Gunnar's Daughter (Penguin Twentieth-Century Classics)

Rating:
Summary: Fast-paced tale with wonderful Scandinavian folklore...
Review: Gunnar's Daughter is a surprisingly fresh tale of love in medieval Scandanavia, written by the Nobel Prize winning Norwegian author, Sigrid Undset. This new translation is fast-paced and gripping, guaranteed to keep a modern reader turning the pages to the end, which will be a surprise. I could not put it down. As an added bonus, the introduction by Sherrill Harbison provides a fascinating examination of Undset's remarkable life and career. Highly recommended. One of the great short novels.

Rating:
Summary: A Very Fine Example of the Saga as Modern Novel
Review: In this case of medieval date rape and the grim consequences which follow hard upon it, Sigrid Undset created a wonderfully literate experience using the saga "voice". Although I detected slippages in tone, here and there, and felt the ending too contrived and overwrought to be pure saga, I was still swept along by this book, finishing it in a single sitting. It is short, yes, but also a very compelling narrative as it details the tribulations of two would-be lovers who are yet too proud and self-willed for their own good or for the society in which they find themselves. As with the typical viking hero, Viga-Ljot is overly confident of his own charms and impatient of results. And Vigdis, the maid he has set his heart on, is no less aloof and overbearing in her own way than that historical figure, Sigrid the Haughty, who so angered King Olaf Tryggvesson that he slapped her in the midst of their courtship and thereby sealed his doom. Viga-Ljot does much worse in this tale and his fate is thus forever bound up with a woman who cannot forget or forgive him. Like Gudrun Osvif's daughter in Laxdaela Saga, Vigdis bides her time and nurses her pain but, in the end, that pain is not assuaged by the actions she takes, for it is ultimately destructive to everyone it touches.

A good example of the saga form in modern literature indeed, and yet, despite the finely tuned prose of this novel, capturing the nuances and understatement of the saga voice with masterly strokes, there is an underlying stridency here, an almost emotional overreaching which is not, itself, true to the saga form. In some ways this book is too modern and its author's sensibility, at this juncture in her career, almost too young and unseasoned. Undset seems to be reaching for the tragic denouement of the Greek classics to end her tautly told tale rather than content herself with the flatly understated and finely nuanced wrap-up more appropriate to the saga form. But this Greek-like ending left me much colder than the drily tossed-off afterthought of a true saga might have done. And yet, for all that, Undset has here given us one of the best modern novels done in saga form. My hat is off to her.

Rating:
Summary: A Very Fine Example of the Saga as Modern Novel
Review: In this case of medieval date rape and the grim consequences which follow hard upon it, Sigrid Undset created a wonderfully literate experience using the saga "voice". Although I detected slippages in tone, here and there, and felt the ending too contrived and overwrought to be pure saga, I was still swept along by this book, finishing it in a single sitting. It is short, yes, but also a very compelling narrative as it details the tribulations of two would-be lovers who are yet too proud and self-willed for their own good or for the society in which they find themselves. As with the typical viking hero, Viga-Ljot is overly confident of his own charms and impatient of results. And Vigdis, the maid he has set his heart on, is no less aloof and overbearing in her own way than that historical figure, Sigrid the Haughty, who so angered King Olaf Tryggvesson that he slapped her in the midst of their courtship and thereby sealed his doom. Viga-Ljot does much worse in this tale and his fate is thus forever bound up with a woman who cannot forget or forgive him. Like Gudrun Osvif's daughter in Laxdaela Saga, Vigdis bides her time and nurses her pain but, in the end, that pain is not assuaged by the actions she takes, for it is ultimately destructive to everyone it touches.

