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Rating:  Summary: Great Play Review: Antigone is the very best play ever written. It shows how a woman can be just as strong as men and teaches you to follow what's in your heart.
Rating:  Summary: Greens translation is outstanding Review: I wrote the review of Aescylus below, which is a mistake. I was reviewing another part of the complete greek plays by L and G. Greens translation and editing of Sophocles is as good as Lattimores Aesychlus(which is the best in the world of classical literature). It is often mistaken that these three plays are of the same trilogy. Actually they are parts of three unique trilogies. So don't be disturbed if you find some minor contradiction in the story lines each triology was ment to be played only once and never seen agains so the author often would be willing to use the same characters to convey different messages. Antigone is a play about a sense of higher justice than the law. Doing what is right because it is right even if it means death. It is a great look into the greek view of justice. Still today this may be on my top ten play list of all time. I believe that this is the first of a trilogy on the King Creon and his down fall. Oedipus Tyrannos (Oedipus the tyrant) is about hubris or man trying to rival the gods. Oedipus is also about self discovery and finding out things about yourself that lies just below the surface. It is also about stubborn pride and how it bind you and turns you against those tring to help you. As well it is about the tragedy that accompanies self discovery. Don't try to read to much Freud into this. Again one of the best playes ever written. Oedipus at Colonus is about redemption of Oeidpus and the freedom that he achieves in admitting himself as human. This is a great play also. This entire series is a jewel from the classics department of U of Chicago.
Rating:  Summary: Greens translation is outstanding Review: I wrote the review of Aescylus below, which is a mistake. I was reviewing another part of the complete greek plays by L and G. Greens translation and editing of Sophocles is as good as Lattimores Aesychlus(which is the best in the world of classical literature). It is often mistaken that these three plays are of the same trilogy. Actually they are parts of three unique trilogies. So don't be disturbed if you find some minor contradiction in the story lines each triology was ment to be played only once and never seen agains so the author often would be willing to use the same characters to convey different messages. Antigone is a play about a sense of higher justice than the law. Doing what is right because it is right even if it means death. It is a great look into the greek view of justice. Still today this may be on my top ten play list of all time. I believe that this is the first of a trilogy on the King Creon and his down fall. Oedipus Tyrannos (Oedipus the tyrant) is about hubris or man trying to rival the gods. Oedipus is also about self discovery and finding out things about yourself that lies just below the surface. It is also about stubborn pride and how it bind you and turns you against those tring to help you. As well it is about the tragedy that accompanies self discovery. Don't try to read to much Freud into this. Again one of the best playes ever written. Oedipus at Colonus is about redemption of Oeidpus and the freedom that he achieves in admitting himself as human. This is a great play also. This entire series is a jewel from the classics department of U of Chicago.
Rating:  Summary: Please remove the review that misattributes the Antigone Review: Please remove the review that misattributes the Antigone to Euripides and misspells his name - nothing against the reviewer, but it's best not to continue to display such a misspelling. As for the Chicago translations, they are the most even and readable translations of Greek tragedy, albeit with lower highs than the Oxford translations and higher lows than the Penn translations.
Rating:  Summary: Fundamental Review: This is Volume II of a four volume set "The Complete Greek Tragedies" (Volume I is Aeschylus, Volumes III and IV are Euripides). Like the other volumes, _Sophocles_ is a handsomely bound hardcover with stylized Greekish images interspersed throughout and one on the cover (in this case, a golden hoplite). _Sophocles_ is light on interpretative materials -- no footnotes and only a brief essay introducing each play (a slightly longer essay introduces the Theban plays as a trilogy). However, since the tragedians are much simpler to translate than, say, Aristophanes (who throws in lots of puns and current event references and untranslateable jokes and therefore really requires some explanation), the lack of critical apparatus is not a problem. Sophocles, of course, is a must-read. In his writings, drama has taken a step away from the choral Aeschylus and a step toward us by adding more actors and diminishing the role of the Chorus, so he is in some sense easier to read than Aeschylus. Sophocles is also more "tragic" than Aeschylus, less upbeat -- Sophocles's heroes are in some sense transformed and earn the respect of the gods by their subborn loyalty to their own natures, but from a human perspective they always destroy themselves. (A great introduction to Sophocles, while I'm at it, is Bernard Knox's book _The Heroic Temper_.) And, of course, you simply have to read the "Theban plays" ("Oedipus at Colonus" and "Antigone", but especially "Oedipus the King", sometimes also called "Oedipus Tyrannos" or "Oedipus Rex"). Sophocles is a beautiful, insightful writer, and an important part of the Western canon. This edition is a lovely and complete collection of his surviving plays.
