The Crystal Frontier

Rating:
Summary: A modern look at the polarized lives on the border
Review: A fascinating look from numerous perspectives at the increasingly intermingled Mexican and U.S. frontier. The short stories range from life in the oppressive border factories pumping out goods for America to the lives of those who control this commerce, to workers entering the U.S. for menial jobs, both with a visa in relative comfort and with nothing to lose in the deserts along the Rio Grande. This book is ten times more informative, realistic, and well-written than most of the works shoved down a student's throat in any type of ethnic literature or sociology course concerning these issues. Highly recommended book by Latin America's most overlooked great author, Carlos Fuentes.

Rating:
Summary: An exercise in empathy
Review: An achingly beautiful, haunting series of interwoven stories...people I know, people I can imagine. Viewing events through the eyes of different people was reminiscent of Kurasawa's Rashomon. As a sucker for short stories, my favorite was the title piece.

Rating:
Summary: A ROLL OF THE EYES
Review: Anytime you write a bunch of short stories and try to thread them together with a cameo of characters from previous stories you're going to get into trouble. Because that's what it ends up being. A bunch of short stories that is said to comprise a "novel". It's hard to remember who's who from one story to the next because you've only been exposed to the characters for a short glimpse.

"The Crystal Frontier" is an unimaginative attempt at metaphor concocted by Fuentes to symbolize the frontier between Mexico and the United States. That boundary is not only the physical presence of the Rio Grande River but also of the differences between cultures.

The character that threads the stories together is a powerful Mexican businessman named Leonardo Barroso whose main export to America is cheap labor. He is introduced in the first story, called "A Capital Girl" in which he sets up his bookish son to be married to a beautiful girl. He also sets her up to be his mistress. Like a demented Amelie, Leonardo has a direct or indirect impact on all the short stories that follow. I guess it has something in common with chaos theory, but instead of a butterfly causing a hurricane, here we have a money grubbing exploitive Enron type affecting lives that he knows nothing about.

A few of the earlier stories are interesting and good. "Pain" is about a doomed love affair between two medical students, one of which got a scholarship from Leonardo. "Spoils" was a great story about a famous food critic and chef who offers his philsophy of why America is obese. It is also in that story that the book starts to destroy itself for me. Fuentes starts coming in through his characters about how America stole half of Mexico and about how we are inferior to the europeans in culture. It is in this story that Americans begin to be stereotyped as ruthless buzzards that are eating off the flesh of Mexico. I won't get into a rant just yet.

The rest of the stories in the "novel" run the gamut from average to poor and some are just downright an affront to the intellegence of a brain dead squirrel and are unreadable. Two of the most awful are the short story the book was named for, "The Crystal Frontier" and the last story in here, called "Rio Grande, Rio Bravo". "Frontier" is about a Mexican who is a complete failure in his hometown who is contracted to work in New York. His work is to clean the windows of an immense glass skycraper. While he is cleaning he notices a woman working, not knowing that she's there on a Saturday to get away from her domestic problems. There's this whole big moment where they basically fall in love just looking at each other straight out of a harlequin novel. It was just so cliched and awful.

For sheer Ed Wood sorriness "Rio Grande" takes the cake. All the characters in the earlier stories are brought together in an episode centering on an illegal crossing of Mexicans into Texas. Here we have the cliched white border guard who never goes out in the sun because he's afraid of tanning and showing the darkness inherit in his genes and who is sort of a closet Adolph Hitler. We have his subordinate, an American of Mexican descent, who is in a cliched scene where he confronts an illegal alien and is engrossed in a loving hug with him. Let's not forget the arrival of a Nazi skinhead motorcycle gang who proceed to slaughter the Mexicans right on cue. Oh boy. The horror. The horror. This book is so ludicrous it makes me sick. Oh, it is also interspersed with a Neruda-wannabe poem recounting Mexico's history.

I will soon be donating this book to my local library. Fuentes' prose is overblown and pompous. He tries so hard to be a poet but it can never be. It says on the back of the jacket that he is Mexico's greatest novelist. I weep for Mexico. I agree that America takes advantage of Mexico but Mexico also takes advantage of us. It's a cycle that has benefits and drawbacks but I think both countries ignore the problems. Sometimes I don't understand why Mexico has never been able to get its act together and why there even has to be the problems we have. Fuentes seems to place most if not all the responsibility on the US. He does place some blame on Mexico itself when he states that "whoever said Mexicans have the right to be well-governed?"
Obviously he likes the politics in his country enough to be an ambassador to France for it. And I have a lot of suspicion for a man who "champions the poor" when he divides his time between Mexico City and London. It must be rough trying to get by on the little amount of money he makes.