A good example of the saga form in modern literature indeed, and yet, despite the finely tuned prose of this novel, capturing the nuances and understatement of the saga voice with masterly strokes, there is an underlying stridency here, an almost emotional overreaching which is not, itself, true to the saga form. In some ways this book is too modern and its author's sensibility, at this juncture in her career, almost too young and unseasoned. Undset seems to be reaching for the tragic denouement of the Greek classics to end her tautly told tale rather than content herself with the flatly understated and finely nuanced wrap-up more appropriate to the saga form. But this Greek-like ending left me much colder than the drily tossed-off afterthought of a true saga might have done. And yet, for all that, Undset has here given us one of the best modern novels done in saga form. My hat is off to her.

Rating:
Summary: Fast-paced tale with wonderful Scandinavian folklore...
Review: Sigrid Undset's Gunnar's Daughter weaves Scandinavian folklore, mythology and violence to ensnare the reader into the period of the Saga Age. In this book, we meet Vigdis Gunnarsdatter -- a survivor in many different levels who is raped and delivers an illegitimate child. As it is said that time heals old wounds, that is not the case with Vigdis. Even with her eventual redemption, peace of mind still eludes her until she takes her very last breath. The scope of history and folklore in Gunnar's Daughter makes this an interesting and quick read. However, it is highly recommended that the reader marks the introduction and notes by Sherrill Harbison -- as they provide much information that makes the book more insightful and pleasurable to read.

Rating:
Summary: Same old same old
Review: Undset, Lagerlof, Bjornson, Hamsun, Gustafsson; five stars aren't enough to reflect the masterpieces that they all wrote, and, in the case of Gustafsson, are still writing. Read all their books and grow a lifetime in a couple of years.

I suppose that anything that sells books makes it to the top of the page, although I appreciate that the first review I read about this book was straightforward, unbiased and sans agenda. I have been reading the great writers of the world since I learned to read. I began to explore the works of Undset, Lagerlof, Bjornson, Hamsun, Gustafsson, etc., thirty years ago and it irks me no end that the works of a Scandinavian writer like Undset, who lived in a time when women had all the rights in the world, should be referenced by your commentator from Brattleboro, VT as womens fiction. If she has read "The Master of Hestviken" or "Kristen Lavransdatter", then she must have missed all the suffering endured by the men and women. Great works of creativity do not address personal agendas. They are wrought from the soul. Lagerlofs' "Saga of Gosta Berling", another masterpiece, explores the same moral questions with a male protagonist. I say to you, dear lady from Vermont, that feminism is dead; we are all feminine and masculine regardless of our plumbing, and the last GREAT female poet, Sylvia Plath, lived the pain of that polarity until it killed her. Shame on you Amazon.com for using divisiveness and the promulgation of hatred, fear, and misunderstanding to make a buck. Publish this!!

Rating:
Summary: Same old same old
Review: Undset, Lagerlof, Bjornson, Hamsun, Gustafsson; five stars aren't enough to reflect the masterpieces that they all wrote, and, in the case of Gustafsson, are still writing. Read all their books and grow a lifetime in a couple of years.

I suppose that anything that sells books makes it to the top of the page, although I appreciate that the first review I read about this book was straightforward, unbiased and sans agenda. I have been reading the great writers of the world since I learned to read. I began to explore the works of Undset, Lagerlof, Bjornson, Hamsun, Gustafsson, etc., thirty years ago and it irks me no end that the works of a Scandinavian writer like Undset, who lived in a time when women had all the rights in the world, should be referenced by your commentator from Brattleboro, VT as womens fiction. If she has read "The Master of Hestviken" or "Kristen Lavransdatter", then she must have missed all the suffering endured by the men and women. Great works of creativity do not address personal agendas. They are wrought from the soul. Lagerlofs' "Saga of Gosta Berling", another masterpiece, explores the same moral questions with a male protagonist. I say to you, dear lady from Vermont, that feminism is dead; we are all feminine and masculine regardless of our plumbing, and the last GREAT female poet, Sylvia Plath, lived the pain of that polarity until it killed her. Shame on you Amazon.com for using divisiveness and the promulgation of hatred, fear, and misunderstanding to make a buck. Publish this!!