Rating: 
Summary: Urges, images and muted longings...
Review: Carver explores the neurotic undercurrents of urban dwellers. Carver's characters are typically immersed in the Everyday. The repetitive force of the mundane has them mired in the mechanics of living: House-sitting, birthday parties, beer buddy fishing trips, boredom, initiation of an affair, two pals cruising, looking for a thrill. From the mundane and monotony, Carver produces stories that are pristine, using language scrubbed clean of verbal theatrics-no show off words, no eccentric constructions - just prose as clean and as spare as Hemingway and honed dialogue that is simple, but in the way that Mozart is simple. The story beneath the undercurrents is what makes Carver so addictive. He describes urges, images, and muted longings that you have always known existed, but never could express in words-until now. Take the story "So Much Water So Close To Home." A group of men go on a beer-bash fishing trip. Early into their trip, they discover the body of a nude woman floating face down in the river. The beer buddies figure to keep fishing! Why ruin a good fishing trip? She's dead already, what harm? After all, they're going to notify the authorities; only later, so as not to interrupt having a good time. The beer-induced logic is funny as hell, but the story's neurotic undercurrent explores sloth, inaction and soulless indifference, actions that can only be sanctified after the factors of humanity and decency have been removed from the equation. The wife of one of the beer buddies serves as the story's conscious. When she discovers that her husband drank and fished while a dead body floated downstream, she is appalled, alarmed. To her every accusation of "What kind of man are you to have done this?" Her husband's consistent answer is "She was ALREADY dead." The marital rift over this issue reflects the story's title "So Much Water So Close To Home." These are among the best short stories ever penned. If you enjoyed "The Killers," by Hemingway or any of John Cheever's short stories you will be rewarded by reading Carver.
Rating:
Summary: Urges, images and muted longings.
Review: Carver explores the neurotic undercurrents of urban dwellers. His characters are typically immersed in the Everyday where the repetitive force of the mundane has them mired in the mechanics of living: House-sitting, birthday parties, beer buddy fishing trips, boredom, initiation of an affair, two pals cruising, looking for a thrill. From these commonplace events, Carver produces stories that are pristine, using language scrubbed clean of verbal theatrics-no show off words, no eccentric constructions - just prose as clean and as spare as Hemingway's and honed dialogue that is simple, but in the way that we say Mozart is simple. The story beneath the undercurrents is what makes Carver so addictive. He describes urges, images, and muted longings that you have always felt, but never could express in words-until now. Take the story "So Much Water So Close To Home." A group of men go on a beer-bash fishing trip. Early into their trip, they discover the body of a nude woman floating face down in the river. The beer buddies figure to keep fishing! Why ruin a good fishing trip? She's dead already, what harm? After all, they're going to notify the authorities, only later, so as not to interrupt having a good time. The beer-induced logic is funny as hell, but the story's neurotic undercurrent explores sloth, inaction and soulless indifference, characters whose actions can only be sanctified after the factors of humanity and decency have been removed from the equation. The wife of one of the beer buddies serves as the story's conscious. When she discovers that her husband drank and fished while a dead body floated downstream, she is appalled, alarmed. To her every accusation of "What kind of man are you to have done this?" Her husband's consistent answer is "She was ALREADY dead." The marital rift over this issue reflects the story's title "So Much Water So Close To Home." These are among the best short stories ever penned. If you enjoyed "The Killers," by Hemingway or any of John Cheever's short stories you will be rewarded by reading Carver.
Rating:
Summary: Edge of my seat
Review: I was truly on the edge of my seat during these stories. They are beautifully written. I plan on re-reading these stories for years to come.
Rating:
Summary: Edge of my seat
Review: I was truly on the edge of my seat during these stories. They are beautifully written. I plan on re-reading these stories for years to come.
Rating: 
Summary: Pretty Good So Far
Review: I watched the movie and loved it. Altman is a master. His films have a depth and execution which other directors salivate over. I've only read the first few stories of this book so far. I'm very impressed. The stories are very short--between 5 and 10 pages each. They tie in very well to the film, but in many ways the book is superior to the film. He writes about common folk, and he speaks very plainly. It's very refreshing to see writers that don't "talk down" to their readers. People that talk down or have superiority complexes are very annoying. Especially when they are co-workers, and you work in retail.I work with a guy who has these kinds of annoying traits, and honestly I ignore the guy as much as possible. Everyone thinks he should be "86ed" from the joint but we'll have to wait and see.
