<< 1 >>
Rating: 
Summary: What are the other reviewers looking at?
Review: I am a ceramics instructor and find this book a useful text. I teach a class on ceramic materials and electric kiln finishes and use this book for class. It is laid out so students at any level can benefit. The photos both color and black & white are great examples of the topics covered in each section. A great resource for anyone interested in testing, developing or just getting started in oxidation firing and finishes.
Rating: 
Summary: great resource
Review: I am a ceramics instructor and find this book a useful text. I teach a class on ceramic materials and electric kiln finishes and use this book for class. It is laid out so students at any level can benefit. The photos both color and black & white are great examples of the topics covered in each section. A great resource for anyone interested in testing, developing or just getting started in oxidation firing and finishes.
Rating:
Summary: What are the other reviewers looking at?
Review: I'm a real novice at pottery. I've read a few books, visited many websites, taken a few classes & read the manual on my kiln (VERY brief & only containing minimal information). After looking through this book I realized that using my current resources, I could probably WRITE it!.If you want to see TONS of mediocre quality BLACK and WHITE photos of esoteric pottery, you've got the right book. If you are looking for technical explanations and help on the process of firing pottery & ceramics, keep shopping. If you even have an INKLING of expecting help on your kiln that has an electronic control device (Such as the Skutt KM models), FORGET about this book; there is absolutely NO information of any substance here. Or even if you want a more detailed description of how to understand and/or manipulate the manual process, don't expect to count on this reference. A REAL dissappointment. I couldn't return it fast enough.
Rating:
Summary: very little for anyone here
Review: This book does a very poor job of presenting what
little information it contains. For the studio potter there is only one valuable piece of information:
in electric firing, slow firing is good and
long soaks are better for proper glaze development.
I've tried several of the cone 6 and cone 10 glaze recipes,
the results were mostly awful. The technical discussion
of materials and equipment is too brief to make this
a real resource in the studio. Most electric kilns now
come with computer controllers, and there's nothing on
how to use them - just a few graphs of what an ideal firing
cycle should look like. As other reviewers have noted, the black and white photographs
don't do justice to the pieces. Furthermore, the choice of
examples is very biased towards the non-functional, sculptural,
and just plain academic ugly. The overall presentation -
choice of font, layout, and general lack of design also
contributes to ones overall disappointment with this book.
Rating:
Summary: very little for anyone here
Review: This book does a very poor job of presenting what
little information it contains. For the studio potter there is only one valuable piece of information:
in electric firing, slow firing is good and
long soaks are better for proper glaze development.
I've tried several of the cone 6 and cone 10 glaze recipes,
the results were mostly awful. The technical discussion
of materials and equipment is too brief to make this
a real resource in the studio. Most electric kilns now
come with computer controllers, and there's nothing on
how to use them - just a few graphs of what an ideal firing
cycle should look like. As other reviewers have noted, the black and white photographs
don't do justice to the pieces. Furthermore, the choice of
examples is very biased towards the non-functional, sculptural,
and just plain academic ugly. The overall presentation -
choice of font, layout, and general lack of design also
contributes to ones overall disappointment with this book.
Rating: 
Summary: Somthing for everybody, and more!
Review: This is a very helpful guide, especialy for creative but not so technicaly educated beginners, such as my self.It provides all sorts of informations on glazes,as well as meny recipes that guarantee succesful results and great looking effects on your ceramics.It brings more fun into experimenting, mixing and searching for new effects. I recomend this book to everybody and I hope you vill profit from it as much as I did !
<< 1 >>
| 
