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The Stream & the Sapphire: Selected Poems on Religious Themes (New Directions Paperbook, 844)

The Stream & the Sapphire: Selected Poems on Religious Themes (New Directions Paperbook, 844)

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Rating: 5 stars
Summary: Nature in religion
Review: The need for simple groupings of poems into thematic clusters may be too convenient and decpetive of the complexities of the poems themselves. But with Levertov, as with others, there is such a compelling predeliction towards specific themes and subjects that to do so can be useful.Here we have her major religious poems in a separate volume, just as there has been a volume of her poems on nature and a deserved volume of her political poems (if one hasn't been published already). These poems do chart Levertov's progressive understanding and acceptance of Christianity, but at their best they do something else. Their focus is often on natural scenes which have a humbling effect. The level sought isn't always that of the often over-mystified religious ceremony, though there's plenty of mystery to the poems. In "The Avowel" this effect is achieved through analogy, the submissive posture of lying on one's back hearkening not only a religious submission but one which the speaker is reminded of by the natural world. "As swimmers dare/ to lie face to the sky/ and water bears them,/ as hawks rest upon air/ and air sustains them,/ so would I learn to attain/ freefall, and float/ into Creator Spirit's deep embrace,/ knowing no effort earns/ that all-surrounding grace."

The "free-falling" that occurs is much like that effect of flight in George Herbert's concrete poem "Easter Wings," which takes the shape of a bird. Here the use of a center alignment (which is hard for me to approximate) gives the impression of both the "deep embrace" and the fall, each line arrising not from a speakerly margin but from a need more like song. Again, the groupings of these poems together is a faulty judgement of Levertov's range, yet considering her uncanny ability to mask her concerns in a seemingly banal tone through everyday language we should be thankful that these small volumes have been available as studies into one of the best American poets of the last half century.

Rating: 5 stars
Summary: Levertov profoundly interacts with Christian relgious themes
Review: This collection of "selected poems on religious themes" is not to be confused with religious poetry, or inspirational poetry. Here we have a renowned modern poet from the late 20th Century, who embraced the Christian faith late in life, interacting with spiritual sources that crossed her path while on her journey of faith.

Often one only gets out of a poem what one brings to it, at other times the poem speaks for itself. Both are the case here. Levertov develops a personal dialogue with various texts, personages and paintings, such as Thomas Merton, Julian of Norwich, the Mass for St. Thomas Didymus, Caedmon from Bede's "History of the English Church," Velazquez's "The Servant Girl at Emmaus," Brother Lawrence's "Practice of the Presence of God," "Hail, space for the uncontained God" (from the Orthodox Christian Akathist hymn), as well as numerous New Testament passages.

Some of these poems presuppose at least a nodding acquaintance with the original source. Others, such as those dealing with Christ's suffering on the cross, will be more accessible, since most of our culture still retains an awareness of the life of Christ.

While I struggled through some of these works, knowing that if I took the time I could get much more out of them, others demanded to be read a second and third time immediately.

Such was the case with "Annunciation," which draws on the Gospel account of when the angel Gabriel announces to Mary that she is to bear the Son of God: "But we are told of meek obedience. No one mentions/ courage./ The engendering Spirit/did not enter her without consent./ God waited./ She was free/ to accept or to refuse, choice/ integral to humanness."

Many still believe that modern poetry and the Christian faith don't mix. Here is proof otherwise. Going through this volume may be like mining for gold for some, but believe me, it's worth the effort. If you like this volume, check out works by Scott Cairns, also found here at Amazon.

Rating: 5 stars
Summary: "Straight to the point can ricochet"
Review: This set of books frighten me. Both are powerful and wonderful and deserveyour immediate and lasting attention. The poems are not new, they are athemed selection. Interestingly enough placed in seperate but equal volumes.

The Stream and the Sapphire is a selection of poems that elucidate thegrowth of Denise as a Christian. And an exciting growth it is. My favoriteof the moment are words I use as prayer: "How can I focus my flickering,perceive at the fountain's heart the sapphire I know is there?"

