Little

Rating:
Summary: A Housing Tract Called Poverty
Review: In a housing tract called Poverty, population seven, a grave is dug, then filled, even though eight year old Little's body is missing. This unsentimental first novel revolves around the seven people who knew the nearly silent Little and who scratch out a difficult life on a Ojibwe reservation in Minnesota. They lend their voices and perspectives, some contradictory, to this bleak story of how Little came to "be in everything." The heart of this novel is not Little, however, but the people who knew him. Even though Little is not a major character the way his brother Donovan is, he represents the deformity in the others that must be overcome to survive.

Treuer has structured his novel in individual stories that are connected more through the association of the characters than any solid narrative drive. His writing is stark - sometimes poetic and others ordinary, but always fitting the mood of the moment. If this novel suffers from anything, it's obtuseness. The reader knows when he is supposed to read more into dialogue or a description, but the connections aren't always clear. The author's talents far outweigh this flaw, as Poverty and its residents are memorable, complex creations.

LITTLE is not an uplifting novel, nor is it an easy read, so readers looking for these qualities should look elsewhere. For those interested in literary fiction or in issues facing contemporary Native Americans, you will find much offered here by the author of a later work, THE HIAWATHA.

Rating:
Summary: A Housing Tract Called Poverty
Review: In a housing tract called Poverty, population seven, a grave is dug, then filled, even though eight year old Little's body is missing. This unsentimental first novel revolves around the seven people who knew the nearly silent Little and who scratch out a difficult life on a Ojibwe reservation in Minnesota. They lend their voices and perspectives, some contradictory, to this bleak story of how Little came to "be in everything." The heart of this novel is not Little, however, but the people who knew him. Even though Little is not a major character the way his brother Donovan is, he represents the deformity in the others that must be overcome to survive.

Treuer has structured his novel in individual stories that are connected more through the association of the characters than any solid narrative drive. His writing is stark - sometimes poetic and others ordinary, but always fitting the mood of the moment. If this novel suffers from anything, it's obtuseness. The reader knows when he is supposed to read more into dialogue or a description, but the connections aren't always clear. The author's talents far outweigh this flaw, as Poverty and its residents are memorable, complex creations.

LITTLE is not an uplifting novel, nor is it an easy read, so readers looking for these qualities should look elsewhere. For those interested in literary fiction or in issues facing contemporary Native Americans, you will find much offered here by the author of a later work, THE HIAWATHA.