<< 1 >>
Rating: 
Summary: A fine translation of a great poem
Review: Frank G. Ryder's translation of the Nibelungenlied is the best that I have come across. I first became interested in this epic poem after seeing Fritz Lang's silent movie version. I loved the movie, but there were various aspects of the story which I did not fully understand. I turned to the poem for clarification and I'm glad I did, not merely because it aided my appreciation of the film, but more importantly because I thereby discovered one of the greatest works of literature. The story which the poem tells is exciting and has great depth. The characters are unforgettable. They are neither wholly good nor wholly bad. Even the villain of the piece, Hagen, eventually wins the reader's sympathy, while the heroine, Kriemhild, develops from virtuous maiden, to victim, to avenging harpy. This is a tale which shows what happens when the values of medieval times are taken to their extreme. It explores the consequences of fealty to a liege lord when such loyalty is given without question and upheld whatever the cost. It shows that honour and duty when held to rigidly, can lead to the destruction of all. For if two opposing sides remain unyielding, neither willing to lose face, each determined to maintain their reputations as bold, courageous heroes, then the result is catastrophe. Thus the poem while celebrating the virtues of medieval chivalry, at the same time implicitly criticises them. I have read, in part or in whole, various prose translations of the Nibelungelied, but found them tough going. Some mistakenly used archaic language to try to reproduce the Middle High German of the original, but worst of all, none of these translations made the epic poem seem like a poem. The Nibelungenlied does not work when turned into a sort of prose novel. It comes across as stilted and stiff. The story remains but not much else. Ryder's verse translation, on the other hand, reproduces the form of the original. He translates the epic into four line stanzas, with the fourth line slightly longer than the other three. His skill as a poet is clear, as there are over 2000 stanzas to translate and he almost always makes each verse conform to the rhythmic structure. Occasionally his rhymes can by a little forced, but this is inevitable in an English translation which attempts to faithfully reproduce the meaning of the original. At times there are just not enough rhymes in English. Ryder's Song of the Nibelungs can be beautiful in its use of language, but is above all entertaining, telling a good story well. He uses simple, everyday language which makes the book a relatively easy read. It has a useful and detailed introduction, running to some 40 pages, which is scholarly, but not exclusively for those who study medieval German. Anyone interested in the Nibelungelied, who cannot read the original, should get this translation.
Rating: 
Summary: Excellent translation, in verse (strophe) form
Review: While some translations of the Nibelungenlied are distorted into sentences, Ryder does a fine job in bringing this critical work to us in its original form, strophes - in groups of verse of about 4 lines each. The Nibelungenlied is almost essential for those traveling to Germany, for many streets and places are named after places and people in the lied. One will have a hard time understanding Germany if they have not read the country's national epic.
<< 1 >>
|
