Rating: 
Summary: touching and honest
Review: Summary:
Art (Artie) Spiegelman is a cartoonist and the son of holocaust survivors Vladek and Anna Spiegelman. Art decided to tell his parents' story in graphic novel (comic book) form. The first book, Maus, covers the meeting and marriage of Vladek and Anna and follows their story up until they enter Auschwitz during WWII. This book follows their story from when they enter the camp until they are finally freed by the Russians. This part of the story is also related in pieces as Art visits his father. Vladek was surprisingly resourceful as a camp prisoner and was continuously able to find positions where he was needed, helping keep him alive. Anna, on the other hand, wasn't always so lucky but she managed to stay alive. For both of them, much of what kept them alive was the hope of seeing the other person, which Vladek was amazingly able to arrange despite the men and women living in separate camps. Eventually the war ends and they return, separately, to their hometown in Poland, though they have no knowledge of whether or not the other is alive. Thus, when Vladek, who arrives last, finally makes it home, it makes for a touching reunion. My Comments:
This second book is definitely more touching than the first, though this is probably in large part due to the suffering the Spiegelman's experienced. This book also does a good job of bringing the story closure, though it took quite a while for this book to be published after the first one was. Once again, the author is critical of himself by illustrating a rocky relationship with his father rather than everything being rosy. This self-criticism leads to my final point. I think the allure of these two books is that the author doesn't try to dress things up in a pretty package. He does his best to present things as they actually were (at least, as they were seen by his father). The result is that you see things like children having their heads bashed in by Nazi's slamming them against walls and a son who only grudgingly helps his father but at the same time uses him for his story (that sounds a bit harsh as I'm sure the son was inspired to tell the story just to share it, but he also made money off of it, so he did use him in a sense). As I did with the first, I would recommend this book. Keep in mind that the book makes no pretense to be an objective treatise on the holocaust - this is a survivor's tale and it is at the subjective, individual level of one person who made it through. It is compelling and hopefully a warning for future generations about the potential maliciousness humans are capable of forcing on other humans.
Rating:
Summary: touching and honest
Review: Summary:
Art (Artie) Spiegelman is a cartoonist and the son of holocaust survivors Vladek and Anna Spiegelman. Art decided to tell his parents' story in graphic novel (comic book) form. The first book, Maus, covers the meeting and marriage of Vladek and Anna and follows their story up until they enter Auschwitz during WWII. This book follows their story from when they enter the camp until they are finally freed by the Russians. This part of the story is also related in pieces as Art visits his father. Vladek was surprisingly resourceful as a camp prisoner and was continuously able to find positions where he was needed, helping keep him alive. Anna, on the other hand, wasn't always so lucky but she managed to stay alive. For both of them, much of what kept them alive was the hope of seeing the other person, which Vladek was amazingly able to arrange despite the men and women living in separate camps. Eventually the war ends and they return, separately, to their hometown in Poland, though they have no knowledge of whether or not the other is alive. Thus, when Vladek, who arrives last, finally makes it home, it makes for a touching reunion. My Comments:
This second book is definitely more touching than the first, though this is probably in large part due to the suffering the Spiegelman's experienced. This book also does a good job of bringing the story closure, though it took quite a while for this book to be published after the first one was. Once again, the author is critical of himself by illustrating a rocky relationship with his father rather than everything being rosy. This self-criticism leads to my final point. I think the allure of these two books is that the author doesn't try to dress things up in a pretty package. He does his best to present things as they actually were (at least, as they were seen by his father). The result is that you see things like children having their heads bashed in by Nazi's slamming them against walls and a son who only grudgingly helps his father but at the same time uses him for his story (that sounds a bit harsh as I'm sure the son was inspired to tell the story just to share it, but he also made money off of it, so he did use him in a sense). As I did with the first, I would recommend this book. Keep in mind that the book makes no pretense to be an objective treatise on the holocaust - this is a survivor's tale and it is at the subjective, individual level of one person who made it through. It is compelling and hopefully a warning for future generations about the potential maliciousness humans are capable of forcing on other humans.
Rating: 
Summary: Brilliant
Review: The brilliant continuation of the MAUS story, I think I enjoyed the second part even more than the first. It's in this book that Spiegelman really brings out the connection between what happened then in Europe and what is happening now in America.
