Selected Writings (Penguin Classics)

Rating:
Summary: An excellent phantasmagoric collection!
Review: I came upon this volume by chance, after it won a translation prize from PEN, but was glad I did. Nerval seems to take up a curious position in literary history, and though is something of an eccentric, he was loved by later writers (Proust) and by artists (Joseph Cornell). The stories are strange and fantastic, travel narratives which are more journeys of the mind than actual travels. Anyone with an interest in the surreal, or in the fabular fictions of Calvino or Borges, will find these stories a delight. The stories raise questions about identity, sanity and madness, and linguisticly are truly alluring.

Also included are a number of poems and letters, which combined with the prose pieces present a great picture of the author's whole work. It seems like the best place to start for anyone who has not read Nerval before, but I'm sure that dedicated enthusiasts will find new pleasure in the excellent translation and the lucid editorial expositions that Richard Sieburth provides throughout the text.

Rating:
Summary: An excellent phantasmagoric collection!
Review: I came upon this volume by chance, after it won a translation prize from PEN, but was glad I did. Nerval seems to take up a curious position in literary history, and though is something of an eccentric, he was loved by later writers (Proust) and by artists (Joseph Cornell). The stories are strange and fantastic, travel narratives which are more journeys of the mind than actual travels. Anyone with an interest in the surreal, or in the fabular fictions of Calvino or Borges, will find these stories a delight. The stories raise questions about identity, sanity and madness, and linguisticly are truly alluring.

Also included are a number of poems and letters, which combined with the prose pieces present a great picture of the author's whole work. It seems like the best place to start for anyone who has not read Nerval before, but I'm sure that dedicated enthusiasts will find new pleasure in the excellent translation and the lucid editorial expositions that Richard Sieburth provides throughout the text.

Rating:
Summary: The Ruined Tower
Review: Nerval was the Mother of All Bohemians, a romantic eccentric who set the stage for latter-day zanies from Arthur Rimbaud to John Wieners. His most famous stunt was parading through Paris with a lobster, explaining to his friends: "He does not bark, and he knows the secrets of the deep." With the beautiful, dense, enigmatic poems in 'The Chimeras' he virtually invented literary Modernism, while 'Aurelia' is one of the most touching accounts of schizophrenia ever written (the book is worth it for these two pieces alone, along with the proto-Proustian 'Sylvie'). Nerval's tragic disintegration, ending in suicide in 1855, seems to mark the point where Romanticism turned from fantasy and Nature to madness and derangement, a pattern that still plays out in our culture in a hundred different ways. Sieburth's a little intrusive with the prefaces and footnotes--he seems anxious you might not 'get' Nerval without his help. The sections are also arranged thematically instead of chronologically, which makes it hard to trace his development as a writer. But the notes include plenty of useful biographical information, and for the money it's easily the best selection of Nerval's writings in English. A great intro to a fascinating writer.

Rating:
Summary: The Ruined Tower
Review: Nerval was the Mother of All Bohemians, a romantic eccentric who set the stage for latter-day zanies from Arthur Rimbaud to John Wieners. His most famous stunt was parading through Paris with a lobster, explaining to his friends: "He does not bark, and he knows the secrets of the deep." With the beautiful, dense, enigmatic poems in 'The Chimeras' he virtually invented literary Modernism, while 'Aurelia' is one of the most touching accounts of schizophrenia ever written (the book is worth it for these two pieces alone, along with the proto-Proustian 'Sylvie'). Nerval's tragic disintegration, ending in suicide in 1855, seems to mark the point where Romanticism turned from fantasy and Nature to madness and derangement, a pattern that still plays out in our culture in a hundred different ways. Sieburth's a little intrusive with the prefaces and footnotes--he seems anxious you might not 'get' Nerval without his help. The sections are also arranged thematically instead of chronologically, which makes it hard to trace his development as a writer. But the notes include plenty of useful biographical information, and for the money it's easily the best selection of Nerval's writings in English. A great intro to a fascinating writer.