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Rating: 
Summary: One of the greatest
Review: Hokusai is my second favorite Japanese print artist whose art reflects mostly nature. I have two pictures of his hanging on wall. 100 Views of Mt. Fuji is one of his most beautiful works. It depicts the seasonal changes and the things done on Mt. Fuji. If you are intrested in Japanese woodprint and love nature, I'd strongly advice you to get this book. Awesome!
Rating:
Summary: Essential prints from an "Old Man Crazy about Painting"
Review: This is Hokusai at his best. His quality of line is exceptional and the images are a constant delight. The fertility of the artist's imagination is nothing short of astonishing. Hokusai gives us the mythological origins of Fuji, simple views of Fuji, pilgrims climbing and descending Fuji, Fuji's reflection, Fuji seen through rain and through mist, Fuji framed by trees, windows and bridges, Fuji from near and Fuji from afar. In one striking interior view, we see some surprised people looking at a miraculous vision of an inverted Fuji that floats on a screen before them. The explanation? A knothole in the house's wooden wall has transformed the building into a kind of giant camera obscura, and the morning sun is projecting an image of the mountain onto the screen. So... Fuji outdoors and Fuji indoors. One has to make a firm distinction between the original project and this edition. Hokusai's "100 Views of Mt Fuji" first appeared in three separate volumes: this book reprints them in one handy paperback. There are several extremely nice touches about this version. For a start, all the prints are reproduced to scale, and organized in the Japanese manner (i.e. the first print appears at the back of the book, and the last at the front). Better still, the prefaces, colophons, and title pages are all included, too. In total, you actually get 102 views of the mountain, and many of these consist of two separate prints on facing pages. This book is certainly great value for money because it doesn't stop here. Placed at the back of the volume--so as not to interfere with the flow of the prints--are translations of the Japanese texts and a commentary for each view of the mountain. All of these are extremely illuminating, and manage to outline just enough about Japanese history and culture for the images to make perfect sense. There's also an excellent introduction, which goes into more detail about the rich cultural and religious significance of Fuji, and about the nature of Hokusai's project. Why, for example, were there 102 views, not 100? Here's Henry Smith's appealing theory:
"I think that that the two beyond one hundred were related to his underlying preoccupation with long life: they were like the 'one to grow on' candle that we stick in a birthday cake, a wish that he actually live on past his cherished goal of one hundred." I have just two major gripes to make about this otherwise excellent version of Hokusai's "One Hundred Views..." The first is that the edges of each facsimiled page seem to have been cropped in such a way that some of the original material (generally Japanese writing) has been lost. More seriously, the original prints were made with black ink and a range of grays, but, here, many of these grays appear to be rather washed out. Sometimes this doesn't much matter, but sometimes it seriously effects the legibility of a print. An example: one of the most famous views of the mountain consists of a spider's web with a leaf caught in it. "Where's Fuji?" we wonder. (Hokusai is constantly making us mutter these words to ourselves.) In a good print, we eventually notice a couple of light gray zones at the top of the image, which represent the sky surrounding the top of Fuji. We're seeing the mountain through the web. But, in this book, these grays have almost entirely disappeared and, as a consequence, so has Fuji.
Nevertheless, you should absolutely buy this book. Rarely has so much inventiveness, wit and visual poetry been crammed into such a small space.
Rating:
Summary: Essential prints from an "Old Man Crazy about Painting"
Review: This is Hokusai at his best. His quality of line is exceptional and the images are a constant delight. The fertility of the artist's imagination is nothing short of astonishing. Hokusai gives us the mythological origins of Fuji, simple views of Fuji, pilgrims climbing and descending Fuji, Fuji's reflection, Fuji seen through rain and through mist, Fuji framed by trees, windows and bridges, Fuji from near and Fuji from afar. In one striking interior view, we see some surprised people looking at a miraculous vision of an inverted Fuji that floats on a screen before them. The explanation? A knothole in the house's wooden wall has transformed the building into a kind of giant camera obscura, and the morning sun is projecting an image of the mountain onto the screen. So... Fuji outdoors and Fuji indoors. One has to make a firm distinction between the original project and this edition. Hokusai's "100 Views of Mt Fuji" first appeared in three separate volumes: this book reprints them in one handy paperback. There are several extremely nice touches about this version. For a start, all the prints are reproduced to scale, and organized in the Japanese manner (i.e. the first print appears at the back of the book, and the last at the front). Better still, the prefaces, colophons, and title pages are all included, too. In total, you actually get 102 views of the mountain, and many of these consist of two separate prints on facing pages. This book is certainly great value for money because it doesn't stop here. Placed at the back of the volume--so as not to interfere with the flow of the prints--are translations of the Japanese texts and a commentary for each view of the mountain. All of these are extremely illuminating, and manage to outline just enough about Japanese history and culture for the images to make perfect sense. There's also an excellent introduction, which goes into more detail about the rich cultural and religious significance of Fuji, and about the nature of Hokusai's project. Why, for example, were there 102 views, not 100? Here's Henry Smith's appealing theory:
"I think that that the two beyond one hundred were related to his underlying preoccupation with long life: they were like the 'one to grow on' candle that we stick in a birthday cake, a wish that he actually live on past his cherished goal of one hundred." I have just two major gripes to make about this otherwise excellent version of Hokusai's "One Hundred Views..." The first is that the edges of each facsimiled page seem to have been cropped in such a way that some of the original material (generally Japanese writing) has been lost. More seriously, the original prints were made with black ink and a range of grays, but, here, many of these grays appear to be rather washed out. Sometimes this doesn't much matter, but sometimes it seriously effects the legibility of a print. An example: one of the most famous views of the mountain consists of a spider's web with a leaf caught in it. "Where's Fuji?" we wonder. (Hokusai is constantly making us mutter these words to ourselves.) In a good print, we eventually notice a couple of light gray zones at the top of the image, which represent the sky surrounding the top of Fuji. We're seeing the mountain through the web. But, in this book, these grays have almost entirely disappeared and, as a consequence, so has Fuji.
Nevertheless, you should absolutely buy this book. Rarely has so much inventiveness, wit and visual poetry been crammed into such a small space.
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