Rating:
Summary: A Fragile Crystal
Review: Carlos Fuentes is a major author in Mexican literature, with notable successes in history and fiction. In this book of 266 pages, he introduces us to the lives of a spectrum of persons living on both sides of the Mexican Border, particularly with Texas. He speaks with authority about the historical injustices involved in the American conquest of Texas, the War on Mexico, and our continuing hostile dependency on each other. The Americans need cheap labor and the Mexicans need jobs. In nine vignettes (chapters), he gives us a glimpse into the lives of various persons on both sides of the border. The Mexicans come North to go to school legally or to do menial work illegally or legally. The message in this book is quite clear. We want the Mexicans when we need them to do tasks cheaply that our own labor force will not do. We do not want the Mexicans when they become dependent on us and stress our social system for such things as health care or education. Carlos Fuentes points to the type of economic slavery that this creates, not much better than the era of slavery which Abraham Lincoln fought against. Fuentes achieves some balance in showing also the internal corruption of Mexico, and the many ways that they miss opportunities to improve themselves. The vignettes are funny, sad, passionate, and sometimes lacking in clear focus. Some characters fade into and out of various chapters creating a fabric of impressions about the life on the border. The reader has to relax and let the images flow past, with the poetic inserts by Fuentes about the various conflicts. This is clearly not his best book but in some ways it perhaps reveals more of his own most heartfelt conflicts which accumulated while he spent many years as a child and young adult in the USA. It is a particularly good book to read while you are traveling near the Mexican border and can get your own impressions of this SCENE.

Rating:
Summary: Culture Clash
Review: Carlos Fuentes is without doubt one of Mexico's most prolific writers. The fact that his novels are filled with social- political commentary makes him controversial. Some people like their novels without the authors views, others love it as they like the added "realism". Fuentes makes no qualms about his views and his portrayl of Mexicans on both sides of the border and the huge differences in cultures which create conflicts. The concept of this book is interesting but falls a little short on substance. Nine chapters detailing different peoples lives on both sides of the border and how they are interelated. The loose interweaving of the characters lives on both sides of the border are accurate and hence disturbing to some readers. The story centers around one powerful Mexican, Leonardo Barroso and various other people on both sides of the border who are loosely connected. The beauty of this book is in the authors insight into the vast differences between Mexico and the U.S. and how this plays out on his characters. Fuentes is a master of language and his imagery is magnificent. His use of language creates a world that takes on a new life as he transports the reader into his world. An example is one of his characters missing life in Mexico " Not a single tile, not one adobe brick-only marble, cement, stone, plaster, and more wrought iron, gates behind gates, gates within gates, gates facing gates, a labyrinth of gates, and the inaudible buzz of garage doors that opened with a stench of old gasoline, involuntary urinated by the herds of Porsches, Mercedes, BMWs that reposed like mastodons within the caves of the garages". Fuentes is a master at drawing vivid paralels as he creates images of Woolworths contrasted with mercados, or his symbolism of the Vatican and Washinton DC or his tirade on American TV pop culture filled with references to Elvis and filled with such diverse topics as Pat Boone, Charles and Diana jewelry from the Home Shopping Channel, credit cards, CD's with greatest hits, and my favorite, diet milkshakes. For people who live along the border this book is a riot at times and at others reflective of a sad and tragic love story, the relationship between cultures in the US and Mexico. As a character in the book reveals on a tatoo on his lower lip, We Are Everywhere. An excellent book for all interested in what makes these two countries "so far from God so close to heaven".

Rating:
Summary: Insights from the Outsider
Review: Fuentes does not bridge the gap between two colossal cultures, he defines that gap. As a gringo in his own country Mexico, and a foreigner in the US, he is qualified and capable to draw a honest and sensitive picture of these two countries and its characters. He uses the physical divide to draw a picture of what really matters to him - the poverty and impasse existence of myriads of people in Mexico. Luckily, there is only a hint of his (far leftist) politics, and we are allowed to enjoy his cultural insight, deep understanding of characters, compassion for suffering, and sense of humor. A powerful author, but short of the genius of friend and peer Gabriel Garcia Marquez.

Rating:
Summary: Un libro muy bueno.
Review: If you want to understand the complex relationship between Americans and Mexicans this is an excellent read. You'll get more out of it than any dry textbook on Mexican identity and relations with the US. It's not his best work but it is very good.