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Rating:  Summary: "It is too dark for recognition, it is war time." Review: Breaking the Tongue is a courageous, daring and unflinching account of the fall Singapore under Japanese invasion. Weaving the personal with the historical, Loh, has written an absolutely devastating account of the fall of the "the diamond shaped jewel of the Far East." The narrative centers on a young Chinese boy Claude Lim, who has been bought up along with his little sister to be totally British in action and thought - his family can't even speak Chinese. Claude is ashamed, uncomfortable, and quite mortified at his own traditions. His father, Humphrey, a banker, a man born to serve, and his decorative, wife Cynthia spend their time cow towing to the British rulers, and insisting that the family climb as far as they can up the ladder of British acceptance and colonial authority. They crave tradition, ceremony, and aristocracy, and they are forever grateful to the British "for their unfailing leadership, their unflappable disposition." Watching them with an air of authority, and traditional judgment is Grandma Siok, who surreptitiously tries to get Claude to accept his Chinese heritage, while constantly peppering him with advice and excerpts from the ancient Art of War. Claude's life changes forever when he encounters Ling-Li, an elusive young Chinese nurse, who is acting as a spy for the British, and the stately Jack Winchester, a disparate traveler who has fallen maddeningly in love with the sites, sounds and smells of this colonial outpost. Jack and Claude form a formidable friendship, which is further cemented when Jack becomes sick, and Claude, on the eve of the Japanese invasion, with the "bombs falling and the claxons wailing" has to get urgent medical attention for him. When Jack and Claude stay to help Ling-Li with the sick, and war torn in a local medical center, both are led inadvertently into a web of intrigue, stratagems and safeguarded secrets. When the British and Australian forces crumble, so does Claude - "he loosens his hold on the world and falls." Finally, beleaguered by treachery and facing the horrors of torture he is forced to "grow up" and "face a lie of existence he cannot deny." Loh paints a portrait of a colony undergoing enormous upheavals. On the brink of multi-ethnic unrest, Indians, Malays, the Fifth Columnists and the Chinese are all vying for political superiority and are all intent on furthering their own agendas. This is a newly forming world where everything else is coming into being or disintegrating into fragments, transitions and struggle. Racism is also rife as the occupying British laud it over the native Chinese, employing them as servants and restricting them to particular areas. "It's like sorting rice - white-not white." The final part of the novel details the horrors of the Japanese invasion and the retreat of the mighty Britannia. The invasion leaves a landscape of battered fields, blackened villages, a setting fetid with corpses. In Singapore there are burning death houses, the disbelieving are maimed, the air is singed, and the Harbour is bombed and torched. Claude runs from a world "distinguished only by shades of charcoal and light." Breaking the Tongue seduces us through beautiful, stark and uncompromising language. There is a grace and simplicity of voice in the narrative that is impossible not to like. This is a gorgeous, ambitious, larger-than-life story - a real literary and artistic achievement. Mike Leonard April 04
Rating:  Summary: "The faces fused in a kaleidoscope" Review: In BREAKING THE TONGUE Vyvyane Loh successfully brings to life the myriad of cultures and languages resulting in a rich tapestry of colors and flavors of Singapore, situated at the tip of the Malay Peninsula. The days of the British Empire are numbered as the Japanese threaten to invade Singapore in the days leading up to Second World War. Within the unstable economic and political landscape is Claude Lim, a young Chinese boy who was raised to only speak the language and admire the mannerisms of England. His parents taught him that the Chinese along with other non-whites are barbarians; the British are much more civilized and cultured. There is little uncertainty that the British will succeed in protecting Singapore from the Japanese menace. Despite their initial beliefs the Japanese experience minimal difficulties advancing south through Malaysia towards Singapore. After his family flees to the relative safety of the countryside Claude is left behind to resume his studies. However, shortly after their departure the routines of everyday life are interrupted when the bombings begin and war becomes more apparent. Claude along with Brit Jack and Chinese Ling-li who strive to survive day by day while running a defunct medical clinic. They dodge bombs and the chaos of the streets to buy food and run the injured to the hospital without knowing when or if any type of normalcy will return to Singapore. One of this novel's strengths is the manner in which Loh highlights and exposes the issues of cultural identity and belonging. There is Claude who is a devout Anglophile and who has essentially turned his back on his cultural identity, Jack who is British but is interested in the peoples of Singapore, and Ling-li who is strong pro-China. These three divergent individuals bunker down and explore their own cultural identity. Throughout the course of this book Claude slowly realizes that all his father taught him is not necessarily true. He begins to regret not knowing the various Chinese dialects and opens his eyes to the futility of his parent's choices. BREAKING THE TONGUE is a book that is well worth seeking out and reading. It is filled with mystery, intrigue, and action and there's much to enjoy.
Rating:  Summary: Singapore soap opera Review: In the middle of "Breaking the Tongue", Vyvyane Loh repeats Somerset Maugham's warning that: "'A work of fiction ... is an arrangement which the author makes of his experience with the idiosyncrancies of his own personality.' In other words, if someone messed with him, he'd write him into a story." It seems that most of the ethnic groups in Singapore must have "messed" with this Malaysian author and she's written them into a mean-spirited parody of life in the island state during the 1940's. At the center of the action are the Lim's. Father Lim is a sadistic snob, who evicts a homeless family from their temporary shelter in his drainage ditch. Mother Lim is a mentally unstable self-mutilator with the morals and varnished claws of a cat. Junior is a whiny adolescent. Little Sister doesn't have a speaking part, but her Confucian saint of a grandmother makes up for it by reciting large tracts of Sun Tzu at the drop of a hat. The various members of the family detest each other and that is the only part of the book that truly makes sense. Alert readers will have noticed by now that "Breaking the Tongue" is a farce, not a literal history of Singapore. It didn't take any 'courage' to write, just a lot of spleen.
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