Rating:  Summary: Fundamental Review: This is Volume II of a four volume set "The Complete Greek Tragedies" (Volume I is Aeschylus, Volumes III and IV are Euripides). Like the other volumes, _Sophocles_ is a handsomely bound hardcover with stylized Greekish images interspersed throughout and one on the cover (in this case, a golden hoplite). _Sophocles_ is light on interpretative materials -- no footnotes and only a brief essay introducing each play (a slightly longer essay introduces the Theban plays as a trilogy). However, since the tragedians are much simpler to translate than, say, Aristophanes (who throws in lots of puns and current event references and untranslateable jokes and therefore really requires some explanation), the lack of critical apparatus is not a problem. Sophocles, of course, is a must-read. In his writings, drama has taken a step away from the choral Aeschylus and a step toward us by adding more actors and diminishing the role of the Chorus, so he is in some sense easier to read than Aeschylus. Sophocles is also more "tragic" than Aeschylus, less upbeat -- Sophocles's heroes are in some sense transformed and earn the respect of the gods by their subborn loyalty to their own natures, but from a human perspective they always destroy themselves. (A great introduction to Sophocles, while I'm at it, is Bernard Knox's book _The Heroic Temper_.) And, of course, you simply have to read the "Theban plays" ("Oedipus at Colonus" and "Antigone", but especially "Oedipus the King", sometimes also called "Oedipus Tyrannos" or "Oedipus Rex"). Sophocles is a beautiful, insightful writer, and an important part of the Western canon. This edition is a lovely and complete collection of his surviving plays.
Rating:  Summary: Fundamental Review: This is Volume II of a four volume set "The Complete Greek Tragedies" (Volume I is Aeschylus, Volumes III and IV are Euripides). Like the other volumes, _Sophocles_ is a handsomely bound hardcover with stylized Greekish images interspersed throughout and one on the cover (in this case, a golden hoplite). _Sophocles_ is light on interpretative materials -- no footnotes and only a brief essay introducing each play (a slightly longer essay introduces the Theban plays as a trilogy). However, since the tragedians are much simpler to translate than, say, Aristophanes (who throws in lots of puns and current event references and untranslateable jokes and therefore really requires some explanation), the lack of critical apparatus is not a problem. Sophocles, of course, is a must-read. In his writings, drama has taken a step away from the choral Aeschylus and a step toward us by adding more actors and diminishing the role of the Chorus, so he is in some sense easier to read than Aeschylus. Sophocles is also more "tragic" than Aeschylus, less upbeat -- Sophocles's heroes are in some sense transformed and earn the respect of the gods by their subborn loyalty to their own natures, but from a human perspective they always destroy themselves. (A great introduction to Sophocles, while I'm at it, is Bernard Knox's book _The Heroic Temper_.) And, of course, you simply have to read the "Theban plays" ("Oedipus at Colonus" and "Antigone", but especially "Oedipus the King", sometimes also called "Oedipus Tyrannos" or "Oedipus Rex"). Sophocles is a beautiful, insightful writer, and an important part of the Western canon. This edition is a lovely and complete collection of his surviving plays.
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