History of Japanese Art

Rating:
Summary: "The authority" on Japanese art in English
Review: There are a number of books on Japanese art in English, but many spend a great deal of time on one particular period (usually the period the author prefers) and writes about the rest as though they were "add-ons". Mason's work is concise as well as informative about a broad range of topics, and will serve as a good stepping stone or introduction for those looking to get in to the world of Japanese art. The general volume dedicated to each time period shows a fair balance, and it is easy to see how earlier movements in art and design influenced later developments, from prehistoric times to the modern era.

If there are any problems to be sited with the text, it is that it is getting a little old. Since 1993 (the most recent edition) there have been many advances in art history in Japan (particularly regarding prehistoric art and society), and many of the newer focuses in the art history comunity (such as Edo period printed matter, particularly picture inserts) will not be reflected in the text.

Even so, this will serve as a good starting point for most, particularly those studying in a college setting. Those planning to specialize in East Asian or Japanese art should have a copy by their side, both for reference and for the many illustrations and photographs collected inside.

Rating:
Summary: "The authority" on Japanese art in English
Review: There are a number of books on Japanese art in English, but many spend a great deal of time on one particular period (usually the period the author prefers) and writes about the rest as though they were "add-ons". Mason's work is concise as well as informative about a broad range of topics, and will serve as a good stepping stone or introduction for those looking to get in to the world of Japanese art. The general volume dedicated to each time period shows a fair balance, and it is easy to see how earlier movements in art and design influenced later developments, from prehistoric times to the modern era.

If there are any problems to be sited with the text, it is that it is getting a little old. Since 1993 (the most recent edition) there have been many advances in art history in Japan (particularly regarding prehistoric art and society), and many of the newer focuses in the art history comunity (such as Edo period printed matter, particularly picture inserts) will not be reflected in the text.

Even so, this will serve as a good starting point for most, particularly those studying in a college setting. Those planning to specialize in East Asian or Japanese art should have a copy by their side, both for reference and for the many illustrations and photographs collected inside.