Rating: 
Summary: Marvelous book. . .
Review: This was a remarkable and detailed work on horse handling. It has been a few years since I read it but Hempfling had several excellent ideas and focused on a huge key for excellent horsmanship-its very definite spiritual aspect.
Where did one reveiwer get the idea that Hempfling didn't care for Thoroughbred or other larger breeds? Thoroughbreds are my favoirite breed and nothing in the book spoke negatively of them as a breed.
This book is for genuine horsemen out there.
Rating: 
Summary: Be willing and open to new ideas!!
Review: Dancing with Horses was a beautiful book and easy to implement during my training sessions, which were formally traditional. Although the wording could get a little hard for a beginner to follow... just do as he says and read the whole thing cover to cover before you start, then read it again upon starting a horse.
I have only just started using Klaus' teachings during my training of a 2 yr old Draft Horse gelding who was not only very nervous and untrusting of people, but also had no respect for fences or personal space. Obviously a very large and dangerous combination. Klaus has opened my eyes to my own errors during training. And the gelding is comming along nicely now. In retrospect I wish I had read Klaus' book before I began training a pushy Clydesdale mare using more traditional methods.She has proven to be more of a challenge than I had bargained for. However, it is interesting to see the diffrent results that have been achieved while training two diffrent horses at the same time, using two diffrent methods. Klaus' lessons are very versatile, straightforward and holistic. Every trainer has a diffrent method of training, that he learned from various other trainers. Klaus has an old world style that can be emplemented for *ANY* type or breed of horse.
Although I would like to hold my tounge regarding the marginal review given by one reader, I simply can't! Klaus doesn't state in his book that "hollow back" horses are useless and untrainable, nor does he pick on any particular breed in itself. He simply states the obvious. If your horse has a longer back, than his hieght allows,(like many english style horses have) then he'd better have VERY good muscle tone in order to avoid a "nose up, legs out" way of carrying himself. Obviously there are going to be bad apples in every bunch, and of course a shorter legged, shorter bodied horse can collect better than a longer more supple bodied horse, thats why quarter horses are built that way... (sometimes also to a disgusting extreeme), so that they can "get down on a cow." However, if your horse is too short to look over a jump, then lower your jump!! Or open your mind to other eventing avenues!! Quit thinking of "How YOU look", and consider for once your horses health. Open your mind... broaden your horizons. Implement the teachings of someone who obviously has success with something DIFFRENT.
Rating:
Summary: Dancing With Horses
Review: I am a former member of the USET 3-Day Team with my horse, The Gray Goose. This book is phenomenal, and is the missing link between natural horsemanship and classical dressage.. Klaus's techniques were learned from Spanish monks who kept alive the traditions of training from the Knights Templar. He emphasizes the person's responsibility in training their horses, and gives clear, consise instructions about how to achieve leadership with horses while maintaining their wonderful spirit and personality. Exercises for both horse and rider are given to achieve oneness in handling and riding, and the spiritual aspect of training is also covered. I have started my own horse over using these techniques, and the effects have been profound and dramatic. I highly recommend this book, and also his video tape of the same name.
Rating: 
Summary: Dancing With Horses
Review: I really was disappointed by this book. It promises such great things but that's all it does. I got about 50 pages in and he was still talking about how great the things he was going to tell you are. So I thought hey I'll skip ahead and get to the good stuff...wrong....he nevers does. Or if he does it's about 1 sentence then he goes back to tellin you what he is going to talk about and how great it is.
Rating:
Summary: A little known Master
Review: In America when we ask a horseman to name the great men of all time, we will hear: Tom and Bill Dorance, Ray Hunt, Buck Brannaman. But here is one name that has been overlooked. Klaus has a beauty about him and a light that all the American greats have too. He is more on the magical side of horse work, but his theories are almost the same as our well loved cowboys above. Try out his book, it is a great addition to your library and might even help open the door the that ingigma we call our horse.
