On Night's Shore : A Novel

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Summary: New York Times review
Review: By MARILYN STASIO

The vibrant panorama of New York City in 1840 that Randall Silvis spreads before our eyes in ON NIGHT'S SHORE (Thomas Dunne/St. Martin's Minotaur...) bears little resemblance to the flat, static scenes that unroll like so much wallpaper in most historical mysteries. Even more arresting is his sleuth, a wild-eyed newspaper journalist who signs himself E. A. Poe and makes his meager living peddling sensational crime stories like the one that captures his imagination here -- the murder of a shopgirl, Mary Rogers, whose bloated body is discovered in the Hudson River by Augie Dubbins, a 10-year-old ragamuffin who narrates the tale from the vantage of an old man.

The lively investigation conducted by this oddly matched pair of sleuths is interesting in its own right, providing rich background on the seminal short story (''The Mystery of Marie Rogt'') that helped establish Poe as the father of ratiocinative detective fiction. But let's give Silvis his own creative due. Despite his mannered tendency to ape what Augie calls Poe's ''funny way with words,'' Silvis delivers pungent impressions of the living city, exploring its mansions, slums, morgue, prisons, poorhouses and opium dens for all the ambient sounds and smells that define the character of a busy, brawling, unwashed metropolis.

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Summary: Poe mystery evokes New York
Review: In the summer of 1840 a New York street urchin witnesses a young woman throw her baby, then herself, into the murky Hudson River. Making a few pennies recounting the tragedy, ten-year-old Augie Dubbins meets an impoverished young journalist, Edgar Allan Poe.

Together they discover the body of another young woman caught under the docks and embark on an investigation which takes them from the squalor of the Five Points slums to the glitter of Fifth Avenue, where Augie learns that ruthless depravity thrives at all levels of society.

Narrated by Augie many years later "On Night's Shore" seamlessly incorporates elements of Poe's later tales into the narrative - "The Mystery of Marie Roget," "The Cask of Amontillado," "The Black Cat" - without overreaching. Poe is a gloomy, driven man whose genius is beset by poverty, nagging self-doubt and bouts of drunkenness. Augie, brutalized, clever, and resourceful ("in calamity, opportunity"), attaches himself to Poe as a father figure, enchanted by his family circle of consumptive, gentle wife and strong, generous mother-in-law.

Despite occasional backsliding into, respectively, despair and opportunism, Poe and Augie bring out the best in one another and together they delve into Mary Rogers' working class life, shattering several official versions of the murder on their winding path into the bastions of city power. Atmospheric and suspenseful, Silvis' ("An Occasional Hell," "Excelsior") character-driven story brings the city to life in all its cruelty and grandeur and the writing - mannered, gritty and eloquent - evokes the voice and sensibility of the time.

Rating:
Summary: An interesting read...
Review: This mystery opens with a young boy viewing the murder and suicide of a baby and its young mother. Another body is discovered and the story begins. Resolution of the mystery surrounding the death of shopgirl Mary Rogers is augmented by the telling of the relationship between street urchin Augie and Edgar Alan Poe. It's rare to find a mystery where the reader is so taken in by the characters...a very worthwhile read.