Rating:
Summary: worth reading, though I don't love every story
Review: If you love Raymond Carver, or have yet to read any of his stories, this is a great book for you. These are selected stories by Carver, which inspired the movie "Short Cuts." Though I did enjoy the movie, reading the actual stories is ten times more satisfying. Carver is a genius when it comes to the crafting of a short story. He's showed me that you don't need to have the most complex plot or the happiest ending in short stories. You don't even need a solid resolution. Carver creates some of the most memorable characters and is a pro when it comes to dialogue. I really enjoyed these stories. I liked the fact that some of these stories really caught me off guard. "Tell the Women We're Going," has to have one of the most horrifying and disturbing endings I have ever read in a story. I also liked the fact that these characters seem so real. It's like these are people you have known for all of your life. He writes the way people actually talk, and that is a great talent. My favorite stories are, "They're Not Your Husband" "Neighbors," "Will You Please Be Quiet, Please?" "A Small, Good Thing," "Tell the Women We're Going," and "So Much Water so Close to Home." These are very realistic stories that paint a picture of everyday life. Raymond Carver was a brilliant writer. We need more like him. If you like Carver, or you have yet to read any of his work, check out this book and read some of the stories. It doesn't have a lot, but the ones that are in here are very well done. A book I will read over and over again. We miss you Carver!
Rating:
Summary: Great introduction to a great writer...
Review: In my opinion, Raymond Carver is among the top five short story writers of the twentieth century. His stories are bold, contemporary, and never boring. This compilation - used to make the Altman film - is a superb sampling of his work. Some of his best stories are here, such as "Will You Please Be Quiet, Please?," "So Much Water So Close to Home," and the heartbreaking, "A Small, Good Thing." "Tell the Women We're Going" is one of the most shocking short stories I've read recently. In his introduction, Robert Altman writes, "what he really did was capture the wonderful idiosyncrasies of human behavior, the idiosyncrasies that exist amid the randomness of life's experiences." This is a good introduction to his work.
Rating:
Summary: Raymond Carver is an exceptional short story writer
Review: Robert Altman made a wonderful film in the 90s based on 9 short stories published by famous American short story writer Raymond Carver. The film was entitled "Short Cuts" and this publication brings together these 9 stories (including a poem) which were culled from several original Carver publications. The book opens with an introduction by Altman who confesses to taking small liberties with Carver's stories and its characters but without compromising their integrity. Those who have seen the movie will concede that the changes in fact give the entity a coherence that would otherwise be missing. But as a collection of short stories. they can and should be read as standalones. Carver is a master of social commentary, using anecdotes of casual human behaviour to capture the absurdity of modern American life. These candid snapshots may not conform with the dictates of conventional fictional writing in that they may lack a beginning, distinct plot development and a neat ending. Often it isn't even the events that trigger off the response of the characters that are significant but the fact that they respond in a certain way that is interesting from the view point of understanding human behaviour. Carver seems to be saying that sometimes the strange things that happen to us are all due to chance and that like it or not, we need to factor chance into the equation of living. As a short story writer, Carver is exceptional. He has that rare ability to communicate some essential truth about the human condition without using melodrama or any of the other techniques frequently used by lesser writers to captivate and sustain our interest. The 9 stories in this collection are individually separate entities which exist in their own right. No character appears anywhere but in the story he originates from. The situations they capture are also pretty diverse. Yet, they don't seem disjointed when you read them in sequence. They are thematically bound together by Carver's magic which may be hard to define but there all the same. I found every one of them absorbing and captivating. Read this first before you watch the movie. You'll enjoy both better.
Rating:
Summary: Bad, bad Altman: read the book instead
Review: Robert Altman's awful film of the same name in no way does justice to this brilliant collection of Raymond Carver. Buy this book, read it, keep it near, pull it off the shelf and savor it any time you hunger for the economy of language and character that only Carver could so. On the other hand, go ahead and rent the film: then you'll truly appreciate this original American genius.
Rating:
Summary: A good introduction to Carver's cold world
Review: This short, digestible collection of a handful of Carver's stories makes a good introduction to his work. I haven't seen the movie, but reading Robert Altman's superficial, self-congratulatory introduction suggests to me that it probably wasn't very good. Nonetheless, I guess some good came of the movie, because it resulted in the publishing of these stories together, unencumbered by the overwhelming hugeness of most Carver collections that are still found in stores.
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