This is a more interesting part of the story from a character standpoint. The relationship between Art and his father Vladek is painted in its most frustrating and endearing tones in this volume. An amazing piece of historical fiction, and even better feat of interpersonal storytelling.
Rating:
Summary: Brilliant
Review: The brilliant continuation of the MAUS story, I think I enjoyed the second part even more than the first. It's in this book that Spiegelman really brings out the connection between what happened then in Europe and what is happening now in America.
This is a more interesting part of the story from a character standpoint. The relationship between Art and his father Vladek is painted in its most frustrating and endearing tones in this volume. An amazing piece of historical fiction, and even better feat of interpersonal storytelling.
Rating:
Summary: Part I of a Holocaust studies masterpiece
Review: The first part of Art Spiegelman's two-volume graphic novel, Maus, depicts the real-life experiences of his father Vladek, a Polish Jew who with his wife Anja became enveloped in the Nazi occupation of Poland and after two years of harsh survival, was finally caught and sent to Auschwitz in 1944. Artie is trying to write about his father's experiences in an honest way, and through interviews, to understand his father, with whom he has been at loggerheads. What he learns is that despite his father's survival at the camps, the experience has seared him, leaving him spiritually and emotionally burnt whole. The graphic novel format using animalization allows Spiegelman to delineate the ethnic differences perceived by the racialism in the Nazi world view. The depiction of the Jews as mice can be taken in the context of many things. One, cats chase and eat mice. Two, Joseph Goebbels depicted the Jews as scuttling rats in one of his propaganda films. Three, mice are on the lower end of the food web, beset by many predators. Mice are mainly herbivorous, with no allies. The Jews had no allies to stand up for them in the anti-Jewish measures that took place in the Third Reich. Germans are portrayed as cats. Apart from the generalization that cats eat mice, cats are also known for their cruelty, playing with whatever prey that have caught, before eating it, many times when that prey is half alive. Pogroms and killing methods used by the Germans were nothing but cruel. And Americans are dogs, who chase and kill cats, and Spiegelman's depicts them that way as they were on the Allied side. The conflict between Artie and Vladek plays another vital role in Maus. Artie, by being raised in New York, was imbued with the American virtues of individualism and seeking one's own destiny, a far cry from his parents' values of maintaining close ties to the family, such as following their expectations of him in vocation and marital life. While he was aware of his parents' sordid experiences, he could not adequately relate to what they had gone through. After what they have gone through, Anja and Vladek demand gratitude from Artie. For Vladek, the key is struggling for life till the last moment, a survival strategy he adopts when they hear news of the death of Richieu. Anja breaks down in the streets says she wants to die. To which Vladek replies, "No, darling! To die, it's easy. But you have to struggle for life! Until the last moment we must struggle together!" "Never again" is the oft-heard phrase regarding the Holocaust. Never again would the world allow such a systematic, inhumane wave of genocide. Yet Vladek continued to live as if the Holocaust could happen again. He continued his survival habits to the exasperation of his wife Mala. Artie remarks how his father collects junk, like a pack rat--pun sort of intended. Mala angrily points out, "he's more attached to things than to people!" He finds attachment to things rather than people, as those things helped him survive the camps. But the greater picture reveals how Vladek has lost his faith in humanity. After all, how could the world silently watch six million people "burnt whole?" Vladek may not be a likable character, but the point is he survived, at the point of having a bunker mentality. Mala angrily says of him that "it causes him physical pain to part with even a nickel," which causes a conflict within Artie, who does not want to paint his father as "racist cariacature the miserly old Jew" but wants to portray his father accurately." Which Art Spiegelman does, using the unique dynamics of a graphic novel and animalization to create an honest and heart-wrenching story.
Rating:
Summary: Powerful and moving
Review: The Holocaust is a difficult event to comprehend, even more so with the passage of time. How ironic that a comic ("graphic novel" if you wish) so eloquently and powerfully details the horrors and long-term effects of that tragic time. Spiegelman won a Pulitzer Prize for this work, and it is certainly deserved. I was deeply moved by his and his father's (Vladek's) story. The plot line is simple - how a Polish Jew managed to survive the first years of the war from the Nazi invasion to Spiegelman's s deportation to Auschwitz in 1944. Yet his survival was anything but simple. The story is riveting, and honestly I am amazed how anyone managed to endure and survive those cruel years. Yet the way the story is presented amplifies the impact of the Holocaust. Cartoons are so simple and innocent. Here they describe and detail the barbarism, brutality and sheer evil of the "Final Solution."