Rating: 
Summary: Everything you know is wrong
Review: In defense of the book, the author has the right attitude in natural training through a sense of patience, understanding and fun. However, please consider the following before purchase: - This book is practically an infomercial for the small, baroque spanish horse. The writer quite openly states that the average rider should only ride a horse between 14.1 and 15.1. He "does not know of any reason they should be bred any larger." Um.. Eventing? Jumping? Hard to get a horse to jump anything they can't see over. - Modern dressage is "monotinous" and "robotic." Basically pointless to study. The elements of riding a larger horse--unfit because their backs are too long, 17 instead of 15 vertebrae--are completely ignored. Huh? Modern dressage teaches self carriage and strengthens the back and abdominal muscles. All the author sees is someone pulling the horses head into a frame. Admittedly, many riders ride in a false frame--in error--because it looks like a frame and with draw-reins (or just pulling) it is easy to do. But all of modern dressage is dismissed out of hand, because they use contact with the mouth and this is cruel. Well hello--he's using a curved bit and not a French snaffle--of course you can't take up contact in a curved bit! Western riders get collection on a curved bit without contact too! A friend of mine is an event rider and has full control of her horse in a rubber snaffle. If he wasn't happy, he wouldn't be the performing athlete he is! - According to the book, leading a horse should only be done from the front because it is the dominant position. Leading from the shoulder is wrong because it is a submissive position to the horse. Well, leading a sporthorse from the front is a bad idea, because if they spook, you can get run over. Horses are flight animals! If you've established a good relationship with your horse, he is submissive no matter where you are around him. It's called ground manners. But this book is myopically scoped to the small baroque and therefore not very hotblooded horse. If you get run away with on one of these guys, you're going maybe 20 mph. Not 40 mph like on a thoroughbred, and most everyone I know rides off-the-track thoroughbreds. And why not? They are cheap, available, sensitive, intelligent, athletically adaptable to lots of disciplines, have a work ethic, and a desire to please. So please read John Lyons, do a google search on horse rescue, and don't let these wonderful animals be eaten by the French because baroque horses are the new fashionable accessory. Thoroughbreds are NOT "unrideable, concave" horses as this author implies. The average rider "is in no way equipped to train these horses properly." So you have to learn a correct seat and leg to stop them because they are forward and train self-carriage. Oh my heavens. But isn't that what horsemanship is about? Schooling advancement, building communication, suppleness, acceptance of the bit? Not in the small world of this book.
Rating:
Summary: Everything you know is wrong
Review: In defense of the book, the author has the right attitude in natural training through a sense of patience, understanding and fun. However, please consider the following before purchase: - This book is practically an infomercial for the small, baroque spanish horse. The writer quite openly states that the average rider should only ride a horse between 14.1 and 15.1. He "does not know of any reason they should be bred any larger." Um.. Eventing? Jumping? Hard to get a horse to jump anything they can't see over. - Modern dressage is "monotinous" and "robotic." Basically pointless to study. The elements of riding a larger horse--unfit because their backs are too long, 17 instead of 15 vertebrae--are completely ignored. Huh? Modern dressage teaches self carriage and strengthens the back and abdominal muscles. All the author sees is someone pulling the horses head into a frame. Admittedly, many riders ride in a false frame--in error--because it looks like a frame and with draw-reins (or just pulling) it is easy to do. But all of modern dressage is dismissed out of hand, because they use contact with the mouth and this is cruel. Well hello--he's using a curved bit and not a French snaffle--of course you can't take up contact in a curved bit! Western riders get collection on a curved bit without contact too! A friend of mine is an event rider and has full control of her horse in a rubber snaffle. If he wasn't happy, he wouldn't be the performing athlete he is! - According to the book, leading a horse should only be done from the front because it is the dominant position. Leading from the shoulder is wrong because it is a submissive position to the horse. Well, leading a sporthorse from the front is a bad idea, because if they spook, you can get run over. Horses are flight animals! If you've established a good relationship with your horse, he is submissive no matter where you are around him. It's called ground manners. But this book is myopically scoped to the small baroque and therefore not very hotblooded horse. If you get run away with on one of these guys, you're going maybe 20 mph. Not 40 mph like on a thoroughbred, and most everyone I know rides off-the-track thoroughbreds. And why not? They are cheap, available, sensitive, intelligent, athletically adaptable to lots of disciplines, have a work ethic, and a desire to please. So please read John Lyons, do a google search on horse rescue, and don't let these wonderful animals be eaten by the French because baroque horses are the new fashionable accessory. Thoroughbreds are NOT "unrideable, concave" horses as this author implies. The average rider "is in no way equipped to train these horses properly." So you have to learn a correct seat and leg to stop them because they are forward and train self-carriage. Oh my heavens. But isn't that what horsemanship is about? Schooling advancement, building communication, suppleness, acceptance of the bit? Not in the small world of this book.
