Shakespearean Whodunnits

Rating:
Summary: A novelty book for the Shakespeare Buff
Review: If you are a Shakespeare fan, Mike Ashley's book Shakespearean Whodnnits, a collection of short stories by various sci-fi/fantasy and mystery writers edited by Mike Ashley is a novelty book with different twists on the plot of some of the plays (e.g. Much Ado About Nothing) or an attempt to fill in the gaps in the plot (i.e. As You Like It)or the author's own new version of one of the plays (i.e. Hamlet).

Another book edited by Ashley is Classical Whodunnits which has the main persons of the short stories be characters from ancient history or from classical literature.

Rating:
Summary: Amusing But Lightweight
Review: This anthology of short stories presents alternate explanations for some of the more famous deaths and crimes in the plays of William Shakespeare (or, in some cases, provides solutions for deaths not originally explained in the Bard's works in the first place). Thus, on the one hand, there are tales dealing with the unfortunate demises of Romeo and Juliet, as well as the myriad fatalities found in "King Lear", "Macbeth", and "Hamlet". There are also stories centering on lesser known plays such as "Coriolanus" and "Cymbeline".

These 25 stories were penned by authors who, for the most part, reside in the UK and, to the extent that they're known on the American side of the pond, have some reputation in the fantasy and science fiction fields (although many of these writers are well-known in England for their mystery novels). The most recognizable names are likely to be Stephen Baxter, Kim Newman, Rosemary Aitken, Lousie Cooper, and Patricia McKillip.

Naturally, with such a large number of stories and variety of authors, the quality is going to vary wildly. "A Shadow That Dies", a treatment of "Richard III" by Mary Reed and Eric Mayer, anchors the low end in its almost incomprehensible ramblings, but is mercifully brief. Such brevity is a virtue shared by Kim Newman's "This is Illyria, Lady", a poorly conceived and indulgent meditation on "Twelfth Night". Other efforts are somewhat more interesting, but the short story form is not really kind to the mystery genre, which demands a greater length for its full development. Hence, the extent of the investigations found in many of these stories consists of the arduous task of walking across town to talk to one witness or looking under a bush to find a clue. This lack of any real intricacy mars John Aquino's "When the Dead Rise Up" (dealing with "King John"), Darrell Schweitzer's "The Death of Falstaff" (inspired by "Henry V"), Peter Garratt's "Buried Fortune" (from "Timon of Athens"), and Tom Holt's "Cinna the Poet" (centered on the aftermath of "Julius Caesar").

Fortunately, other stories are more successful. Keith Taylor in "The Banished Men" delivers a well-plotted depiction of the outlaw escapades of Valentine from "Two Gentlemen of Verona". This effort has vivid characters and a historically accurate Italian setting, along with a lovely flavor to the dialogue, and is indeed gripping enough to serve as a springboard into a full-blown novel. Meanwhile, Puck, of all characters, proves an able detective who skillfully employs deductive reasoning in Stephen Baxter's "A Midsummer Eclipse", a follow-up on the events of "A Midsummer Night's Dream". Margaret Frazer's "The Death of Kings" (from "Richard II") ingeniously creates a mystery where none was apparent in the original play, and provides its own chilling solution. Humor, albeit with a morbid twist at the end, plays a role in Susan Kelly's epistolary "Much Ado About Something" (which I hardly need say is based on "Much Ado About Nothing"), as it does in the pun-filled "Murder As You Like It", in which F. Gwynplaine MacIntyre considers an alternate fate for Duke Frederick from "As You Like It".

Also of particular note is Cherith Baldry's "The House of Rimmon", which takes place some time after the events of "The Merchant of Venice". This tale is a poignant and melancholy yet redemptive consideration of the fate of the much-slighted Shylock. Equally striking is Rosemary Aitken's "The Collaborator", one of two pieces at the end of the collection that deal not with characters from the plays, but rather with the "real" setting of Shakespeare's London and its inhabitants. Aitken postulates that the entire cycle of plays was sending a message, one warning of murders, intrigues, and treason at the highest levels. But who are the culprits and who are the victims?

While almost every author featured in this volume turns in a serviceable enough effort, few of the pieces really rise into a high level of quality. There is just enough good stuff here, though, to merit attention, and certainly this book will amuse Shakespeareans and those mystery readers who aren't going to demand to much from a short story.

Note that there is a companion volume available with similarly-themed tales.

Rating:
Summary: Fun with twisting Shakespeare
Review: This book was a mix of the good and the bad. Some of the stories were well written even if they were far fetched, while others just twisted the story. Imogen, the take off of Cymbeline, brought an entire new demension to the play, which it really needed. Still, the majority of the stories were general murder muysteries that gave the reader some satisfaction, but did not add to the original work of literature. All together it was a delightful romp through Shakespeare's plays that made me want to see them all over again. Shakespearean buffs will enjoy it.