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Lanterns on the Levee: Recollections of a Planter's Son (Library of Southern Civilization)

Lanterns on the Levee: Recollections of a Planter's Son (Library of Southern Civilization)

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Rating: 5 stars
Summary: Perceptions of a Southern Artistocrat
Review: It is true that this book attempts to explain the South, in both its physical and social aspects, from the point of view of the "landed gentry." However, a more accurate description of "Lanterns on the Levee" is that of an autobiography of William A. Percy, in which he reflects upon his life and the interesting times in which he lived. I found this book very inciteful into the mind of a southerner, and believe that Mr. Percy did a fine job of bringing his broad experiences with different cultures and social climates into this book, and using these to produce a cogent analysis of his homeland. Though not completely objective (and often bigoted by today's standards), I think that Mr. Percy did his best to "tell it as he saw it," and often admits his biases as a precursor to his analysis. The book is very poetic and philosophical in places, and includes both the subjective and emotional sentiments that one must understand in order to come to terms with "a southerner's love for the south." Additionally, I feel that Mr. Percy (especially in his last few chapters) provides the reader with thought-provoking and highly articulate observations about life, time, and human-nature. I think this book is excellent, and believe it to be a "must read" for anybody with an open-minded interest in the Missisippi Delta region, or the South in general.

Rating: 3 stars
Summary: provides insights, but read Rising Tide instead
Review: Percy's autobiogrpahy offers excellent insights into the heart and mind of those of his class (as close to an agricultural elite as this country has ever produced. But the best of this book is offered unconsciously, by accident or indirection.
If you're only going to read one book about the South, or about this elite, read John Barry's Rising Tide, a truly brilliant and magnificently-- almost breathtakingly-- written book. There you gte all of Percy's story plus more perspective and deeper understanding-- indeed, RT may even give you a deeper understanding of Percy than his autobuiography does.
If you're going to read 2 books on the South, then read RT and Mind of the South by Cash. Cash focuses more on the mindset of the rednecks, while Percy is very much an aristocrat. To a certain extent the Percy and Cash books complement each other. In fact, to Percy the word "anglo-saxon" was an insult. He considered himself descended from the Norman conquerors of the Anglo-saxons, and saw them as serfs. That little insight comes from Rising Tide.

Rating: 3 stars
Summary: A Lost Voice Of A Lost Cause
Review: This is one of those books that is almost impossible to objectively review. The writing is elegant and evocative of an era in the South that died almost in tandem with Mr. Percy and yet I find some parts of it so arrogant and condescending that I feel myself grinding my teeth. You see, I am descended from those Mississippi hill people Percy so despised and, even after all this time, I can almost see the languid gaze and soft, drawling voice. My people came to the Yazoo-Mississippi Delta after the Flood of '27 and we build and earned what we got without the benefit of the massive slave labor that built Mr. Percy's fortune.

But this is a book review and I'll put aside old feelings to say that this is a literary gem that brings to life a way of life on which so many stereotypes of the South are built. And Will Percy is amazingly honest in his descriptions of his society. However, a society this simple and yet this complex takes more than just one book to grasp.

Thus, I also recommend "Rising Tide" by John Barry and "The Most Southern Place on Earth: The Mississippi Delta and the Roots of Regional Identity" by James Cobb to balance your view of this time and place in history.

Bottom line: This is a wonderful, beautifully written story that is refreshingly candid with none of the defensiveness and politically correct breast beating of many of the works of southern writers of recent years.


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