Rating:
Summary: subtitled - Get control of your body language
Review: On initial browse though this book you may be put off by the very flowery language and some of the interesting but not terribly helpful info (like which peasant saddles KFH likes) but do perservere. Many if not all of the principles are the same as other 'Natural Horsemen' however the difference with this book is the effort that KFH goes to explaining and showing with precise photos HOW to use your body to communicate with your horse. I found that it took a couple of readings to get the best out of this book and have returned to it many times since then. KFH himself states that you should not begin ANY of the exercises until you have read the book from cover to cover and then begun to read it again. I have to agree despite my initial dismissal of this (huh? he thinks I'm simple ) The layout of the book is a little difficult to follow, there are examples of Klaus' work with young feral horses interspersed with clinics that he runs (providing illustrations of the communication techniques that the book is all about) exercises to perform and 'how to ride' chapters. However, despite all of these foibles I found this book to be very useful. The clarity and detail in both text and photos of specific exercises - such as leading, working on a lunge or liberty work makes up for its shortcomings. For the first time an author details HOW to use your body in groundwork with a horse - the use of mimcry, the positions and 'zones of dominance or subservience' when working with a horse, what signals and actions will get a horse's attention and how to specifically communication such ideas as 'stop', bring your hind end under (collection), turn or come past. If you wish to improve your communication skills this is an excellent guide.
Rating:
Summary: subtitled - Get control of your body language
Review: On initial browse though this book you may be put off by the very flowery language and some of the interesting but not terribly helpful info (like which peasant saddles KFH likes) but do perservere. Many if not all of the principles are the same as other 'Natural Horsemen' however the difference with this book is the effort that KFH goes to explaining and showing with precise photos HOW to use your body to communicate with your horse. I found that it took a couple of readings to get the best out of this book and have returned to it many times since then. KFH himself states that you should not begin ANY of the exercises until you have read the book from cover to cover and then begun to read it again. I have to agree despite my initial dismissal of this (huh? he thinks I'm simple ) The layout of the book is a little difficult to follow, there are examples of Klaus' work with young feral horses interspersed with clinics that he runs (providing illustrations of the communication techniques that the book is all about) exercises to perform and 'how to ride' chapters. However, despite all of these foibles I found this book to be very useful. The clarity and detail in both text and photos of specific exercises - such as leading, working on a lunge or liberty work makes up for its shortcomings. For the first time an author details HOW to use your body in groundwork with a horse - the use of mimcry, the positions and 'zones of dominance or subservience' when working with a horse, what signals and actions will get a horse's attention and how to specifically communication such ideas as 'stop', bring your hind end under (collection), turn or come past. If you wish to improve your communication skills this is an excellent guide.
Rating:
Summary: It sounds GREAT!
Review: This book sounds great, and - even though I haven't bought it - I really think I'm going to get it. Getting your horse to harmonize with you is a *VERY* important issue, and it sounds really intriguing. But, I do have one thing to say to another reviewer who commented about leading the horse in front of them: You lead the horse walking in front, because you are showing him that YOU are the Leader, and he's the follower. If your horse spooks, he should *NOT* charge you or run you over. Why? Because if your horse really respects you as the *Lead Mare*, they wouldn't DARE step into your space. Sorry to write so much, but sometimes... I just can't help myself ignoring those issues. Overall, this book sounds wonderfully written and done, and I'm planning on buying it as soon as I get the money. I would definently recommend it to anyone who has trouble with their horse and "Dominant" problems. Ps- Frank Bell's 7-step Safety system is also good. My colt and I were both inexperienced and he was getting very dominant and having colt "Issues", so, we got a Frank Bell Instructor to come help us, and... he's been a completely CHANGED horse!
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