The Life Around Us is subtitled "selected poems on nature". In "A Reward",we live a harried day with the narrator and watch with her as "the heron,unseen for weeks, came flying widewinged toward me."

What is probably a marketing tool, a most wise one by the publisher, iswhat scares me about these two volumes. In theme, the power of God is toldin lush detail in both volumes. The heron in the nature selection is theholy spirit of the religious selection, and in our natural state both canand will be the same. Those brief moments of recognition of somethingoutside ourselves.

So with these two volumes to recommend, why should I be trepiditious? Themarketing folks know us so well, and as poets we cannot overcome themarketing department. "Christians" are right winged slobs that grow fat andsalute the flag and make fools of themselves on TV. They have absolutely noregard for nature because they are Republicans bound and determined todestroy the rainforest. Friends of the natural world cannot be interestedin true spiritual life because they worship nature, and are Democrats, andwould not consider a Christian a person. A nature person is good andupright and has never done wrong, and therefore has no need of the "crutch"of Christianity.

Crass? Yep. That's why I'm scared of these two books. Because it brings outthe crass nature of our commercialized economy. Everything is cut and dry -a cookie cutter product determined and produced by a media that thrives onexacting stereotypes. I can hear the salesman now walking into theChristian bookstore pitching the blue book; and the same salesman wakinginto the New Age bookstore pitching the green book. I'm saddened and scaredthat it's come to this - even in poetry. It's been with us in every otheraspect of life for so many years now that I guess it had to be inevitable.

Truth is, most Christians live in a more calm life than the wild-eyedfrothing at the mouth pentacostal, or the bomb-throwing fanatic at anabortion clinic. It may be surprising to those who only read newspapers andwatch tv to find out that many Christians believe God commanded them totake care of the planet. And vice-versa. Not all nature lovers worship theearth as God. Not all folks who are concerned with the environment areanti-Christian. Surprisingly to the media-fed public is the fact that thereare many people who love the outdoors who feel abortion is just as wrong asshooting a bald eagle or a snowy songed owl.

Not all republicans are anti-abortion; not all democrats are pro-abortion;and not all those who could care less about politics have no opinion eitherway. There are many varieties of individuals; and within most of us, Ibelieve strongly, there is a wonderful mixture of all the above. Let's faceit, when confronted with a child molester who just raped his child, thestrongest anti-abortion catholic would probably much rather kill the man assee him live, even if only for a brief moment. Why? Because we are human.

Which brings this around from a silly sermon back to the issue at hand -Denise Levertov celebrates our humanity. We see Thomas - in some circlesknown as the twin brother of Christ - struggling with his doubts. We hearin other places the voice of the poet struggling with questions andwandering doubts. In the nature series we hear the narrators of the poemsfinding a deep peace - if only momentary, a solace - a knowledge. Readtogether we find these powerful insights are all one insight into our innerselves.

And, slyly, in selecting the poems, Denise was able to confound themarketing department. From the nature series: "God is imaged as well orbetter in the white stillness resting everywhere, giving all things an hourof Sabbath." And from the religious series: "Dull stones again fulfilltheir glowing destinies, and emptiness is a cup, and holds the ocean." Whynot combine these two selctions of poems into one fine volume? Marketing.Sad, but true. Recently, ND published Robert Duncan's selected - 170+ pagesfor $12.95. By seperating Denise's poems for a perceived dual market (andunfortunately the perception is probably true), the sales force is able tosell the two slender volumes for $8.95 apiece. A few extra bucks - andbecause of the targeted audience - a lot more sales!

My recommendation? Confound the marketing department. Buy both books!Praise both books. And praise Denise for giving us such interestingmeditations on life. If you can, then read or re-read her past volumes andexperience her growth in a more natural form; but if you are in a positionof experiencing her poetry for the first time, these two small volumes willbe an appetizer that will send you searching to experience the flavors ofThe Jacob's Ladder, Evenings In Babylon, Evening Train, and quite a few more


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