His compositions are infused with wit and wisdom. He used complex rhymes. An example from "My Funny Valentine": "Your looks are laughable, unphotographable. Yet you're my favorite work of art. Is your figure less than Greek? Is your mouth a little weak? When you open it to speak, are you smart?"

Another example from "Bewitched": "I'm wild again, beguiled again, a whimpering simpering child again...." And yet another example from "Lady is a Tramp": "She gets too hungry for dinner at eight. She likes the theater but never comes late. She never bothers with people she hates. That's why the lady is a tramp."

Hart could be wistful and romantic as in "My Romance": "My romance doesn't need to have a moon in the sky. My romance doesn't need a blue lagoon standing by. No month of May. No twinkling star. No hideaway. No soft guitar."

Hart's lyrics are consistently observant and very often ingenious. They are the perfect match for the variety and intricacy of Richard Rodgers' superb music.

When you read through this collection of Hart's compositions, you will realize why this diminutive, gifted and endearing artist is a true giant of the musical theater.

Rating:
Summary: A notation and watch for this on television
Review: The correct opening line of "My Romance" should be "My romance doesn't HAVE to have a moon in the sky" instead of "NEED to have a moon in the sky" as I incorrectly stated in my review here.

Also, in "Lady is a Tramp" I used the third person instead of the original first person usage to demonstrate the lyrics. The original "Lady is a Tramp" is written as "I get too hungry for dinner at eight. I like the theater but never come late....etc." I used the third person because it is the more familiar version.

AND AS A TESTAMENT to the timelessness of Rodgers and Hart's songs, listen to the current Ralph Lauren "Romance" perfume commercial. It features James Taylor and Carly Simon singing the opening and closing lines of "My Romance". It's a beautiful, heartfelt song nicely rendered by Taylor and Simon.

Rating:
Summary: A notation and watch for this on television
Review: The correct opening line of "My Romance" should be "My romance doesn't HAVE to have a moon in the sky" instead of "NEED to have a moon in the sky" as I incorrectly stated in my review here.

Also, in "Lady is a Tramp" I used the third person instead of the original first person usage to demonstrate the lyrics. The original "Lady is a Tramp" is written as "I get too hungry for dinner at eight. I like the theater but never come late....etc." I used the third person because it is the more familiar version.

AND AS A TESTAMENT to the timelessness of Rodgers and Hart's songs, listen to the current Ralph Lauren "Romance" perfume commercial. It features James Taylor and Carly Simon singing the opening and closing lines of "My Romance". It's a beautiful, heartfelt song nicely rendered by Taylor and Simon.

Rating:
Summary: A valuable document on many levels
Review: Very few collections of lyrics are worth reading as literature. First there was W.S. Gilbert, who showed the way that intelligent lyrics need not be anathema to a light-hearted musical; and whose lyrics can stand as independent poems. Afterwards we had P.G. Wodehouse, Cole Porter, Noel Coward, Ira Gershwin--and the best of 'em all, Lorenz Hart.

Not only is what he says witty but how he says it is even wittier. There is no room here to give examples of his incredible rhymes. But turn to the single example of "To Keep My Love Alive" which might be the very last set of lyrics he wrote before a lifetime of alcohol finally took its toll; and then compare it with any Gilbert's "list" songs to see the genius of this artist.

On an other level, any student of psychology will pounce upon the self-lacerating images conjured up in his "love" songs. Because of his own physical problems, we have "My Funny Valentine" in which the love object is "less than Greek" with a chin that's a little weak. And being in love is little more than "broken dates" and "flying plates."

His out and out parodies rival Cole Porter's, as witness "Way Out West on West End Avenue" with its kitchen range and so on. And all this is helped by his "signature" trick of breaking up words in the middle to get rhymes like "Summer journeys to Niagra/ And to other places aggra-/ Vate, all our cares."

On the level of Broadway musical history, the value of this collection speaks for itself, especially with the fine photographs and annotations about every show and then every song within the show. A scholarly masterpiece.

So how come you don't have a copy?