The drawings, too have a double meaning. The Jews are mice - helpless when rounded up by the predatory Nazi cats. The Poles are pigs (fitting, given generations of Polish anti-semitism), Americans are dogs (as in "dog-face.") It makes the story accessable, even a little easier to comprehend. (We can all understand "cat - and mouse" - indeed, this is exactly how Vladek Spiegelman managed to survive.) Easy to read, very accessable to all ages, and equally powerful.
Rating:
Summary: The story continues... as does the legacy of the Holocaust
Review: The second part of Art Spiegelman's graphic novel Maus picks up where the first part left off. His father Vladek and mother Anja are captured and sent to Auschwitz. However, things aren't well at home. Mala, Vladek's second wife, exasparated at Vladek's tight-fisted controlling ways, leaves him. Artie and his wife Francoise rush over to help him out and during this time, Artie continues the interviews with his father and thence into Maus II. The path of Artie understanding his father is smoother but at a cost. Following the success of Maus I, Spiegelman depicts a pile of dead Jewish bodies lying under the Artie's writing desk symbolizing how much the history his father has bled from that first volume has seeped into him. He is beginning to understand, but at the cost of emotionally and vicariously going through his father's experiences, for which he has sessions with Pavel, a Czech Jew psychiatrist and Holocaust survivor. Artie gets more perspective during these sessions with Pavel. He tells Pavel that as a child, he constantly argued with his father, who said that anything he did was nothing compared to surviving Auschwitz. Pavel refers to the psychological concept of transference: "Maybe your father needed to show that he was always right--that he could always SURVIVE-because he felt GUILTY about surviving. ... and he took his guilt on YOU, where it was safe... on the REAL survivor." The argument stands to reason. Vladek survived the death of so much family and friends, as well as the millions he never knew. We learn more of how Vladek survived Auschwitz. He teaches English to the Polish kapo, who expecting the Germans to lose the war, wants to get in good graces with the Americans. Vladek is thus given better food, a better fitting uniform, and the tip to stand at the far left of the line of prisoners during the labour call. Improved health increased chances of survival and a better mental state. Vladek has enough chutzpah in his tight-fisted but survivalist ways to exchange used groceries for new ones(!) While in the car waiting for him, Artie and Francoise discuss Vladek. Francoise says: "I'd rather kill myself than live through ... everything Vladek went through. It's a miracle he survived." Artie responds with "In some ways he didn't survive," which is key to the book's theme. Yet drastic saving is one way Vladek survived the war and camps. On the way back from the grocery store, we discover Vladek's racism towards blacks, an example of the victim becoming a victimizer. Maus is a must-read for a personal instead of abstract, statistical look at the Holocaust. It also brings up post-war genocide. Pavel's contention that people haven't changed rings poignantly. Despite the vow of "never again," genocide has repeatedly happened "yet again": e.g. the Cultural Revolution, the killing fields in Cambodia, the massacre in Rwanda, and the ethnic bloodshed in the former Yugoslavia. Perhaps for racial harmony to become a human instinct, all people need to feel the same way, but the relativistic world of the twentieth and twenty-first century to makes that dream virtually impossible. Pavel's statement that a newer and bigger Holocaust is needed to change people grimly prophesizes World War III, meaning that unless we change, we will all die.
Rating:
Summary: The story continues... as does the legacy of the Holocaust
Review: The second part of Art Spiegelman's graphic novel Maus picks up where the first part left off. His father Vladek and mother Anja are captured and sent to Auschwitz. However, things aren't well at home. Mala, Vladek's second wife, exasparated at Vladek's tight-fisted controlling ways, leaves him. Artie and his wife Francoise rush over to help him out and during this time, Artie continues the interviews with his father and thence into Maus II. The path of Artie understanding his father is smoother but at a cost. Following the success of Maus I, Spiegelman depicts a pile of dead Jewish bodies lying under the Artie's writing desk symbolizing how much the history his father has bled from that first volume has seeped into him. He is beginning to understand, but at the cost of emotionally and vicariously going through his father's experiences, for which he has sessions with Pavel, a Czech Jew psychiatrist and Holocaust survivor. Artie gets more perspective during these sessions with Pavel. He tells Pavel that as a child, he constantly argued with his father, who said that anything he did was nothing compared to surviving Auschwitz. Pavel refers to the psychological concept of transference: "Maybe your father needed to show that he was always right--that he could always SURVIVE-because he felt GUILTY about surviving. ... and he took his guilt on YOU, where it was safe... on the REAL survivor." The argument stands to reason. Vladek survived the death of so much family and friends, as well as the millions he never knew. We learn more of how Vladek survived Auschwitz. He teaches English to the Polish kapo, who expecting the Germans to lose the war, wants to get in good graces with the Americans. Vladek is thus given better food, a better fitting uniform, and the tip to stand at the far left of the line of prisoners during the labour call. Improved health increased chances of survival and a better mental state. Vladek has enough chutzpah in his tight-fisted but survivalist ways to exchange used groceries for new ones(!) While in the car waiting for him, Artie and Francoise discuss Vladek. Francoise says: "I'd rather kill myself than live through ... everything Vladek went through. It's a miracle he survived." Artie responds with "In some ways he didn't survive," which is key to the book's theme. Yet drastic saving is one way Vladek survived the war and camps. On the way back from the grocery store, we discover Vladek's racism towards blacks, an example of the victim becoming a victimizer. Maus is a must-read for a personal instead of abstract, statistical look at the Holocaust. It also brings up post-war genocide. Pavel's contention that people haven't changed rings poignantly. Despite the vow of "never again," genocide has repeatedly happened "yet again": e.g. the Cultural Revolution, the killing fields in Cambodia, the massacre in Rwanda, and the ethnic bloodshed in the former Yugoslavia. Perhaps for racial harmony to become a human instinct, all people need to feel the same way, but the relativistic world of the twentieth and twenty-first century to makes that dream virtually impossible. Pavel's statement that a newer and bigger Holocaust is needed to change people grimly prophesizes World War III, meaning that unless we change, we will all die.
Rating:
Summary: Brilliant, Tremendous
Review: The title of this review consists of words I don't use too often. But this is a masterpiece that deserved its Pulitzer Prize and then some. What makes Spiegelman's work so moving is the juxtaposition of a supposedly lighthearted form, the comic strip, with the greatest evil and suffering in human history, the Holocaust. Spiegelman's parents miraculously survived the concentration camps, being among very few survivors, getting by on luck and (in the case of Spiegelman's father) a lot of resourcefulness. This is their story, from the point of view of the father, who lost nearly all of his relatives. With the Jews as mice and the Nazis as cats, this work pulls no punches in describing the true horrors of the Holocaust, and Spiegelman's minimalist artwork makes the images all the more disturbing. You don't get this kind of emotion, terror, and brutal honesty in standard written accounts of the period. But underneath the direct suffering of the Holocaust, the true theme of this book is the lasting effects on the Spiegelman family, including the father's lasting agony and the mental illness shared by both Spiegelman's mother and himself, who hadn't even been born yet. The strained relationship between father and son are the true heart of this tremendous work. I haven't been this blown away by a work of literature in a very long time, if ever.
Rating:
Summary: Cuts Through the Numbness
Review: There is only one problem with Holocaust movies and books such as Schindler's List, The Pianist, and Night: there are a lot of them. They tell these grim, heartbreaking stories which we ought never forget, lest we repeat them, but I fear that the overload of Holocaust images sometimes does the opposite. There is so much that they almost take on a marked unreality. We can almost become numb to them. Then, there comes Maus, with the same type of horrors, the same type of events, but it manages to break through that numbness. The visual images are somewhat problematic, but I think it almost serves to make them more compelling, helping the bare emotion come screaming off the page. The modern relationship with Vladek and Art adds to the immediacy and modern relavence of the story also. Maus is a powerful read and one which is essential for anyone studying the Holocaust.
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